Stanley and Livingstone (1939) - Henry King & Otto Brower

Twentieth Century-Fox borrowed Spencer Tracy, from MGM for the sprawling (yet economically produced) historical drama Stanley and Livingstone. Tracy plays 19th-century American journalist Henry M. Stanley, an adventure-prone sort who is assigned by his editor (Henry Hull) to locate lost Scottish missionary David Livingstone (Sir Cedric Hardwicke) in darkest Africa. There are perils aplenty before the inevitable meeting in the clearing, capped by the immortal courtesy "Dr. Livingstone, I presume?" Though seriously ill, Livingstone is content ministering to the natives, declining Stanley's invitation to return home. Upon arriving back to civilization, Stanley tells his story of Dr. Livingstone, but without tangible proof, he is accused of perpetrating a fraud. Only at the very last moment is Stanley vindicated; at this point, he decides to go back to Africa to continue the late Dr. Livingstone's work. This didn't happen in real life, nor is the studio-dictated romance between Spencer Tracy and Nancy Kelly completely copacetic with the facts; outside of this, Stanley and Livingstone comes pretty close to living up to Fox's ad-campaign slogan "The Most Heroic Exploit the World Has Known." (allmovie.com by Hal Erickson)

Review:
Stanley and Livingstone is perhaps more faithful to its historical source than most Hollywood biopics, but even so it completely whitewashes the character of Henry Stanley. This is particularly true at the end, when Stanley returns to Africa, presumably a changed (and religiously inspired) man. It's totally false as history, but it makes for a great movie; for once, the studios' insistence on adding significant amounts of fiction to their fact-based products produced good drama. And Stanely is definitely a good drama, as well as a rousing adventure and an intriguing character study. The team of screenwriters have crafted a narrative that is totally engaging and peopled it with characters that leave their impressions on you, none more so than the two title characters. Henry King has directed with finesse, making sure that there's an excellent balance of action, adventure and inspiration, and even making the extraneous romantic subplot work fairly well. Of course, he's aided enormously by Spencer Tracy's towering yet nuanced performance. Tracy gets to play it both rough and pious, the adventurer and the thinker, the amoralist and the moralist, and he does so superbly. No other actor could combine gusto with restraint in the way that Tracy could, and watching his transformation from the beginning of the film to the end is a true treat. Cedric Hardwicke is also in top form as Livingstone, celebrating the man's deep religious faith without ever commenting upon it. The supporting cast is good, the cinematography evocative (even if the rear screen projections are occasionally obvious to modern viewers). All in all, Stanley is a joy to watch. (allmovie.com by <i>Craig Butler</i>)