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Rebel Samurai: Sixties Swordplay Classics (1965-1968) [The Criterion Collection ## 310-313] [Repost]

Posted By: Someonelse
Rebel Samurai: Sixties Swordplay Classics (1965-1968) [The Criterion Collection ## 310-313] [Repost]

Rebel Samurai: Sixties Swordplay Classics (1965-1968) [The Criterion Collection ## 310-313]
4xDVD9 | NTSC 16:9 (720x480) | HQ Covers + Booklets -> 58 Mb | 420 mins | Total: 25,3 Gb
Audio: Japanese AC3 1.0 @ 192 Kbps | Subs: English
Genre: Action, Drama | 7 wins | Japan

REBELLION! The political and cultural tumult of the early 1960s shook Japan as it did the rest of the world. Japanese filmmakers responded to the changing times by disguising themes of dissent in the traditional form of the swordplay film, or chanbara. Previously populated by heroic samurai, self-sacrificing ronin, and historical figures who exemplified noble Japanese virtues, the genre began embracing a new kind of hero, or antihero: the lone outcast, distrustful of authority but maintaining a personal code of honor. These four classic films, from four masters of Japanese cinema, turn a genre upside down, redefining for a modern generation the meaning of loyalty and honor, as embodied by the iconic figure of the samurai.

Criterion

The four films in this extraordinary – if thin – Rebel Samurai box set (Samurai Rebellion, Sword of the Beast, Samurai Spy and Kill!) showcase the kind of pulpy, dark power prescient samurai films can broadcast. These aren’t your typical blood-fests with seas of swordsmen running and slashing around the Japanese countryside; Rebel Samurai brings us a four-pack of exemplary, progressive movies that use the samurai visual rhetoric as the jumping-off point for concocting a narrative that is as punchy and relevant as any Japanese films of the era set in modern times.

The lone outcasts here are men who have abandoned the lives of honor and devotion they had embraced as samurai. They’ve seen the hypocrisy and greed within their clans and recognize them for the odious entities they are. They wear their samurai ethics like torn, ragged rags; they’re recognizable, but they mean nothing. The leading men in these three films have looked into the abyss and seen nothing looking back. This frightening yet liberating experience bleeds over into every aspect of their personalities and actions; more importantly, it makes for an astounding viewing experience.

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Rebel Samurai: Sixties Swordplay Classics (1965-1968) [The Criterion Collection ## 310-313] [Repost]

Samurai Rebellion (1967) [The Criterion Collection #310]
DVD9 | ISO+MDS | NTSC 16:9 (720x480) | 02:01:12 | 6,63 Gb
Audio: Japanese AC3 1.0 @ 192 Kbps | Subs: English
Genre: Drama | 6 wins | Japan

Toshiro Mifune stars as Isaburo Sasahara, an aging swordsman living a quiet life until his clan lord orders that his son marry the lord’s mistress, who has recently displeased the ruler. Reluctantly, father and son take in the woman, and, to the family’s surprise, the young couple fall in love. But the lord soon reverses his decision and demands the mistress’s return. Against all expectations, Isaburo and his son refuse, risking the destruction of their entire family. Director Masaki Kobayashi’s Samurai Rebellion is the gripping story of a peaceful man who finally decides to take a stand against injustice.

IMDB
Criterion

Saving the best for last, Masaki Kobayashi's Samurai Rebellion is the best film in a boxed set compiled of great movies. Toshiro Mifune stars as a samurai named Isaburo who is getting on in years. His life takes a strange turn when the lord of his clans orders Isaburo's only son, Yogoro (Takashi Kato), to marry the woman, Ichi (Yoko Tsukasa), he has been keeping as a mistress. Despite the fact that the poor woman has born him a son and possible heir, he's not too happy with her anymore and he wants to pawn her off on the poor guy.

Rebel Samurai: Sixties Swordplay Classics (1965-1968) [The Criterion Collection ## 310-313] [Repost]

Isaburo makes it very clear from the start that he is not in the least bit happy with this idea. He's pretty opposed to things and tries to talk his son out of accepting the ludicrous offer but it doesn't do any good, and before you know it not only has he taken the woman for his own but the two actually find love in one another's arms. Once Isaburo realizes that they do truly care for each other, he softens up a bit until the clan lord's own son is killed and he now wants his mistress back to bring on the illegitimate son she bore him as his new heir to the throne – unfortunately for all involved, Ichi is now pregnant with Yogoro's daughter and soon delivers a healthy baby girl. Once again, Isaburo gets irked by the situation and this time he confronts the lord about things.

Rebel Samurai: Sixties Swordplay Classics (1965-1968) [The Criterion Collection ## 310-313] [Repost]

The lord of the clan orders that Isaburo, Ichi, and Yogoro all kill themselves as retribution for disobeying his direct orders. They again refuse and so the lord sends a small army of his samurai to take care of things for him. Isaburo knows that the only hope he has of making things right is to head to Edo and plead his case, in turn exposing the clan lord as the bastard that he is, but with a gang of sword wielding soldiers on his tail, things could get very ugly for him.

It's pretty hard to find fault with Samurai Rebellion - it's a truly great film in every sense of the word. The cinematography is fantastic, capturing all the splendor of the time and all the detail of the costumes and sets that the film makes such excellent use of. The pacing is as tight as it needs to be without sacrificing character development or skirting on the story details, and the direction is solid and workmanlike.

Rebel Samurai: Sixties Swordplay Classics (1965-1968) [The Criterion Collection ## 310-313] [Repost]

While everyone in the film gives a great performance, it will surprise very few to hear that Mifune is the real star of the show. Filmed when he was completely on top of his game he brings such range and such sincerity to his performance that it makes the finale of the film all that much more poignant and understandable. The story of a man who gets pushed too far, who finally has no choice but to do what he thinks is the right thing regardless of where it's going to land him in the long run, Samurai Rebellion is a masterpiece of period filmmaking.
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Rebel Samurai: Sixties Swordplay Classics (1965-1968) [The Criterion Collection ## 310-313] [Repost]

Sword of the Beast (1965) [The Criterion Collection #311]
DVD9 | ISO+MDS | NTSC 16:9 (720x480) | 01:25:22 | 5,00 Gb
Audio: Japanese AC3 1.0 @ 192 Kbps | Subs: English
Genre: Action, Drama | Japan

Legendary swordplay filmmaker Hideo Gosha’s Sword of the Beast chronicles the flight of the low-level swordsman Gennosuke, who kills one of his ministers as part of a reform plot. His former comrades then turn on him, and this betrayal so shakes his sense of honor that he decides to live in the wild, like an animal. There he joins up with a motley group who are illegally mining the shogun’s gold, and, with the aid of another swordsman, gets a chance not just at survival but to recover his name and honor.

IMDB
Criterion

Another samurai film possibly influenced by Italian westerns, Hideo Gosha's Sword Of The Beast is considerably more serious in tone than Kill!, thought not quite as heavy on action and swordplay.

The movie follows the story of a samurai named Gennosuke (Mikijiro Hira), who is tricked into killing one of the bosses of his clan. He ends up on the run for although his deed was done with the most noble of intentions, the rest of the clan now see him as a murderer and are out to take him down in cold revenge. While on the run, he ends up hiding out in the mountains where he finds a samurai named Yamane and his wife panning for gold. He meets up with a thief and the two plan on stealing the gold from the samurai and his wife until a different band of thieves shows up first and take the woman hostage. Gennosuke ends up saving Yamane's wife, and the two develop a mutual, if begrudging, respect for one another.

Rebel Samurai: Sixties Swordplay Classics (1965-1968) [The Criterion Collection ## 310-313] [Repost]

As the vengeful members of Gennosuke's former clan close in on him while he's hiding out in the mountains, he learns of a grave danger facing Yamane and his wife and he sets out to warn them before it's too late, but there are more than a few small complications he's going to need to take care of before that's going to happen and one delay too many might be end up being very costly indeed.

Rebel Samurai: Sixties Swordplay Classics (1965-1968) [The Criterion Collection ## 310-313] [Repost]

Dark, moody, and plenty atmospheric, this one takes a little while to get going but once the pace picks up, it's really easy to get sucked into the film. The cinematography does an excellent job of capturing the natural beauty of the mountainous terrain where the bulk of the film was shot but also manages to heighten the action scenes when they occur by pulling in closer and creating a rather claustrophobic effect. While not as bloodthirsty a film as something like the Lone Wolf And Cub films or even Sword Of Doom, there's still plenty of action in here, especially during the final half hour where everything comes crashing down all at once, that the movie remains fairly exciting stuff.

Rebel Samurai: Sixties Swordplay Classics (1965-1968) [The Criterion Collection ## 310-313] [Repost]

Performance wise, Hira is perfectly believable as the noble lead ronin trying to save his own skin because he really doesn't have much of a choice other than to die at the hands of his former clan. Go Kato as Yamane delivers an intense performance – his honor means more than anything else in his life, a lesson his wife will soon learn the hard way.
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Rebel Samurai: Sixties Swordplay Classics (1965-1968) [The Criterion Collection ## 310-313] [Repost]

Samurai Spy (1965) [The Criterion Collection #312]
DVD9 (VIDEO_TS) | NTSC 16:9 (720x480) | 01:39:57 | 6,79 Gb
Audio: Japanese AC3 1.0 @ 192 Kbps | Subs: English
Genre: Action, Drama | Japan

Years of warfare end in a Japan unified under the Tokugawa shogunate, and samurai spy Sasuke Sarutobi, tired of conflict, longs for peace. When a high-ranking spy named Tatewaki Koriyama defects from the shogun to a rival clan, however, the world of swordsmen is thrown into turmoil. After Sasuke is unwittingly drawn into the conflict, he tracks Tatewaki, while a mysterious, white-hooded figure seems to hunt them both. By tale’s end, no one is who they seemed to be, and the truth is far more personal than anyone suspected. Director Masahiro Shinoda’s Samurai Spy, filled with clan intrigue, ninja spies, and multiple double crosses, marks a bold stylistic departure from swordplay film convention.

IMDB
Criterion

Rebel Samurai: Sixties Swordplay Classics (1965-1968) [The Criterion Collection ## 310-313] [Repost]

The film tells the story of Sasuke Sarutobi (Koji Takahashi), a man who has spent the last few years of his living serving the reigning shogunate as a spy. Now that he's a little bit older, he's tired of the lifestyle and really just wants to settle down and live a more peaceful, subdued life. Things become more complicated in his world when one of his superiors, Tatewaki Koriyama (Eiji Okada), jumps ship and decides to go work for the opposing clan, bringing many of their secrets with him.

Rebel Samurai: Sixties Swordplay Classics (1965-1968) [The Criterion Collection ## 310-313] [Repost]

This surprising turn of events understandably upsets the shogunate and his clan, and of course, Sasuke becomes tasked with the job of tracking down the defector to kill him before he can spill the beans about what they've all been up to. After quite a bit of work, Sasuke finally tracks down and meets up with the rival spy, and soon they realize that there's a third party involved in all of this – a mysterious man (the perpetually omnipresent Tetsuro Tanba) who no one is really able to recognize because he's always dressed in a white hood that hides his face. He seems to be trailing the two of them, but neither of them are sure why or what he's up to.

Rebel Samurai: Sixties Swordplay Classics (1965-1968) [The Criterion Collection ## 310-313] [Repost]

Shot with some really oddball angles and at times rather bizarre cinematography, Samurai Spy makes some interesting political points and does an interesting job of having the different parties in the film play off of one another. When the violence occurs in the film, it never feels gratuitous or over the top and instead is simply there to further the events of the story being told in the film. Parts of the film are rather subdued, such as some of the subtle character development scenes that occur, others are a little more abrupt and this makes for a movie that is ripe with contrasts both visually and in terms of the rather layered plot.
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Rebel Samurai: Sixties Swordplay Classics (1965-1968) [The Criterion Collection ## 310-313] [Repost]

Kill! (1968) [The Criterion Collection #313]
DVD9 | ISO+MDS | NTSC 16:9 (720x480) | 01:54:33 | 6,87 Gb
Audio: Japanese AC3 1.0 @ 192 Kbps | Subs: English
Genre: Action, Comedy, Drama | 1 win | Japan

In this pitch-black action comedy by Kihachi Okamoto, a pair of down-on-their-luck swordsmen arrive in a dusty, windblown town, where they become involved in a local clan dispute. One, previously a farmer, longs to become a noble samurai. The other, a former samurai haunted by his past, prefers living anonymously with gangsters. But when both men discover the wrongdoings of the nefarious clan leader, they side with a band of rebels who are under siege at a remote mountain cabin. Based on the same source novel as Akira Kurosawa’s Sanjuro, Kill! playfully tweaks samurai film convention, borrowing elements from established chanbara classics and seasoning them with a little Italian western.

IMDB
Criterion

Playing out very much like a Sergio Leone or Sergio Corbucci Spaghetti Western, a lone ronin (read: a 'man with no name' type character) named Genta (Tatsayu Nakadai) wanders into a small, destitute looking town in search of a hot meal and somewhere to rest for a while. When he shows up to the town's solitary hotel, he finds that the proprietor is dead – a victim of foul play? The samurai still needs to eat, however, and so he sets back out and happens to come across a farmer who is also looking for somewhere to stay for the night. The two begin talking and soon find out that the town has been got it's share of problems – aside from the obvious, a samurai clan and a Yakuza gang have opted to use the town as the location to settle their ongoing disputes.

Rebel Samurai: Sixties Swordplay Classics (1965-1968) [The Criterion Collection ## 310-313] [Repost]

The samurai and the farmer figure that there might be more to this than first meets the eye. The more they poke around the town, the more they learn and the more they learn the more they realize that the town isn't really so deserted after all….

Rebel Samurai: Sixties Swordplay Classics (1965-1968) [The Criterion Collection ## 310-313] [Repost]

Based on the same source material as Kurasawa's Sanjuro, Kill! has as much in common with the Italian westerns of the day as it does with Kurasawa's work, though one must keep in mind that Kurasawa's work is at least partially responsible for Leone's kicking off that movement in the first place so in a sense things have come full circle here. The themes are interchangeable in spots – a drifter teams up with an unlikely counterpart to right the wrongs of a community in which he has found himself rather than chose for himself. There are plenty of opportunities here for drama and tension and the theme music does a very nice job of sounding Morricone-esque, further solidifying the east meets western blend that Kihachi Okamoto has created.

Rebel Samurai: Sixties Swordplay Classics (1965-1968) [The Criterion Collection ## 310-313] [Repost]

With everything laid on as thick as it is in the film, some elements are obviously meant to parody the samurai genre. There are some obvious nods to better known films of the genre in here and the performances are intentionally upped to come across as unbelievably intense in spots. This all works, despite the fact that it might sound rather strange reading about it. There's plenty of style, plenty of mood, and some very effective humor here.
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The Criterion Collection release of the Rebel Samurai - Sixties Swordplay Classics boxed set looks and sound great and even if the extras are very slim, this set is still an easy recommendation for fans of Japanese samurai cinema. All four films are a lot of fun and quite enjoyable and the transfers are all top notch. Recommended
These four films are fantastic, and even though Rebel Samurai: Sixties Swordplay Classics doesn’t quite live up to its Criterion pedigree in terms of transfers or extras, it still provides one hell of a good time.

All Thanks goes to original uploaders.


No More Mirrors.

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http://www.fileserve.com/file/....SwordBeast.1965.AH.part10.rar
http://www.fileserve.com/file/....SwordBeast.1965.AH.part11.rar

Interchangable links.