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The Byrds - Live at the Fillmore West February 1969

Posted By: bumbo
The Byrds - Live at the Fillmore West February 1969

The Byrds - Live at the Fillmore West February 1969
Rock/Country-Rock | EAC (APE+CUE+LOG) | full 300dpi scans | 342 MB
Columbia | 1969/2000 | 4950802

Recorded by Columbia engineers in February 1969, this is an early show by the first Byrds lineup.

Tracks
01 Nashville West Parsons, White 1:57
02 You're Still on My Mind McDaniel 1:57
03 Pretty Boy Floyd Guthrie 3:12
04 Drug Store Truck Drivin' Man McGuinn, Parsons 2:27
05 Medley: Turn! Turn! Turn! (To Everything There Is a Season)/Mr … Book of Ecclesiastes … 9:46
06 Close up the Honkey Tonks Simpson 2:59
07 Buckaroo Morris 2:01
08 The Christian Life Louvin, Louvin 2:09
09 Time Between Hillman 2:08
10 King Apathy III McGuinn 3:14
11 Bad Night at the Whiskey McGuinn, Richards 3:50
12 This Wheel's on Fire Danko, Dylan 4:17
13 Sing Me Back Home Haggard 3:07
14 So You Want to Be a Rock 'n' Roll Star Hillman, McGuinn 2:36
15 He Was a Friend of Mine McGuinn, Traditional 2:32
16 Chimes of Freedom Dylan 3:23

Review by Richie Unterberger
Recorded by Columbia engineers in February 1969, this is an early show by the first Byrds lineup to feature only one original member: founding member Roger McGuinn and Clarence White on guitars, John York on bass, and Gene Parsons on drums. Despite the recent departures of Chris Hillman and Gram Parsons for the Flying Burrito Brothers, the sound and repertoire are still very much in the Byrds' country-rock phase, many of the 16 tracks coming from the Sweetheart of the Rodeo and Dr. Byrds & Mr. Hyde albums. The big mid-'60s hits are revisited in a medley, and a few other songs first recorded in the pre-White days — "So You Want to Be a Rock 'n' Roll Star" and "Chimes of Freedom" among them — also show up. There are also covers of Merle Haggard and Buck Owens tunes that would not show up on Byrds albums. It's a pleasant but not outstanding set, probably of most interest to those who enjoy White's guitar playing. He and McGuinn work pretty well together here, but the timing of the band as a whole is sometimes tenuous, and the vocal harmonies are not as full as those of other Byrds configurations.


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