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Vladimir Sofronitsky - Chopin: Polonaise No.1 / Ballade No.3 / Etudes / Preludes / Waltzes / Mazurkas (2003)

Posted By: luckburz

Date: 13 Jan 2014 05:00:57

Vladimir Sofronitsky - Chopin: Polonaise No.1 / Ballade No.3 / Etudes / Preludes / Waltzes / Mazurkas (2003)

Vladimir Sofronitsky - Chopin
Polonaise No.1 / Ballade No.3 / Etudes / Preludes / Waltzes / Mazurkas
EAC+LOG+CUE | FLAC: 241 MB | Full Artwork: 41 MB | 5% Recovery Info
Label/Cat#: Denon # COCQ-83672 | Country/Year: Japan 2003, 1946-1953
Genre: Classical | Style: Romantic, Piano, Historical Recording

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

my rip [X] not my rip []

EAC

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 27. May 2013, 18:42

Vladimir Sofronitsky / Chopin: Polonaise No.1, Ballade No.3, Etudes, etc.

Used drive : PIONEER BD-RW BDR-206 Adapter: 0 ID: 2

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

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Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files\FLAC\flac.exe
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TOC of the extracted CD

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21 | 59:29.40 | 7:12.08 | 267715 | 300122

Range status and errors

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Filename F:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Chopin- Vladimir Sofronitsky - Polonaise No.1, Ballade No.3, Etudes, etc..wav

Peak level 95.4 %
Extraction speed 8.0 X
Range quality 99.9 %
Test CRC 91F1B80A
Copy CRC 91F1B80A
Copy OK

No errors occurred

AccurateRip summary

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Track 2 accurately ripped (confidence 1) [83E1D826] (AR v1)
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–– CUETools DB Plugin V2.1.3

[CTDB TOCID: o0iFb6ETSsKEEVox3kDluP0epaM-] disk not present in database, Submit result: o0iFb6ETSsKEEVox3kDluP0epaM- has been uploaded

==== Log checksum 95515F0A487794F002C30294903029EE0CA9984DEE271EE116663667741D975A ====

Dynamic

foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2013-06-04 10:02:39

––––––––––––––––––––––––––––––––––––––––
Analyzed: Vladimir Sofronitsky / Chopin: Polonaise No.1, Ballade No.3, Etudes, etc.
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -1.78 dB -17.91 dB 6:44 01-Polonaise No. 1
DR12 -0.48 dB -17.93 dB 4:08 02-Etude Op. 10 No. 3
DR13 -6.57 dB -24.68 dB 3:31 03-Etude Op. 10 No. 6
DR11 -4.76 dB -20.83 dB 2:04 04-Etude Op. posth. …from 3 New Etudes
DR11 -1.93 dB -17.65 dB 0:38 05-Prelude Op. 28 No. 1
DR15 -8.87 dB -28.68 dB 2:18 06-Prelude Op. 28 No. 2
DR11 -2.28 dB -17.20 dB 1:16 07-Prelude Op. 28 No. 12
DR14 -3.66 dB -22.95 dB 3:37 08-Prelude Op. 28 No. 13
DR11 -2.79 dB -17.70 dB 2:48 09-Waltz Op. 64 No. 3
DR14 -3.44 dB -22.93 dB 4:10 10-Waltz Op. 69 No. 1
DR9 -5.40 dB -19.44 dB 2:04 11-Waltz Op. 70 No. 1
DR12 -6.05 dB -22.99 dB 3:28 12-Waltz Op. 70 No. 3
DR13 -1.72 dB -20.92 dB 2:57 13-Mazurka Op. 24 No. 1
DR12 -2.02 dB -17.96 dB 4:17 14-Mazurka Op. 17 No. 3
DR11 -0.84 dB -18.65 dB 1:25 15-Mazurka Op. 33 No. 3
DR11 -1.42 dB -17.21 dB 2:52 16-Mazurka Op. 41 No. 1
DR13 -0.41 dB -19.92 dB 2:10 17-Mazurka Op. 41 No. 2
DR15 -0.60 dB -20.83 dB 4:50 18-Mazurka Op. 50 No. 3
DR14 -1.81 dB -22.31 dB 2:42 19-Mazurka Op. 68 No. 2
DR13 -3.19 dB -22.60 dB 1:31 20-Mazurka Op. 68 No. 3
DR10 -2.40 dB -17.58 dB 7:12 21-Ballade 3 Op. 47
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 21
Official DR value: DR12

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 482 kbps
Codec: FLAC
================================================================================

CD Info:

Vladimir Sofronitsky - Chopin

Polonaise No.1 / Ballade No.3 / Etudes / Preludes / Waltzes / Mazurkas

Label: Denon
Catalog#: COCQ-83672
Format: CD, Compilation, Reissue, Mono
Country: Japan
Released: 2003, 1946-1953
Genre: Classical
Style: Romantic, Piano

Tracklist:

1 Polonaise No. 1 6:44
2 Etude Op. 10 No. 3 4:08
3 Etude Op. 10 No. 6 3:31
4 Etude Op. posth. …from 3 New Etudes 2:04
5 Prelude Op. 28 No. 1 0:38
6 Prelude Op. 28 No. 2 2:18
7 Prelude Op. 28 No. 12 1:16
8 Prelude Op. 28 No. 13 3:37
9 Waltz Op. 64 No. 3 2:48
10 Waltz Op. 69 No. 1 4:10
11 Waltz Op. 70 No. 1 2:04
12 Waltz Op. 70 No. 3 3:28
13 Mazurka Op. 24 No. 1 2:57
14 Mazurka Op. 17 No. 3 4:17
15 Mazurka Op. 33 No. 3 1:25
16 Mazurka Op. 41 No. 1 2:52
17 Mazurka Op. 41 No. 2 2:10
18 Mazurka Op. 50 No. 3 4:50
19 Mazurka Op. 68 No. 2 2:42
20 Mazurka Op. 68 No. 3 1:31
21 Ballade 3 Op. 47 7:12

Licensed by Radio Ostankino, Moscow

Vladimir Vladimirovich Sofronitsky (or Sofronitzky, Russian: Владимир Владимирович Софроницкий, Vladimir Sofronitskij; May 8 [O.S. April 25] 1901 – August 26, 1961) was a Soviet-Russian classical pianist, best known as an interpreter of the Russian composer Alexander Scriabin, whose daughter he married.

Vladimir Sofronitsky was born to a physics teacher father and a mother from an artistic family. In 1903, his family moved to Warsaw, where he started piano lessons with Anna Lebedeva-Getcevich (a student of Nikolai Rubinstein), and later (at age nine) with Aleksander Michałowski.

From 1916 to 1921, Sofronitsky studied in the Petrograd Conservatory under Leonid Nikolayev, where Dmitri Shostakovich, Maria Yudina, and Elena Scriabina, the eldest daughter of the deceased Alexander Scriabin, were among his classmates. He met Scriabina in 1917 and married her in 1920. While he had already divulged a sympathy for the piano music of the recently deceased mystic composer—as attested by Yudina—he now had a greater intellectual and emotional connection to Scriabin's works through his wife and through the Scriabin in-laws. Sofronitsky was also acclaimed as an outstanding pianist by the composer Alexander Glazunov and the musicologist and critic Alexander Ossovsky.

He gave his first solo concert in 1919, and his only foreign tour in France between 1928 and 1929. The only other time he performed outside the Soviet Union was at the Potsdam Conference in 1945, when he was suddenly sent by Stalin to play for the allied leaders.

Sofronitsky taught at the Leningrad Conservatory from 1936 to 1942, and then at the Moscow Conservatory until his death.

He gave many performances at the Scriabin Museum in Moscow, especially during the latter part of his career.

Sofronitsky made a fair number of recordings in the last two decades of his life, but a relatively small number overall compared with the titanic efforts of his younger countrymen Sviatoslav Richter and Emil Gilels. Drawn principally to Romantic repertoire, Sofronitsky recorded a large number of Scriabin works and also compositions by Beethoven, Schubert, Chopin, Schumann, Liszt, Lyadov, Rachmaninoff, Medtner, Prokofiev, and others.

His daughter is the Canadian classical pianist Viviana Sofronitsky.

Having met Scriabin's daughter only after her father's death, Sofronitsky never met the composer. Nevertheless, his wife vouched that the pianist was the most authentic interpreter of her late father's works. The other composer with whom Sofronitsky had the greatest affinity is Frédéric Chopin. He once told an interviewer: "A love for Chopin has followed me through the course of my entire life." Beyond Chopin and Scriabin, Sofronitsky had a wide repertoire spanning major composers from Johann Sebastian Bach to Nikolai Medtner and reaching as far as the works of Boris Goltz (1913–1942), with a focus on 19th-century Romantic composers and early 20th-century Russians.

Although little known in the West, never having toured or recorded there, Sofronitsky was held in the highest regard in his native land. Sviatoslav Richter and Emil Gilels looked up to Sofronitsky as their master, and famously, when Sofronitsky once drunkenly proclaimed that Richter was a genius, in return Richter toasted him and proclaimed him a god. Upon hearing of Sofronitsky's death, Gilels was reputed to have said that "the greatest pianist in the world has died."

Sofronitsky's recordings have not been issued systematically in the West. One noteworthy release, in BMG's "Russian Piano School" series, contains a complete concert, including a mercurial and highly praised account of Schumann's Piano Sonata No. 1, Op. 11. His issue in Philips' Great Pianists of the Twentieth Century features Chopin mazurkas and waltzes on the first CD and some of his legendary Scriabin on the second, including the 2nd (first movement), 3rd, 4th, and 9th sonatas and a performance of Vers la flamme. Denon Classics' (Japan) Vladimir Sofronitsky Edition is a series of 15 CDs, ten of which remain in print. Other Sofronitsky recordings have been issued by such labels as Arkadia, Arlecchino, Chant du Monde, Multisonic, Urania, and, most notably, Vista Vera, which has released seventeen volumes of Sofronitsky recordings as of April, 2010.

He was awarded a Stalin Prize of the first class in 1943 and proclaimed an Honoured Artist of the RSFSR in 1942. wikipedia

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