Oingo Boingo – Nothing To Fear (1982) (16/44 Vinyl Rip)

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Oingo Boingo – Nothing To Fear (1982) (16/44 Vinyl Rip)

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Review from Allmusic:
Though Nothing to Fear is by no means Oingo Boingo's best album, it is certainly not as bad as many near-sighted critics have asserted. Elfman's songwriting, even when he's not firing on all cylinders, still blows the hinges off most of his peers on their best days. It is true that many songs on this go-around lack the smooth transitions that characterize Only a Lad, but the intricately woven, complex song structures do well to sustain Elfman's erratic mood swings. The album begins strongly, with Boingo's trademark bells and synth on "Grey Matter" and then switches gears with an abrupt slap-bass progression on "Insects." "Private Life" brings it all together, oozing forth elaborate instrumentation and rich songwriting. If you can humor Elfman when he gets too excited by his own proselytizing with songs like "Nothing to Fear (But Fear Itself)," and you give the album a few listens, you'll recognize it's a vastly underrated sophomore effort.

Biography from Allmusic:
Although Oingo Boingo was often compared to Devo throughout their career (due to both bands' affinity for quirky new wave, goofy stage acts, and most obviously, peculiar yet intriguing band names), Oingo Boingo never obtained the mainstream success that Devo did. But the band did manage to obtain a large and devoted fan base, especially in their hometown of Los Angeles, CA. Oingo Boingo started not as a traditional group per se, as they were originally put together in the '70s by movie director Richard Elfman, who needed music for a whacked-out, John Waters-esque flick he was working on, called Forbidden Zone. Enlisting his younger brother Danny Elfman (vocals, guitar), Steve Bartek (guitar), and Johnny "Vatos" Hernandez (drums), the group originally went by the name Mystic Knights of the Oingo Boingo before shortening it to Oingo Boingo. Tired of sitting around and waiting for the movie's completion, the group began playing out in the L.A. area, where they built a substantial following with the punk/new wave set (as their lineup would often multiply for performances). But Oingo Boingo had a step or two ahead of the local bands, both musically and visually, as Danny Elfman had spent several years in France working with a theater group and studying orchestra, which reflected in Oingo Boingo's hodgepodge of styles.
The soundtrack to Forbidden Zone was finally issued in 1980, which proved to be a wild, musical roller coaster ride and gave Oingo Boingo their first appearance on record. But by the time a four-track release, 10 Inch EP, was issued the same year (on IRS Records), the group had focused their sound and approach drastically. A recording contract with A&M Records followed shortly thereafter, resulting in some of the early '80s finest new wave releases, 1981's Only a Lad (whose title track received plenty of airplay on the influential L.A. rock radio station KROQ), 1982's Nothing to Fear, and 1983's Good for Your Soul, the latter of which spawned a popular early MTV video hit for "Nothing Bad Ever Happens." Like their live shows, Oingo Boingo's recordings featured a hefty amount of additional members lending a hand, but despite it all, Danny Elfman remained the group's leader and focal point (Elfman even found the time to issue a solo album, So Lo, in 1984).
That I called this fusion is by no way an error, if you concentrate on the horns on these recordings and not so much on the dominant singer Danny Elfman, you realize that there's a lot of fusion in here. And when "New Wave" has a bad taste for many rock and prog fans, this is one of the more intelligent examples of that period and has a good taste !