Su	Mo	Tu	We	Th	Fr	Sa
31	1	2	3	4	5	6
7	8	9	10	11	12	13
14	15	16	17	18	19	20
21	22	23	24	25	26	27
28	29	30	1	2	3	4

Nicholas McGegan, Gottingen Festival Orchestra - Handel: Admeto (2010) [Blu-Ray]

Posted By: Vilboa

Date: 27 Aug 2017 06:12:58

Nicholas McGegan, Gottingen Festival Orchestra - Handel: Admeto (2010) [Blu-Ray]

Handel’s second opera for the so-called “rival queens,” Francesca Cuzzoni and Faustina Bordoni, was Admeto, which had its premiere in 1727. Their purported rivalry—created more by the public than by the singers themselves—resulted most famously in the cat fight parodied by John Gay in his Beggar’s Opera of the same year. The operas Handel wrote for these reigning divas are as musically brilliant as any of his other works. But as a result of his attempts to structure dramas that would give absolutely equal value to two leading ladies, the rival-queen operas are dramatically problematic and strain credulity at times, Admeto not excepted.
Add to this unusual opera director Doris Dörrie working in her Japanese mode. Dörrie has enlisted the choreographic skills and dancing of Tadashi Endo. His dance troupe Mamu Dance Theatre lends presence to many scenes—giddily lighthearted as a flock of sheep and a nervous group of hunted stags; creepy as the spectral tormentors of Admeto’s dreams and the torture-inflicting Furies of Hell; gently condoling as Alceste’s faithful followers. Endo’s own solo character is less clear. Beginning in the overture, he appears as a gnarled presence in torn robes, evoking—what? The tormented, wounded presence of love? Of Alceste herself? The character appears throughout the opera, often as a misstep in an otherwise spot-on production.
Many of the images are unforgettable, however. The lavish costumes of Bernd Lepel and the brilliant lighting of Linus Fellbom create stage magic. The formalism of the gigantic clothing (think Kiyonaga or Utamaro prints) enhances the beauty of the movements and illuminates the formalism of opera seria in unexpected ways. One particularly stunning image comes with the death of Alceste: she is discovered dead upon a red bier, and as her attendants leave the four corners of the stage, the cloth beneath her “runs” like blood until it covers the whole space, making a beautiful setting for Admeto’s next aria of mourning. Hercules, a pal and minister to Admeto, is got up as a Sumo wrestler warrior, but he moves in ways that accentuate the hero’s power. One slow-motion segment aside, the video work is essentially straight, with a number of close-ups, but not enough to lose the attractive stage pictures.
The singers give excellent performances, fully and expertly supported by Nicholas McGegan and his crack band of Göttingen players. Since so many of the scenes are separated by the descent of scrims, McGegan’s customary tight pacing is sometimes interrupted. (In the interest of full disclosure, I performed as a singer under McGegan’s direction on many occasions.) Tim Mead as Admeto is a countertenor of unusual dignity, which is terrific for this role. His voice has the depth to accomplish his breadth of phrasing. The role is rich in laments, and Mead makes a meal out of each one, especially the opera’s opening deathbed scene and the cavatina that begins Act III. As Alceste, Marie Arnet radiates sympathy, especially in her suicide aria “Farò così più bella.” Her voice is melting and full of color but a bit too high to give full value to Bordoni’s music—Bordoni was considered a mezzo—so the brilliant but sometimes low-lying roulades of Act II’s “Gelosia” lack punch. Singing the more consistently written role for Cuzzoni, Kirsten Blaise uses her pointed tone to underscore the devious Antigona’s character. (By this time, Handel had written a number of parts for his lead soprano Cuzzoni, while he and Bordoni were still in their first season together.) Countertenor David Bates plays Trasimede as a young, horny whiner, but his hooty, often ill-tuned countertenor fails to realize the brilliance of his arias, especially the superb horn aria in Act I. As Ercole, William Berger is fine—much more than just a blusterer. (Drew Minter)

Cast:
Admeto - Tim Mead
Alceste - Marie Arnet
Ercole - William Berger
Orindo - Andrew Radley
Trasimede - David Bates
Antigona - Kirsten Blaise
Meraspe - Wolf Mattias Friedrich
Göttingen Festival Orchestra
Conductor - Nicholas McGegan

BDInfo

Disc Title: ADMETO
Disc Size: 44 959 034 888 bytes
Protection: AACS
BD-Java: No
Playlist: 00001.MPLS
Size: 43 577 536 512 bytes
Length: 3:00:31.387
Total Bitrate: 32,19 Mbps
Video: MPEG-4 AVC Video / 23946 kbps / 1080i / 29,970 fps / 16:9 / High Profile 4.1
Audio: Undetermined / LPCM Audio / 2.0 / 48 kHz / 2304 kbps / 24-bit
Audio: Undetermined / DTS-HD Master Audio / 5.1 / 48 kHz / 4198 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
Subtitle: Italian / 10,166 kbps
Subtitle: English / 11,409 kbps
Subtitle: German / 12,220 kbps
Subtitle: French / 10,575 kbps

MediaInfo

General
Unique ID : 183915860034255882565567064428759170926 (0x8A5CE7FD4C48AEAE9D500D3892E73F6E)
Complete name : C:\Admeto.mkv
Format : Matroska
Format version : Version 2
File size : 9.73 GiB
Duration : 3h 0mn
Overall bit rate : 7 736 Kbps
Movie name : Admeto
Encoded date : UTC 2017-08-26 14:13:47
Writing application : DVDFab 9.1.6.8
Writing library : libebml v0.7.8 + libmatroska v0.8.1

Video
ID : 1
Format : AVC
Format/Info : Advanced Video Codec
Format profile : High@L4.1
Format settings, CABAC : Yes
Format settings, ReFrames : 2 frames
Codec ID : V_MPEG4/ISO/AVC
Duration : 3h 0mn
Bit rate : 6 215 Kbps
Width : 1 920 pixels
Height : 1 080 pixels
Display aspect ratio : 16:9
Frame rate mode : Constant
Frame rate : 29.970 fps
Color space : YUV
Chroma subsampling : 4:2:0
Bit depth : 8 bits
Scan type : Progressive
Bits/(Pixel*Frame) : 0.100
Stream size : 7.64 GiB (79%)
Writing library : x264 core 142
Encoding settings : cabac=1 / ref=1 / deblock=1:-1:-1 / analyse=0x3:0 / me=hex / subme=5 / psy=0 / mixed_ref=0 / me_range=16 / chroma_me=1 / trellis=0 / 8x8dct=1 / cqm=0 / deadzone=21,11 / fast_pskip=1 / chroma_qp_offset=0 / threads=8 / lookahead_threads=2 / sliced_threads=0 / nr=0 / decimate=1 / interlaced=0 / bluray_compat=0 / constrained_intra=0 / bframes=2 / b_pyramid=0 / b_adapt=1 / b_bias=0 / direct=1 / weightb=1 / open_gop=0 / weightp=0 / keyint=24 / keyint_min=13 / scenecut=40 / intra_refresh=0 / rc=abr / mbtree=0 / bitrate=6215 / ratetol=1.0 / qcomp=0.60 / qpmin=0 / qpmax=69 / qpstep=4 / ip_ratio=1.40 / pb_ratio=1.30 / aq=1:1.00
Default : Yes
Forced : No
Color primaries : BT.709
Transfer characteristics : BT.709
Matrix coefficients : BT.709
Color range : Limited

Audio
ID : 2
Format : DTS
Format/Info : Digital Theater Systems
Mode : 16
Format settings, Endianness : Big
Codec ID : A_DTS
Duration : 3h 0mn
Bit rate mode : Constant
Bit rate : 1 509 Kbps
Channel(s) : 6 channels
Channel positions : Front: L C R, Side: L R, LFE
Sampling rate : 48.0 KHz
Bit depth : 24 bits
Compression mode : Lossy
Stream size : 1.90 GiB (20%)
Default : Yes
Forced : No

Text #1
ID : 3
Format : VobSub
Codec ID : S_VOBSUB
Codec ID/Info : The same subtitle format used on DVDs
Language : Italian
Default : Yes
Forced : No

Text #2
ID : 4
Format : VobSub
Codec ID : S_VOBSUB
Codec ID/Info : The same subtitle format used on DVDs
Language : English
Default : No
Forced : No

Text #3
ID : 5
Format : VobSub
Codec ID : S_VOBSUB
Codec ID/Info : The same subtitle format used on DVDs
Language : German
Default : No
Forced : No

Text #4
ID : 6
Format : VobSub
Codec ID : S_VOBSUB
Codec ID/Info : The same subtitle format used on DVDs
Language : French
Default : No
Forced : No

Menu
00:00:00.000 : en:Chapter 01
00:01:05.432 : en:Chapter 02
00:04:23.596 : en:Chapter 03
00:06:23.383 : en:Chapter 04
00:09:48.020 : en:Chapter 05
00:13:20.866 : en:Chapter 06
00:15:06.138 : en:Chapter 07
00:19:25.364 : en:Chapter 08
00:21:22.080 : en:Chapter 09
00:26:40.498 : en:Chapter 10
00:27:28.847 : en:Chapter 11
00:28:15.293 : en:Chapter 12
00:29:02.173 : en:Chapter 13
00:35:30.962 : en:Chapter 14
00:36:11.802 : en:Chapter 15
00:41:34.391 : en:Chapter 16
00:43:35.579 : en:Chapter 17
00:46:14.004 : en:Chapter 18
00:50:00.664 : en:Chapter 19
00:50:48.879 : en:Chapter 20
00:52:07.491 : en:Chapter 21
00:54:05.575 : en:Chapter 22
01:00:24.621 : en:Chapter 23
01:02:10.560 : en:Chapter 24
01:03:27.069 : en:Chapter 25
01:04:07.677 : en:Chapter 26
01:05:27.823 : en:Chapter 27
01:06:25.314 : en:Chapter 28
01:09:56.325 : en:Chapter 29
01:11:00.956 : en:Chapter 30
01:14:06.642 : en:Chapter 31
01:14:54.256 : en:Chapter 32
01:20:28.857 : en:Chapter 33
01:22:37.319 : en:Chapter 34
01:25:35.530 : en:Chapter 35
01:27:59.707 : en:Chapter 36
01:34:27.361 : en:Chapter 37
01:36:15.202 : en:Chapter 38
01:41:32.586 : en:Chapter 39
01:44:08.709 : en:Chapter 40
01:51:22.542 : en:Chapter 41
01:52:45.225 : en:Chapter 42
01:56:54.707 : en:Chapter 43
01:57:41.187 : en:Chapter 44
02:03:00.539 : en:Chapter 45
02:05:30.856 : en:Chapter 46
02:07:37.049 : en:Chapter 47
02:11:40.692 : en:Chapter 48
02:12:25.170 : en:Chapter 49
02:16:44.229 : en:Chapter 50
02:18:42.781 : en:Chapter 51
02:22:10.922 : en:Chapter 52
02:24:22.387 : en:Chapter 53
02:27:30.541 : en:Chapter 54
02:29:26.357 : en:Chapter 55
02:34:53.417 : en:Chapter 56
02:36:42.259 : en:Chapter 57
02:37:15.893 : en:Chapter 58
02:39:23.787 : en:Chapter 59
02:40:23.814 : en:Chapter 60
02:44:56.820 : en:Chapter 61
02:48:49.085 : en:Chapter 62
02:52:09.419 : en:Chapter 63
02:52:28.371 : en:Chapter 64
02:54:28.591 : en:Chapter 65

All screenshots taken from BDRip

Opera Concers Baroque Classical 2010s