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Sinéad O'Connor - Universal Mother (1994) {original japanese pressing}

Posted By: luckburz
Sinéad O'Connor - Universal Mother (1994) {original japanese pressing}

Sinéad O'Connor - Universal Mother
EAC+LOG+CUE | FLAC: 264 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Toshiba-EMI Ltd. # TOCP-8381 | Country/Year: Japan 1994
Genre: Rock, Pop | Style: Pop Rock

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

selfrip [X] not my rip []

Sinéad O'Connor - Universal Mother (1994) {original japanese pressing}


Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 16. October 2012, 15:39

Sinéad O'Connor / Universal Mother

Used drive : PIONEER BD-RW BDR-206 Adapter: 0 ID: 2

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 0:38.12 | 0 | 2861
2 | 0:38.12 | 5:11.68 | 2862 | 26254
3 | 5:50.05 | 5:31.57 | 26255 | 51136
4 | 11:21.62 | 3:09.33 | 51137 | 65344
5 | 14:31.20 | 0:24.07 | 65345 | 67151
6 | 14:55.27 | 2:48.30 | 67152 | 79781
7 | 17:43.57 | 2:37.55 | 79782 | 91611
8 | 20:21.37 | 4:22.40 | 91612 | 111301
9 | 24:44.02 | 4:26.43 | 111302 | 131294
10 | 29:10.45 | 4:29.45 | 131295 | 151514
11 | 33:40.15 | 3:11.15 | 151515 | 165854
12 | 36:51.30 | 1:56.10 | 165855 | 174564
13 | 38:47.40 | 4:56.55 | 174565 | 196819
14 | 43:44.20 | 6:25.72 | 196820 | 225766


Range status and errors

Selected range

Filename F:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Sinéad O'Connor - Universal Mother.wav

Peak level 85.1 %
Extraction speed 7.0 X
Range quality 99.9 %
Test CRC 95DC00F1
Copy CRC 95DC00F1
Copy OK

No errors occurred


AccurateRip summary

Track 1 cannot be verified as accurate (confidence 200) [1B1B3373], AccurateRip returned [B463C37E] (AR v2)
Track 2 cannot be verified as accurate (confidence 200) [A30B9B98], AccurateRip returned [17D199DA] (AR v2)
Track 3 cannot be verified as accurate (confidence 200) [3E28D47D], AccurateRip returned [DB834398] (AR v2)
Track 4 cannot be verified as accurate (confidence 200) [72E76981], AccurateRip returned [0ECF6D14] (AR v2)
Track 5 cannot be verified as accurate (confidence 200) [AE8A2E65], AccurateRip returned [9FECEADB] (AR v2)
Track 6 cannot be verified as accurate (confidence 200) [39BD59E5], AccurateRip returned [3FE9CF64] (AR v2)
Track 7 cannot be verified as accurate (confidence 200) [43B13BB8], AccurateRip returned [E8FB3DC9] (AR v2)
Track 8 cannot be verified as accurate (confidence 200) [B30E08BC], AccurateRip returned [DC50A4E8] (AR v2)
Track 9 cannot be verified as accurate (confidence 200) [379EBC0F], AccurateRip returned [1CB40133] (AR v2)
Track 10 cannot be verified as accurate (confidence 200) [650E780B], AccurateRip returned [0BADA4F1] (AR v2)
Track 11 cannot be verified as accurate (confidence 200) [F7FE6E83], AccurateRip returned [E1CAA0B6] (AR v2)
Track 12 cannot be verified as accurate (confidence 200) [F79C15B2], AccurateRip returned [2BE4C7A3] (AR v2)
Track 13 cannot be verified as accurate (confidence 200) [6DF0C443], AccurateRip returned [D374AD68] (AR v2)
Track 14 cannot be verified as accurate (confidence 200) [7F4E329A], AccurateRip returned [7451B394] (AR v2)

No tracks could be verified as accurate
You may have a different pressing from the one(s) in the database

End of status report

–– CUETools DB Plugin V2.1.3

[CTDB TOCID: eat0zPzA0Jd8_s5EU7C0CLY3LcE-] found, Submit result: eat0zPzA0Jd8_s5EU7C0CLY3LcE- has been submitted
[b8ac9b3e] (269/269) No match


==== Log checksum 6696AF158BB3D9C649868BF59095A215F7221F63A9F31974E4076643A0043740 ====

foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2012-11-06 22:19:33

––––––––––––––––––––––––––––––––––––––––
Analyzed: Sinéad O'Connor / Universal Mother
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -16.84 dB -32.21 dB 0:38 01-The Charge Of The Goddess
DR9 -1.40 dB -12.46 dB 5:12 02-Fire On Babylon
DR11 -1.43 dB -16.82 dB 5:32 03-John, I Love You
DR12 -7.15 dB -25.09 dB 3:09 04-My Darling Child
DR7 -24.26 dB -33.55 dB 0:24 05-Am I A Human?
DR9 -1.40 dB -16.47 dB 2:48 06-Red Football
DR16 -3.04 dB -24.81 dB 2:38 07-All Apologies
DR14 -2.40 dB -19.62 dB 4:23 08-A Perfect Indian
DR14 -2.98 dB -21.18 dB 4:27 09-Scorn Not His Simplicity
DR12 -1.40 dB -17.97 dB 4:30 10-All Babies
DR13 -1.40 dB -20.62 dB 3:11 11-In This Heart
DR10 -8.39 dB -22.95 dB 1:56 12-Tiny Grief Song
DR10 -1.68 dB -14.12 dB 4:57 13-Famine
DR11 -1.70 dB -15.73 dB 6:26 14-Thank You For Hearing Me
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 14
Official DR value: DR12

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 736 kbps
Codec: FLAC
================================================================================



CD Info:

Sinead O'Connor - Universal Mother

Label: Toshiba-EMI Ltd.
Catalog#: TOCP-8381
Format: CD, Album
Country: Japan
Released: 1994
Genre: Rock, Pop

Tracklist:

1 - The Charge Of The Goddess 0:38
2 - Fire On Babylon 5:12
3 - John, I Love You 5:32
4 - My Darling Child 3:09
5 - Am I A Human? 0:24
6 - Red Football 2:48
7 - All Apologies 2:38
8 - A Perfect Indian 4:23
9 - Scorn Not His Simplicity 4:27
10 - All Babies 4:30
11 - In This Heart 3:11
12 - Tiny Grief Song 1:56
13 - Famine 4:57
14 - Thank You For Hearing Me 6:26

Fix Price Japan: ¥ 2.500

Sinéad O'Connor - Universal Mother (1994) {original japanese pressing}


Universal Mother is the fourth album by Irish singer Sinéad O'Connor. It was released in 1994, and sold 1.5 million copies worldwide. wikipedia

By Stephanie Zacharek
October 6, 1994

On Universal Mother, Sinéad O'Connor tells us more about herself than we probably should know. It's record making as therapy, the byproduct of feelings still only half worked out, a bundle of self-revelations left suspended, twisting in the wind. It wobbles between being an awful record and a remarkable one, and maybe that's why it works: It swings so wildly that it never sinks into that deathly muddy middle ground.

More than half the songs on Universal Mother sound so tenderhearted, you could almost close your ears to the rage marbled through them. The most openly rancorous songs are actually the least affecting: The simmered wrath of "Red Football" is botched by an unintentionally goofy beer-hall-from-hell chorus, and the political rant "Famine" can't match the charring intensity of "Black Boys on Mopeds," from O'Connor's I Do Not Want What I Haven't Got (1990).

But O'Connor isn't just draining her wounds here. The record is raw but in a buffed, alabaster way: It's built largely on delicate piano-based arrangements, with an occasional lanky groove worked in. What's more, O'Connor fights against fixating too much on her own troubled psyche. A handful of songs deal squarely with the kind of cruelty a mother can inflict on her child ("She's taken everything I liked"), but an even bigger handful reinforce O'Connor's protectiveness of every child's childhood. The lullaby "My Darling Child" threatens to turn treacly, but when O'Connor addresses her kid as both "me little street fighter" and "me little lamby," you realize how desperately she's trying to arm him for battle with a terrible world.

Junior psychoanalysts will have a field day with Universal Mother, trying to untangle lines like "You were born on the day my mother was buried" as if they were Chinese puzzles. But less important than what O'Connor says is how she says it. Her rage is distilled in droplets, finding its way through her tissue-fragile voice like blood seeping through gauze. She's not falling apart on this record — she's holding herself together — and it's infinitely more terrifying that way. 4/5 rolling stone
Sinéad O'Connor - Universal Mother (1994) {original japanese pressing}

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