Tags
Language
Tags
March 2024
Su Mo Tu We Th Fr Sa
25 26 27 28 29 1 2
3 4 5 6 7 8 9
10 11 12 13 14 15 16
17 18 19 20 21 22 23
24 25 26 27 28 29 30
31 1 2 3 4 5 6

Al Grey - Centerpiece. Live At The Blue Note.

Posted By: odoacer
Al Grey - Centerpiece. Live At The Blue Note.

Al Grey - Centerpiece. Live At The Blue Note.
JAZZ | EAC rip | APE(IMAGE+CUE+LOG) | COVERS | 350Mb
Recorded live at the Blue Note, New York, New York from March 23-26, 1995.
Total time — 60:00


Al Grey - Centerpiece. Live At The Blue Note.

Exact Audio Copy V0.99 prebeta 4 from 23. January 2008

EAC extraction logfile from 22. April 2009, 4:07

Al Grey / Centerpiece: Live At The Blue Note

Used drive : TEAC DV-W518GM Adapter: 3 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : Monkey's Audio Lossless Encoder
Selected bitrate : Normal Lossless Compression
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Monkey's Audio\MAC.exe
Additional command line options : -v


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 8:33.42 | 0 | 38516
2 | 8:33.42 | 9:53.25 | 38517 | 83016
3 | 18:26.67 | 5:31.48 | 83017 | 107889
4 | 23:58.40 | 5:30.40 | 107890 | 132679
5 | 29:29.05 | 6:06.00 | 132680 | 160129
6 | 35:35.05 | 3:42.22 | 160130 | 176801
7 | 39:17.27 | 6:24.00 | 176802 | 205601
8 | 45:41.27 | 5:47.03 | 205602 | 231629
9 | 51:28.30 | 7:48.47 | 231630 | 266776


Range status and errors

Selected range

Filename C:\Documents and Settings\User\My Documents\My Music\ОБРАЗЫ\Al Grey - Centerpiece Live At The Blue Note.wav

Peak level 99.9 %
Range quality 100.0 %
Test CRC A1D44A2F
Copy CRC A1D44A2F
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 1) [1D53FA01]
Track 2 accurately ripped (confidence 1) [6B9DBD7C]
Track 3 accurately ripped (confidence 1) [113DB8C9]
Track 4 accurately ripped (confidence 1) [871A70CC]
Track 5 accurately ripped (confidence 1) [E56A0210]
Track 6 accurately ripped (confidence 1) [3E85C765]
Track 7 accurately ripped (confidence 2) [B3723ED9]
Track 8 accurately ripped (confidence 2) [77CDF3D2]
Track 9 cannot be verified as accurate (confidence 2) [F16B0C09], AccurateRip returned [EA005D61]

8 track(s) accurately ripped
1 track(s) could not be verified as accurate

Some tracks could not be verified as accurate

End of status report


Basie-style blues and swing are the foundation of this amiable live set from 1995. This is no surprise, given Al Grey's and Harry "Sweets" Edison's work with the Count — Grey most notably from 1957-1961 and Edison from 1938-1950. From that base, though, the two take divergent paths here. Renowned though he is for his brassy bravado and skill with the plunger mute, Grey seems too firmly planted in an earlier era, so much so that his playing can come across as nostalgic routines. It is actually elder statesman Edison (at 79, Grey's senior by almost a decade), who — still working within the swing ethic — creates some fresh sparks. His warm and slippery tone, technical finesse, and improvisational skills yield a choice handful of timeless statements. Rounding out the front line, Jerome Richardson plays well but his tenor saxophone sounds thin in the mix (Richardson is the only one who gets this treatment; otherwise the sound is quite good). In the rhythm section, pianist Junior Mance, working from a more boppish perspective, injects some drive and harmonic spice into the performances. Bassist Ben Brown and drummer Bobby Durham slug away in classic style and also get in a couple of credible solos each. Most of the music follows a predictable course, with some noteworthy exceptions. These include an energetic romp on "Lester Leaps In"; Barry Harris' "Nascimento," a bossa nova with a welcome flute solo from Richardson; and Edison's title track, a song popularized in versions by Lambert, Hendricks & Ross and, later, by Joni Mitchell. ~ Jim Todd, All Music Guide


http://narod.ru/disk/7945423000/AGc.part1.rar.html
http://narod.ru/disk/7946238000/AGc.part2.rar.html
http://narod.ru/disk/7957401000/AGcScans.rar.html


http://rapidshare.com/files/224357007/AGc.part1.rar
http://rapidshare.com/files/224367410/AGc.part2.rar
http://rapidshare.com/files/224350882/AGcScans.rar