BBC - Synth Britannia
2010 | English | SAT-Rip | AVI | 704x400 | XviD 1 597 Kbps 25.000 fps | MP3 192 Kbps | Lenght: 01:27:51 | 1.2 Gb
Genre: Documentary, Music | Studio: BBC Four | Subtitles: No
2010 | English | SAT-Rip | AVI | 704x400 | XviD 1 597 Kbps 25.000 fps | MP3 192 Kbps | Lenght: 01:27:51 | 1.2 Gb
Genre: Documentary, Music | Studio: BBC Four | Subtitles: No
Documentary following a generation of post-punk musicians who took the synthesiser from the experimental fringes to the centre of the pop stage.
In the late 1970s, small pockets of electronic artists including the Human League, Daniel Miller and Cabaret Volatire were inspired by Kraftwerk and JG Ballard and dreamt of the sound of the future against the backdrop of bleak, high-rise Britain.
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Duration : 1h 27mn
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Writing application : AVI-Mux GUI 1.17.8.3, Feb 16 201019:42:50
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Duration : 1h 27mn
Bit rate : 1 597 Kbps
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Frame rate : 25.000 fps
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Writing library : XviD 1.2.1 (UTC 2008-12-04)
Format/Info : Audio Video Interleave
Format profile : OpenDML
Format settings : rec
File size : 1.10 GiB
Duration : 1h 27mn
Overall bit rate : 1 795 Kbps
Writing application : AVI-Mux GUI 1.17.8.3, Feb 16 201019:42:50
Video
ID : 0
Format : MPEG-4 Visual
Format profile : Advanced Simple@L5
Format settings, BVOP : 1
Format settings, QPel : No
Format settings, GMC : No warppoints
Format settings, Matrix : Default (H.263)
Muxing mode : Packed bitstream
Codec ID : XVID
Codec ID/Hint : XviD
Duration : 1h 27mn
Bit rate : 1 597 Kbps
Width : 704 pixels
Height : 400 pixels
Display aspect ratio : 16:9
Frame rate : 25.000 fps
Color space : YUV
Chroma subsampling : 4:2:0
Bit depth : 8 bits
Scan type : Progressive
Compression mode : Lossy
Bits/(Pixel*Frame) : 0.227
Stream size : 1 004 MiB (89%)
Writing library : XviD 1.2.1 (UTC 2008-12-04)
The crossover moment came in 1979 when Gary Numan’s appearance on Top of the Pops with Tubeway Army’s Are Friends Electric heralded the arrival of synthpop. Four lads from Basildon known as Depeche Mode would come to own the new sound whilst post-punk bands like Ultravox, Soft Cell, OMD and Yazoo took the synth out of the pages of the NME and onto the front page of Smash Hits.
By 1983, acts like Pet Shop Boys and New Order were showing that the future of electronic music would lie in dance music.
Contributors include Philip Oakey, Vince Clarke, Martin Gore, Bernard Sumner, Gary Numan and Neil Tennant.