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The Rubinstein Collection Volume 16 - Chopin Preludes & Piano Sonata 2

Posted By: wursthans
The Rubinstein Collection Volume 16 - Chopin Preludes & Piano Sonata 2

The Rubinstein Collection Volume 16 - Chopin Preludes & Piano Sonata 2
Genre: Romantic Solo Piano | 1 CD | EAC & FLAC (CUE+LOG) | Complete Covers & PDF | 250 MB
1946 recording, 1999 release | Publisher: RCA Red Seal 09026 63016-2
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Works/Tracks


1. (00:00:50) Preludes, Opus 28: I. Agitato in C major
2. (00:01:57) Preludes, Opus 28: II. Lento in A minor
3. (00:00:54) Preludes, Opus 28: III. Vivace in G major
4. (00:01:50) Preludes, Opus 28: IV. Largo in E minor
5. (00:00:31) Preludes, Opus 28: V. Molto allegro in D major
6. (00:01:52) Preludes, Opus 28: VI. Lento assai in B minor
7. (00:00:54) Preludes, Opus 28: VII. Andantino in A major
8. (00:01:45) Preludes, Opus 28: VIII. Molto agitato in F-sharp minor
9. (00:01:20) Preludes, Opus 28: IX. Largo in E major
10. (00:00:34) Preludes, Opus 28: X. Molto allegro in C-sharp minor
11. (00:00:39) Preludes, Opus 28: XI. Vivace in B major
12. (00:01:03) Preludes, Opus 28: XII. Presto in G-sharp minor
13. (00:03:34) Preludes, Opus 28: XIII. Lento in F-sharp major
14. (00:00:29) Preludes, Opus 28: XIV. Allegro in E-flat minor
15. (00:04:32) Preludes, Opus 28: XV. Sostenuto in D-flat major
16. (00:01:03) Preludes, Opus 28: XVI. Presto con fuoco in B-flat minor
17. (00:03:40) Preludes, Opus 28: XVII. Allegretto in A-flat major
18. (00:00:45) Preludes, Opus 28: XVIII. Molto allegretto in F minor
19. (00:01:21) Preludes, Opus 28: XIX. Vivace in E-flat major
20. (00:01:35) Preludes, Opus 28: XX. Largo in C minor
21. (00:01:53) Preludes, Opus 28: XXI. Cantabile in B-flat major
22. (00:00:44) Preludes, Opus 28: XXII. Molto agitato in G minor
23. (00:01:09) Preludes, Opus 28: XXIII. Moderato in F major
24. (00:02:18) Preludes, Opus 28: XXIV. Allegro appassionato in D minor
25. (00:04:16) Berceuse in D-flat major, Opus 57
26. (00:09:09) Barcarolle in F-sharp major, Opus 60
27. (00:04:59) Sonata for Piano No. 2 in B-flat minor, Opus 35 'Funeral March': I. Grave - Doppio movimento
28. (00:05:48) Sonata for Piano No. 2 in B-flat minor, Opus 35 'Funeral March': II. Scherzo
29. (00:08:38) Sonata for Piano No. 2 in B-flat minor, Opus 35 'Funeral March': III. Marche funebre. Lento
30. (00:01:25) Sonata for Piano No. 2 in B-flat minor, Opus 35 'Funeral March': IV. Finale. Presto
31. (00:04:23) Impromptu No. 3 in G-flat major, Opus 51

Performers

Arthur Rubinstein (piano)

EAC extraction logfile from 8. July 2007, 16:26 for CD
Arthur Rubinstein / The Rubinstein Collection Volume 16 (RCA Red Seal 09026 63016-2)

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Delete leading and trailing silent blocks : No
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Track 1
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Track 2
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Track 3
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Track 4
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Track 5
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Track 6
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Track 7
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Track 10
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Track 12
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Track 13
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Track 14
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Track 15
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Track 16
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Track 17
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Track 21
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Track 26
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Track 28
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Track 29
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Track 30
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Track 31
Filename C:\The Rubinstein Collection Volume 16 - Chopin Preludes etc. (199) [FLAC]\31 - Impromptu No. 3 in G-flat major, Opus 51.wav

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No errors occured


End of status report


Recording Information

recorded in 1946
released in 1999
RCA Red Seal 09026 63016-2



Reviews

Arthur Rubinstein was the 20th Century's most influential exponent of Chopin's music. But genius doesn't operate on an assembly line basis, and Rubinstein's gift for Chopin largely escaped him when these recordings were made.

Rubinstein was generally more at home in the larger Chopin works, where broad narrative sweep and Rubinstein's instinctive understanding of musical architecture served him well. The shorter pieces, such as the Etudes and Preludes, were more tricky for him–perhaps the reason why there are no authorized recordings of the Etudes (except the Trois Novelles Etudes) and only one complete recording of the Preludes. In this recording, from the late 1940s, the Preludes are dispatched in a rather perfunctory fashion, with very little individuality or poetry. Music lovers looking for these small masterpieces on CD are best advised to obtain recordings by Bolet, Argerich, Cortot, or Cherkassky.

The Sonata, Op. 35, is played well enough here–although Rubinstein tends to pound in outer sections of the Scherzo. The pianist's 1961 stereo remake is to be preferred here. There is an equally fine recording by Horowitz (1962, Sony) and the mightiest version of all, Rachmaninoff's (1930, BMG).

The other performances on this CD are fine, but the stereo versions are still to be preferred. The mono sound throughout is rather hard and airless. (Hank Drake on amazon.com)



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