MathAudio Pack 2016.12.24 WiN

Room EQ
• Corrects deficiencies of room acoustics (multipoint compensation).
• Corrects acoustic imperfections of speakers.
• Avoids the pre-echo (pre-ringing) problem of conventional convolver-based room correction systems. The absence of pre-echo ensures the neutrality of the sound.
• Works in rooms, halls and outdoor venues of any size.
• Suitable for real-time applications.
• Corrects both amplitude and phase components of frequency response.
• Quells resonance peaks of frequency response while leaving the deep notches. Avoids the overcompensation which happens in conventional linearizing room correction systems.
• Manually adjustable level of compensation allows one to reach the maximum transparency of the sound.
• Supports full range of sample rates from 44,056 kHz up to 384 kHz. All sample rates are supported without resampling to avoid any possible loss in quality.
• Includes a custom target curve feature.
• Applies 64-bit signal path throughout.
• Works with USB measurement microphones (e.g. MiniDSP UMIK-1 or Dayton Audio UMM-6) or standard measurement microphones (e.g. NADY CM100 or Dayton Audio EMM-6).
• Supports microphone calibration files.
• Applies a patented method of frequency response correction.

Guitar EQ
• Helps to detect and compensate for the unwanted resonances in classical and acoustic guitars.
• Improves quality of the microphone recordings of the guitar sound.
• Works with microphones and piezo pickups.
• Provides objective means for evaluation and comparison of classical and acoustic guitars.
• Suitable for real-time applications.
• Supports both "Cut only" and "Cut and boost" methods of correction.
• Manually adjustable level of compensation allows one to reach the maximum transparency of the sound.
• Supports full range of sample rates from 44,056 kHz up to 384 kHz. All sample rates are supported without resampling to • avoid any possible loss in quality.
• Applies 64-bit signal path throughout.

Headphone EQ
• Helps to detect and compensate for the unwanted resonances in high-quality headphones and earphones.
• Includes a test signal generator.
• Includes a crossfeed feature which allows the listener to reduce the channel separation to a natural level. The crossfeed makes the headphones less fatiguing to listen to for long periods.
• Supports up to 99 compensating filters.
• Supports individual correction of left and right channels.
• Supports undo/redo operations.
• Applies 64-bit signal path throughout.
• Supports full range of sample rates from 44,056 kHz up to 384 kHz.
• Supports export to Equalizer APO (Windows). This feature allows you to use the Headphone EQ filter with YouTube, Spotify, Netflix, etc.

Microphone EQ
• Converts the sound of any microphone into the sound of any other microphone.
• Includes a measurement program which allows one to replicate any microphone.
• Ensures high accuracy of the replication.
• Allows one to record the sound of the microphones in one place (e.g. in recording studio) and generate the correction file in another place (e.g. on a home computer).
• Automatically compares microphones and generates correction algorithms. Averaged models of microphones are not used because every microphone is unique and requires a unique correction algorithm.
• Transforms a pair of identical (same model) microphones into a matched pair of microphones for stereo recording.
• Ensures verifiable quality replication. Turn your medium quality microphone into a replica of a high quality microphone and compare the sounds immediately.
• Corrects both amplitude and phase components of the microphone frequency response.
• Applies 64-bit signal path throughout.
• Supports full range of sample rates from 44,056 kHz up to 384 kHz.
• Applies a patented method of microphone correction which ensures maximum similarity between the sound of the reference microphone and the sound of the target microphone.