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By Brakhage: An Anthology, Volume 2 [2010] [The Criterion Collection #517] [Re-UP]

Posted By: Someonelse
By Brakhage: An Anthology, Volume 2 [2010] [The Criterion Collection #517] [Re-UP]

By Brakhage: An Anthology, Volume Two [2010]
3xDVD9 | VIDEO_TS | NTSC 4:3 | 454 mins | 7,84 Gb + 7,67 Gb + 7,45 Gb
Audio: English AC3 1.0 @ 192 Kbps | Subtitles: None | Color, Black and White
Genre: Art-house, Experimental | The Criterion Collection #517

In Criterion’s first volume of the anthology By Brakhage, we brought twenty-six astonishing works by the avant-garde film pioneer Stan Brakhage to home video for the first time. Now, in this second installment, we are proud to present thirty more of Brakhage’s visionary creations, from 1950s films to his final work, from 2003, curated by his wife, Marilyn Brakhage. Highlights of this collection include the war meditation 23rd Psalm Branch; hand-painted films from Persian Series; The Wonder Ring, made for a commission by Joseph Cornell; the autobiographical Scenes from Under Childhood, Section One; and the found-footage film Murder Psalm.

Criterion


Disc One:
Program 1: 1955–67
- THE WONDER RING - 1955 • 5 minutes, 34 seconds • 16 mm • Silent
- THE DEAD - 1960 • 10 minutes, 21 seconds • 16 mm • Silent
- TWO: CREELEY/MCCLURE - 1965 • 3 minutes, 11 seconds • 16 mm • Silent
- 23RD PSALM BRANCH - 1967 • 66 minutes, 47 seconds • 8 mm • Silent
Program 2: 1967–76
- SCENES FROM UNDER CHILDHOOD, SECTION ONE - 1967 • 23 minutes, 46 seconds • 16 mm • Silent/Monaural
- THE MACHINE OF EDEN - 1970 • 10 minutes, 45 seconds • 16 mm • Silent
- STAR GARDEN - 1974 • 20 minutes, 58 seconds • 16 mm • Silent
- DESERT - 1976 • 10 minutes, 7 seconds • Super 8 mm • Silent

Disc Two:
Program 3: 1972–82
- THE PROCESS - 1972 • 8 minutes, 1 second • 16 mm • Silent
- BURIAL PATH - 1978 • 8 minutes, 2 seconds • Super 8 mm • Silent
- DUPLICITY III - 1980 • 22 minutes, 18 seconds • 16 mm • Silent
- THE DOMAIN OF THE MOMENT - 1977 • 14 minutes, 33 seconds • 16 mm • Silent
- MURDER PSALM - 1980 • 16 minutes, 24 seconds • 16 mm • Silent
- ARABIC 12 - 1982 • 17 minutes, 1 second • Super 8 mm • Silent

Program 4: 1989–90
- VISIONS IN MEDITATION #1 - 1989 • 16 minutes, 19 seconds • 16 mm • Silent
- VISIONS IN MEDITATION #2 (MESA VERDE) - 1989 • 16 minutes, 9 seconds •16 mm • Silent
- VISIONS IN MEDITATION #3 (PLATO’S CAVE) - 1990 • 16 minutes, 36 seconds • 16 mm • Monaural
- VISIONS IN MEDITATION #4 (D. H. LAWRENCE) - 1990 • 17 minutes, 41 seconds • 16 mm • Silent

Disc Three:
Program 5: 1982, 1992, 1994
- UNCONSCIOUS LONDON STRATA - 1982 • 22 minutes, 15 seconds • Super 8 mm • Silent
- BOULDER BLUES AND PEARLS AND … - 1992 • 22 minutes, 24 seconds • 16 mm • Monaural
- THE MAMMALS OF VICTORIA - 1994 • 34 minutes, 9 seconds • 16 mm • Silent
- FROM: FIRST HYMN TO THE NIGHT—NOVALIS - 1994 • 2 minutes, 52 seconds • 16 mm • Silent

Program 6: 1995–2003
- I TAKE THESE TRUTHS - 1995 • 17 minutes, 44 seconds • 16 mm • Silent
- THE CAT OF THE WORM’S GREEN REALM - 1997 • 14 minutes, 10 seconds • 16 mm • Silent
- YGGDRASILL: WHOSE ROOTS ARE STARS IN THE HUMAN MIND - 1997 • 16 minutes, 58 seconds • 16 mm • Silent
- “. . .” REEL FIVE - 1998 • 14 minutes, 6 seconds • 16 mm • Stereo
- PERSIAN SERIES 1–3 - 1999 • Total run time: 5 minutes, 54 seconds • 16 mm • Silent
- CHINESE SERIES - 2003 • 2 minutes, 18 seconds • 35 mm • Silent

It is practically impossible to talk about experimental film without mentioning Stan Brakhage. In a career spanning almost 50 years, Brakhage completed over 350 films, ranging from nine seconds to more than four hours in length. He pushed existing techniques such as montage and fast editing, hand-held camera work, and painting and scratching directly on film stock to expand the vocabulary and possibilities of film. He influenced countless artists, including mainstream filmmakers spanning from Stanley Kubrick (2001: A Space Odyssey, 1968) to David Fincher (Se7en, 1995) and Julian Schnabel (The Diving Bell and The Butterfly, 2007), as well as countless music video directors on MTV. Brakhage’s recurring motifs are birth and death, sex as an instinctual biological act, society versus nature, spirituality, and the struggle to retain a child-like innocence in a harsh environment. Fascinated with the properties of light, he looked at the world in a different way, trying to see it with an inner eye, as if in a dream state.

By Brakhage: An Anthology, Volume 2 [2010] [The Criterion Collection #517] [Re-UP]

Brakhage was more of a visual poet than a linear storyteller. His films are filled with dazzling images and tend to be more about ideas and emotions than character or plot. Most of his movies were shot on 16mm, with occasional exceptions in 8 and 35mm. They usually have no soundtrack - thus allowing the visual pictures and editing to dictate the rhythms, rather than music or dialogue. Brakhage worked closely with The Criterion Collection on an anthology of twenty-six of his films for DVD. By Brakhage: An Anthology, Volume One was released in 2003, just before his death from cancer at age 70. Criterion has just released an additional thirty films in By Brakhage: An Anthology, Volume Two – this time collaborating with Stan's widow Marilyn and Brakhage film archivist and expert Fred Camper. Both editions are a must-see for anyone interested in avant-garde cinema or visual art.

By Brakhage: An Anthology, Volume 2 [2010] [The Criterion Collection #517] [Re-UP]

A self-described loner with poor eyesight, Stan Brakhage became fascinated with cameras and photography at a young age, completing his first film at age nineteen. Living with his wife in near-poverty, it would be almost eight years before Brakhage would start to be recognized for his talent within avant garde circles. Early highlights from this period include The Wonder Ring (1955, Volume 2) – a nostalgic documentation of the Third Avenue El train line in New York City, before it was demolished – which features ghostly images and figures reflected through moving train windows. The Dead (1960, Volume 2), filmed in the Pere-Lachaise cemetery in Paris, contemplates the veil between life and death in an almost claustrophobic montage of grave stones, underexposed film, and shots of people near the Seine river – the water possibly symbolizing life and rebirth. Window Water Baby Moving (1962, Volume 1) graphically depicts the natural home birth of his first child Myrrena. Shot in lovingly warm sunlight and edited in a circular sequence (rather than a linear one), the piece has sometimes been used as an educational film for expecting mothers, and helped bring acceptance to the ideas of recording childbirth and men being involved during the process.

By Brakhage: An Anthology, Volume 2 [2010] [The Criterion Collection #517] [Re-UP]

Stan Brakhage’s work arguably hit its zenith in this first period with several films – including the three-minute film Mothlight (1963, Volume 1), in which Brakhage attaches moth wings, grass, leaves, and other parts of nature directly onto the film stock and runs them though an optical printer, creating a beautiful, abstract and microscopic view of nature, without the use of a camera. The feature length Dog Star Man (1962-64, Volume 1) shows Stan and his dog climbing a mountain, falling into a hallucinogenic state and chopping down a tree – possibly symbolizing the death and rebirth of civilization and man’s control over his environment. The film, which utilizes most of Brakhage’s stylistic flourishes up to that time, is often called his masterpiece and may be his most representative work. Others cite the impressive and harrowing 23rd Psalm Branch (1967, Volume 2), a feature-length montage of disturbing holocaust, atomic bomb, and war footage, juxtaposed with that of charismatic leaders and parades from throughout history selling the war machine to the public. Brakhage said this film, which he revised on several occasions, was his reaction to the media coverage during the Vietnam War.

By Brakhage: An Anthology, Volume 2 [2010] [The Criterion Collection #517] [Re-UP]

The subjects of violence and death continued to be examined by Brakhage for years to come. In The Act Of Seeing With One’s Own Eyes (1971, Volume 1), Brakhage puts aside his usual fast editing to observe actual autopsies, leaving little to the imagination as bodies are dissected to the point of not even appearing human anymore. What makes the film particularly creepy isn’t the grotesque gore, but the simple notion that this is a fate awaiting all of us. By comparison, Burial Path (1978, Volume 2) seems more peaceful and contemplative, as the body of a small bird is prepared for cremation. The film looks back at the bird’s environment and possible existence in nature, before the creature is set afire, moving onto the next realm.

By Brakhage: An Anthology, Volume 2 [2010] [The Criterion Collection #517] [Re-UP]

Later films such as Boulder Blues And Pearls And… (1992, Volume 2) indicate a desperate struggle between the real world and an inner one, represented by painted images. In Murder Psalm (1980, Volume 2), Brakhage splices found footage from multiple sources together in a harried pace to consider what would push someone to kill another human being. This film was inspired by a nightmare that he had about possible repressed abuse in his childhood and the thought of killing his own mother with an axe.

By Brakhage: An Anthology, Volume 2 [2010] [The Criterion Collection #517] [Re-UP]

Not all of Brakhage is disturbingly morbid. An ambitious film like Scenes From Childhood Section One (1967, Volume 2) shows a sympathetic identification with children as they progress from the womb to dependent-yet-solitary creatures that eventually attempt to communicate with others. Also fascinating are the landscape films like Desert (1976, Volume 2) – which was mostly photographed on a table in a motel room in Suburban California – showing that desolate, lonely places and elements exist everywhere, if you choose to look for them in different ways.

By Brakhage: An Anthology, Volume 2 [2010] [The Criterion Collection #517] [Re-UP]

Stan Brakhage’s later period was dominated by hand-painted films – about a dozen appear on Volume 1 – which are heavily influenced by the work of Jackson Pollock. Although these visually complex pieces might appear at first to be random shapes and colors for the sake of being abstract, repeated viewings show distinct differences between them, as well as clarities of purpose. In the celebratory Untitled [For Marilyn] (1992, Volume 1), cited by Brakhage as his personal favorite film, the images take on an ethereal quality – some of them resembling stained-glass church windows.

By Brakhage: An Anthology, Volume 2 [2010] [The Criterion Collection #517] [Re-UP]

The gorgeous Night Music (1986, Volume 1) is somewhat reminiscent of Vincent Van Gogh’s paintings. The ambitious 17-minute I Take These Truths (1995, Volume 2) creates a dense wilderness of paint – sometimes looking like a real forest, alongside passages that look like a Twister mat gone gloriously amuck. The Persian Series 1-3 (1999, Volume 2) plays with three-dimensional images, and contain some of Brakhage’s most striking painted compositions. The second part seems to have dark spirits dancing around the screen, while a demonic butterfly materializes in the third and final section, fluttering furiously at the screen before the image implodes and the camera buries deeper into the frame like an X-Ray. The effect is beautiful and frightening.

By Brakhage: An Anthology, Volume 2 [2010] [The Criterion Collection #517] [Re-UP]

Criterion does a superb job with the transfers and packaging, with both editions containing valuable essays and extras. Volume One benefits from Stan’s direct participation, including many recorded audio introductions for the films. Volume Two – which also organizes the films so that they can be viewed in six separate programs – includes more interview footage, as well as question-and-answer sessions from the free Sunday night screenings that Brakhage hosted at the University of Boulder, Colorado for many years. In this material Brakhage comes across as a friendly, well-read academic – occasionally a little lofty in his expression, but curious about the world around him, and confident in his work and legacy. The second anthology also contains For Stan (2009) a tribute film shot by Marilyn Brakhage of her husband at work with his camera in the late 1980s and early 90s – illuminating their close relationship.

By Brakhage: An Anthology, Volume 2 [2010] [The Criterion Collection #517] [Re-UP]

Volume Two ends with Brakhage’s last work Chinese Series (2003), created in the last few weeks of his life and with the knowledge of an impending death that was likely hastened by years of working with toxic paints. Softening up 35mm film stock with his own spit and scratching Chinese shapes and symbols with his finger nails, the film is an appropriate finale to a life and career of someone who was always seeking new challenges, ways of communicating, and enlightenment.

By Brakhage: An Anthology, Volume 2 [2010] [The Criterion Collection #517] [Re-UP]

Stan Brakhage’s work isn’t for everyone. His films are densely composed, requiring full concentration and benefit from multiple viewings. They are sometimes unpleasant and deliberately repetitive. They don’t allow you to draw easy conclusions or explanations. But if you are able to approach them with fresh eyes and an open mind, these visual poems can be surprisingly accessible, enjoyable, and infinitely rewarding, staying with you long after seeing them and provoking new questions, feelings and ideas. By Brakhage: An Anthology, Volumes One and Two comprise only about fifteen percent of Stan Brakhage’s total creative output, but these DVDs make a strong case for him as one of the great visual artists of the twentieth century. He viewed the world with his own unique perspective, and found that no matter what he saw he could not look away.
By Brakhage: An Anthology, Volume 2 [2010] [The Criterion Collection #517] [Re-UP]

Special Features:
- Brakhage on Brakhage, three video encounters with the filmmaker
- For Stan, a 2009 short film by Stan Brakhage’s wife, Marilyn Brakhage
- Two segments from a 1990 video interview with Brakhage for the Boulder Arts Commission
- Footage from Brakhage’s Sunday salons at the University of Colorado
- Audio recordings of two lectures by Brakhage, one from the Beckwith Lecture Series and one on Gertrude Stein’s poem Stanzas in Meditation

By Brakhage: An Anthology, ...Criterion Collection #184]
Huge Thanks to Primolandia

No More Mirrors, Please.


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http://www.datafile.com/d/T1RJ...t517.D2.avaxhome.ru.part13.rar
http://www.datafile.com/d/T1RJ...t517.D2.avaxhome.ru.part14.rar
http://www.datafile.com/d/T1RJ...t517.D2.avaxhome.ru.part15.rar
http://www.datafile.com/d/T1RJ...t517.D2.avaxhome.ru.part16.rar

http://www.datafile.com/d/T1RJ...t517.D3.avaxhome.ru.part01.rar
http://www.datafile.com/d/T1RJ...t517.D3.avaxhome.ru.part02.rar
http://www.datafile.com/d/T1RJ...t517.D3.avaxhome.ru.part03.rar
http://www.datafile.com/d/T1RJ...t517.D3.avaxhome.ru.part04.rar
http://www.datafile.com/d/T1RJ...t517.D3.avaxhome.ru.part05.rar
http://www.datafile.com/d/T1RJ...t517.D3.avaxhome.ru.part06.rar
http://www.datafile.com/d/T1RJ...t517.D3.avaxhome.ru.part07.rar
http://www.datafile.com/d/T1RJ...t517.D3.avaxhome.ru.part08.rar
http://www.datafile.com/d/T1RJ...t517.D3.avaxhome.ru.part09.rar
http://www.datafile.com/d/T1RJ...t517.D3.avaxhome.ru.part10.rar
http://www.datafile.com/d/T1RJ...t517.D3.avaxhome.ru.part11.rar
http://www.datafile.com/d/T1RJ...t517.D3.avaxhome.ru.part12.rar
http://www.datafile.com/d/T1RJ...t517.D3.avaxhome.ru.part13.rar
http://www.datafile.com/d/T1RJ...t517.D3.avaxhome.ru.part14.rar
http://www.datafile.com/d/T1RJ...t517.D3.avaxhome.ru.part15.rar
http://www.datafile.com/d/T1RJ...t517.D3.avaxhome.ru.part16.rar

http://www.uploadable.ch/file/...t517.D1.avaxhome.ru.part01.rar
http://www.uploadable.ch/file/...t517.D1.avaxhome.ru.part02.rar
http://www.uploadable.ch/file/...t517.D1.avaxhome.ru.part03.rar
http://www.uploadable.ch/file/...t517.D1.avaxhome.ru.part04.rar
http://www.uploadable.ch/file/...t517.D1.avaxhome.ru.part05.rar
http://www.uploadable.ch/file/...t517.D1.avaxhome.ru.part06.rar
http://www.uploadable.ch/file/...t517.D1.avaxhome.ru.part07.rar
http://www.uploadable.ch/file/...t517.D1.avaxhome.ru.part08.rar
http://www.uploadable.ch/file/...t517.D1.avaxhome.ru.part09.rar
http://www.uploadable.ch/file/...t517.D1.avaxhome.ru.part10.rar
http://www.uploadable.ch/file/...t517.D1.avaxhome.ru.part11.rar
http://www.uploadable.ch/file/...t517.D1.avaxhome.ru.part12.rar
http://www.uploadable.ch/file/...t517.D1.avaxhome.ru.part13.rar
http://www.uploadable.ch/file/...t517.D1.avaxhome.ru.part14.rar
http://www.uploadable.ch/file/...t517.D1.avaxhome.ru.part15.rar
http://www.uploadable.ch/file/...t517.D1.avaxhome.ru.part16.rar
http://www.uploadable.ch/file/...t517.D1.avaxhome.ru.part17.rar

http://www.uploadable.ch/file/...t517.D2.avaxhome.ru.part01.rar
http://www.uploadable.ch/file/...t517.D2.avaxhome.ru.part02.rar
http://www.uploadable.ch/file/...t517.D2.avaxhome.ru.part03.rar
http://www.uploadable.ch/file/...t517.D2.avaxhome.ru.part04.rar
http://www.uploadable.ch/file/...t517.D2.avaxhome.ru.part05.rar
http://www.uploadable.ch/file/...t517.D2.avaxhome.ru.part06.rar
http://www.uploadable.ch/file/...t517.D2.avaxhome.ru.part07.rar
http://www.uploadable.ch/file/...t517.D2.avaxhome.ru.part08.rar
http://www.uploadable.ch/file/...t517.D2.avaxhome.ru.part09.rar
http://www.uploadable.ch/file/...t517.D2.avaxhome.ru.part10.rar
http://www.uploadable.ch/file/...t517.D2.avaxhome.ru.part11.rar
http://www.uploadable.ch/file/...t517.D2.avaxhome.ru.part12.rar
http://www.uploadable.ch/file/...t517.D2.avaxhome.ru.part13.rar
http://www.uploadable.ch/file/...t517.D2.avaxhome.ru.part14.rar
http://www.uploadable.ch/file/...t517.D2.avaxhome.ru.part15.rar
http://www.uploadable.ch/file/...t517.D2.avaxhome.ru.part16.rar

http://www.uploadable.ch/file/...t517.D3.avaxhome.ru.part01.rar
http://www.uploadable.ch/file/...t517.D3.avaxhome.ru.part02.rar
http://www.uploadable.ch/file/...t517.D3.avaxhome.ru.part03.rar
http://www.uploadable.ch/file/...t517.D3.avaxhome.ru.part04.rar
http://www.uploadable.ch/file/...t517.D3.avaxhome.ru.part05.rar
http://www.uploadable.ch/file/...t517.D3.avaxhome.ru.part06.rar
http://www.uploadable.ch/file/...t517.D3.avaxhome.ru.part07.rar
http://www.uploadable.ch/file/...t517.D3.avaxhome.ru.part08.rar
http://www.uploadable.ch/file/...t517.D3.avaxhome.ru.part09.rar
http://www.uploadable.ch/file/...t517.D3.avaxhome.ru.part10.rar
http://www.uploadable.ch/file/...t517.D3.avaxhome.ru.part11.rar
http://www.uploadable.ch/file/...t517.D3.avaxhome.ru.part12.rar
http://www.uploadable.ch/file/...t517.D3.avaxhome.ru.part13.rar
http://www.uploadable.ch/file/...t517.D3.avaxhome.ru.part14.rar
http://www.uploadable.ch/file/...t517.D3.avaxhome.ru.part15.rar
http://www.uploadable.ch/file/...t517.D3.avaxhome.ru.part16.rar

pass: www.AvaxHome.ru

Interchangable links.