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Phish - Joy (2009)

Posted By: luckburz
Phish - Joy (2009)

Phish - Joy
EAC+LOG+CUE | FLAC: 375 MB | Full Artwork: 114 MB | 5% Recovery Info
Label/Cat#: Jemp Records # JEMP1049 | Country/Year: US 2009
Genre: Rock | Style: Hard Rock, Psychedelic Rock, Arena Rock, Prog Rock, Jam Rock

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

my rip [X] not my rip []

Phish - Joy (2009)


Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 17. August 2013, 14:19

Phish / Joy

Used drive : PIONEER BD-RW BDR-206 Adapter: 0 ID: 2

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 5:37.07 | 0 | 25281
2 | 5:37.07 | 4:40.25 | 25282 | 46306
3 | 10:17.32 | 4:24.14 | 46307 | 66120
4 | 14:41.46 | 4:03.37 | 66121 | 84382
5 | 18:45.08 | 3:35.33 | 84383 | 100540
6 | 22:20.41 | 5:28.63 | 100541 | 125203
7 | 27:49.29 | 5:03.52 | 125204 | 147980
8 | 32:53.06 | 1:57.15 | 147981 | 156770
9 | 34:50.21 | 13:29.40 | 156771 | 217485
10 | 48:19.61 | 5:09.51 | 217486 | 240711


Range status and errors

Selected range

Filename F:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Phish - Joy.wav

Peak level 97.7 %
Extraction speed 1.1 X
Range quality 100.0 %
Test CRC 42530E71
Copy CRC 42530E71
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 2) [8EC342EC] (AR v2)
Track 2 accurately ripped (confidence 2) [8551169D] (AR v2)
Track 3 accurately ripped (confidence 2) [3208341D] (AR v2)
Track 4 accurately ripped (confidence 2) [485000AB] (AR v2)
Track 5 accurately ripped (confidence 2) [B4EC9970] (AR v2)
Track 6 accurately ripped (confidence 2) [8F968736] (AR v2)
Track 7 accurately ripped (confidence 2) [A73D30C9] (AR v2)
Track 8 accurately ripped (confidence 2) [B1EB5A0F] (AR v2)
Track 9 accurately ripped (confidence 2) [61D87A8B] (AR v2)
Track 10 accurately ripped (confidence 2) [810DE925] (AR v2)

All tracks accurately ripped

End of status report

–– CUETools DB Plugin V2.1.3

[CTDB TOCID: E6jsu5UIiNCusY5R761bX.6B07I-] found, Submit result: E6jsu5UIiNCusY5R761bX.6B07I- has been confirmed
[2048591d] (68/68) Accurately ripped


==== Log checksum F06043B88F2351C0F7293F5E376352A501AF7395136697EC8843E92FF1E20BC8 ====

foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2013-08-27 12:58:50

––––––––––––––––––––––––––––––––––––––––
Analyzed: Phish / Joy
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR8 -0.20 dB -9.41 dB 5:37 01-Backwards Down the Number Line
DR8 -0.20 dB -9.50 dB 4:40 02-Stealing Time from the Faulty Plan
DR9 -0.20 dB -10.88 dB 4:24 03-Joy
DR9 -0.20 dB -10.75 dB 4:03 04-Sugar Shack
DR9 -0.20 dB -10.49 dB 3:35 05-Ocelot
DR8 -0.20 dB -9.33 dB 5:29 06-Kill Devil Falls
DR7 -0.20 dB -9.37 dB 5:04 07-Light
DR8 -0.20 dB -10.65 dB 1:57 08-I Been Around
DR8 -0.20 dB -9.66 dB 13:30 09-Time Turns Elastic
DR8 -0.20 dB -9.63 dB 5:10 10-Twenty Years Later
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 10
Official DR value: DR8

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 932 kbps
Codec: FLAC
================================================================================



CD Info:

Phish ‎– Joy

Label: Jemp Records
Catalog#: JEMP1049
Format: CD, Album, Digipack
Country: US
Released: 2009
Genre: Rock
Style: Hard Rock, Psychedelic Rock, Arena Rock, Prog Rock, Jam Rock

Tracklist:

1 Backwards Down The Number Line 5:37
2 Stealing Time From The Faulty Plan 4:40
3 Joy 4:24
4 Sugar Shack 4:03
5 Ocelot 3:35
6 Kill Devil Falls 5:28
7 Light 5:03
8 I Been Around 1:57
9 Time Turns Elastic 13:29
10 Twenty Years Later 5:09

Review by Thom Jurek

After listening to Joy, one has to wonder whether hardcore Phish-heads, who've stuck with the band through thick and thin and bought literally millions of concert tickets, will be impressed by the band's 11th studio album. It is the group's first studio outing in five years – a reunion album. You can ask, but Phish fans almost always prefer their live shows and albums to the studio dates (echoing of course, the first legendary jam band, the Grateful Dead). The answer? Maybe. Joy was produced by Steve Lillywhite, who also helmed 1996's Billy Breathes. He's familiar enough with Phish to be able to get inside their sound, and to try to challenge their preconceptions without tinkering too much with the process of creation. Apparently, he's also a slave driver. The reason? The labyrinthine track "Time Turns Elastic," which clocks in at over 13 minutes, took 278 takes! The tune, easily the best thing here, is far more a constructed prog rock opus than jam journey. The band – guitaristTrey Anastasio, keyboardist Page McConnell, drummer Jon Fishman, and bassist Mike Gordon – recorded live in the studio, so it took some time. The track was originally constructed as a full orchestral suite (and indeed will be performed with the New York Philharmonic at selected concerts). The reason the track works so well is that despite its many twists and turns musically, it keeps its various song forms, even as they flow into one another. Anastasio wrote it with poet/lyricist Tom Marshall. Gordon contributes a rather weighty reggae-jazz tune in "Sugar Shack" – some might say it's heavy-handed, but the tune itself is simple and catchy, so it works.

"Backwards Down the Number Line," which opens the set, is one of the more straightforward things Anastasio has written with Marshall, and reflects on gratitude despite the messes and sorrows in his life – much of the album is about his long struggle with dope and his sister Kristy passing away from cancer (check "Stealing Time from the Faulty Plan"). "Ocelot" could have been a Grateful Dead track; it contains all the legendary band's tropes, from vocal harmonies to a strolling country shuffle song structure to Anastasio aping Jerry Garcia's guitar tone on the solo. At the end of the tune Phish add a lyrical and melodic nod to the Beatles' "Dear Prudence." There is a straight-ahead rockin' boogie number in "Kill Devil Falls," an interesting take on recovery. The title track, also written by Anastasio and Marshall, is simply beautiful. It begins as a shimmering ballad, sparsely arranged, and becomes a straightforward rock song, but being Phish, there are a few left turns in the mix. Joy sounds like Phish are thrilled to have a second chance and feel no pressure to do anything but make music on their own terms – it is issued independently on the band's own JEMP imprint. They sound more focused than on any of their ten previous studio offerings. Certainly, what's here is not for everybody, but this jumpy, well-constructed little set may even get Phish fans excited. As reunion sets go, this one is a winner. allmusicguide

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