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No Way Out (1950)

Posted By: edi1967

Date: 27 Oct 2011 00:44:52

Dr. Luther Brooks (Sidney Poitier), an intern who has just passed the state board examination to qualify for his license to practice, is the first African-American doctor at the urban county hospital at which he trained. Because he lacks self-confidence, Luther requests to work as a junior resident at the hospital for another year. Johnny (Dick Paxton) and Ray Biddle (Richard Widmark), brothers who were both shot in the leg by a policeman as they attempted a robbery, are brought to the hospital's prison ward.

IMDB Rating: 7.4/10

No Way Out (1950)

As Luther tends to the disoriented Johnny, he is bombarded with racist slurs by Ray, who grew up in Beaver Canal, the white working class section of the city. Believing that Johnny has a brain tumor, Luther administers a spinal tap, but Johnny dies during the procedure. Wondering if Ray's antagonism may have caused him to be careless, Luther consults his mentor, chief medical resident Dr. Daniel Wharton (Stephen McNally), and Wharton concedes that a brain tumor was only one possibility. Feeling that he must prove the accuracy of his diagnosis, Luther requests an autopsy, but Wharton informs him that according to state law, they cannot proceed without the permission of the deceased's family. When Ray refuses, as he does not want his brother's body to be cut up, Wharton confers with the head of the hospital, Dr. Sam Moreland (Stanley Ridges), about requisitioning an autopsy.

No Way Out (1950)

Moreland, aware that a scandal over the black doctor's actions could endanger funding, denies the request in the hope that the incident will be forgotten. Upon learning from police records that Johnny was married, Wharton and Luther visit his widow, Edie Johnson (Linda Darnell), who tells the doctors that she divorced Johnny a year and a half ago, and that she hates his whole family. Although she does not reveal it to Wharton, his sympathetic attitude persuades her to visit Ray to ask about the autopsy. Ray tells her, however, that Johnny would be alive if he had had a white doctor, and that Wharton wants to have the autopsy to cover up the truth about Luther's actions.

Edie's racist feelings are revived by Ray, with whom she had committed adultery, and he convinces her that Wharton played her for a "chump," and that she can make up for her past infidelity to Johnny by contacting Beaver Canal club owner Rocky Miller (Bert Freed) and telling him about Johnny's death. Accompanied by Ray's other brother George (Harry Bellaver), who is deaf, Edie goes to the club, where Rocky and his pals lay plans to attack the black section of town, which they call "Niggertown."

No Way Out (1950)

Although Edie desperately wishes to leave, Rocky forces her to stay. Meanwhile, Luther arrives at the hospital and learns about the upcoming attack from Lefty Jones (Dots Johnson), a black elevator operator. Luther tries to dissuade Lefty from organizing a counterattack, but Lefty reminds him of a race riot that occurred while Luther was away at school, during which Lefty and his sister were beaten. Luther then contacts Alderman Tompkins to try to avert the riot, while Lefty and a large group of blacks, including Luther's brother-in-law John (Ossie Davis, uncredited), meet and plan their strategy. Edie watches in disgust as the whites prepare their weapons, but leaves before the blacks surprise the whites by attacking first. As victims of the riots are brought in to the hospital, Wharton is called in from home. Before he departs, however, a drunken and disheartened Edie arrives at his house, and Wharton leaves her in the care of his black maid, Gladys (Amanda Randolph). Although Edie fears that Gladys will harm her because of her connection to the riot, Gladys tenderly cares for her when she collapses.

No Way Out (1950) is a black-and-white film noir directed by Joseph L. Mankiewicz, and starring Richard Widmark, Linda Darnell, Stephen McNally, and Sidney Poitier. No Way Out earns its place in the history books thanks to the searing feature film debut of Sidney Poitier, offering a formidable performance as a doctor tending to slum residents whose ethics are tested when confronted with racism, personified by Richard Widmark as the hateful robber Ray Biddle

No Way Out (1950)

Italian Synopsis

I fratelli Rey e Johnny Biddle vengono arrestati e trasportati in ospedale dopo essere rimasti feriti in un conflitto a fuoco con la polizia. Nonostante le loro proteste, vengono affidati alle cure del dott. Luther, un medico di colore. Luther, sospettando la presenza di un tumore al cervello di Johnny, decide di prelevare del liquido cerebrale per fare alcune analisi, ma durante l'intervento Johnny muore. Rey accusa il dottore di aver ucciso il fratello e rifiuta la richiesta di effettuare l'autopsia per verificare la causa del decesso. Deciso a vendicare la morte di Johnny, Rey organizza una attacco contro gli abitanti del quartiere negro. Scoppia una rissa sanguinosa tra bianchi e neri e nel frattempo Luther riesce ad ottenere l'esecuzione dell'autopsia che conferma l'esistenza del tumore. Nonostante sia venuto a conoscenza della verità Rey non si arrende, fugge dall'ospedale e tende una trappola al medico. Anche se ferito, Luther non esita ad aiutare il bandito che potrebbe morire dissanguato.

From Wikipedia

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TITOLO ORIGINALE:No Way out
REGIA: Joseph L. Mankiewicz
SCENEGGIATURA: Joseph L. Mankiewicz, Lester Samuels
ATTORI: Richard Widmark, Sidney Poitier, Stephen McNally, Linda Darnell, Mildred Joanne Smith, Harry Bellaver, Stanley Ridges, Dots Johnson, Ruby Dee, Ossie Davis, Amanda Randolph, Bill Walker, Dick Paxton
Ruoli ed Interpreti

FOTOGRAFIA: Milton R. Krasner
MONTAGGIO: Barbara McLean
MUSICHE: Alfred Newman
PRODUZIONE: DARRYL F. ZANUCK PER LA 20TH CENTURY FOX
DISTRIBUZIONE: TWENTIETH CENTURY-FOX FILM CORPORATION
PAESE: USA 1950
GENERE: Drammatico
DURATA: 106 Min
FORMATO: B/N 35 MM (1:1.37)
CRITICA:
"L'interessante vicenda, così ricca di motivi umani, è resa ancor più avvincente da una regia sicura e sensibile e da un'ottima interpretazione." ('egnalazioni Cinematografiche' vol. 29, 1950)
NOTE:
- CANDIDATO ALL'OSCAR 1951 PER LA MIGLIOR SCENEGGIATURA.

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