Come Undone (2010)

Anna has everything she thought she could ever need: a respectable career, a caring family, and a loving partner, Alessio. But when she meets Domenico, a handsome, married waiter, her neatly ordered world begins to fall apart. They quickly fall into a heated affair, based on secret meetings, stolen caresses, cell phone fights, and endless lies. Anna's increasingly distant behavior goes unnoticed by Alessio, while Domenico's wife becomes steadily more suspicious of her husband.

As the two lovers begin to fall deeper under the spell of passion, they are faced with a life-changing choice which neither is entirely prepared to make. COME UNDONE is Silvio Soldini's third film to be distributed in the US by Film Movement, which originally released AGATA AND THE STORM in 2006 and DAYS AND CLOUDS in 2009. Long committed to telling an array of intimate stories of private and passionate relationships, in COME UNDONE Solidni explores themes of lust, forbidden desire and infidelity, and their myriad ramifications. In depicting his protagonists' clandestine affair, it was very important to Soldini that, in his words, he "shows very real characters, with problems that we all have, as if they were people that we know, in situations that we all experience." Unlike his previous purely fictional films, COME UNDONE is based on stories that a close friend of the director related to him about her own romantic affairs.

IMDB

It is hard not to feel rather sad after watching this movie, which stands out for the strong realism of both situations and characters. Realism is to be perceived in the difficulty of ordinary people having to live on precarious jobs, people for whom love and even more unfaithfulness seems a luxury, not so easy to afford. The movie reminded me of a French movie I have seen recently, "Partir", where a story of unfaithfulness and betrayal is one between a well-off but disappointed middle-age wife and a former convict. Different settings, different conditions, different endings, but same sadness. And the consciousness that whichever opinion one may have about betrayal, what is certain is that it's a dangerous means of self-destruction, mainly for women, those who lose more and find it difficult to start everything anew. The passionate love encounters between Anna and Domenico are marked by such intensity, preluding to an equally strong final sense of void and anguish. One may judge or not both characters, but some questions arise: why choosing to destroy oneself and one's family so easily? Why and what for do men and women hurt themselves? Probably unsolved questions, part of the mystery of human nature. Good, well focused and believable interpretations are delivered by Pierfrancesco Favino and Alba Rohrwacher, supported by a wise direction, which lets the viewer see the bare crudity of some human relations, together with the sometimes incomprehensible nature of human behaviour.

IMDB Reviewer

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