Some bands turn into shorthand for a certain sound or style, and Pink Floyd belongs among that elite group. The very name connotes something specific: an elastic, echoing, mind-bending sound that evokes the chasms of space. Pink Floyd grounded that limitless sound with exacting explorations of mundane matters of ego, mind, memory, and heart, touching upon madness, alienation, narcissism, and society on their concept albums of the '70s. Of these concept albums, Dark Side of the Moon resonated strongest, earning new audiences year after year, decade after decade, and its longevity makes sense. That 1973 concept album distilled the wild psychedelia of their early years – that brief, heady period when they were fronted by Syd Barrett – into a slow, sculpted, widescreen epic masterminded by Roger Waters, the bassist who was the band's de facto leader in the '70s.

Plastic Hearts is the seventh studio album by American singer Miley Cyrus, released on November 27, 2020, by RCA Records. It marks a departure from Cyrus' previous releases, featuring a sound steeped in rock, pop, synth-pop, and glam rock, with influences from country, punk, new wave, arena rock, industrial, disco, and power pop. Most of the album was produced by Andrew Watt and Louis Bell, with further collaboration with Mark Ronson and Andrew Wyatt. Guest vocals include Billy Idol, Dua Lipa, Joan Jett and Stevie Nicks. Plastic Hearts received positive reviews from music critics. The album debuted at number two on the US Billboard 200, and at number one on the Billboard Top Rock Albums chart.

With their 1965 album Out Of Our Heads, The Rolling Stones exuded confidence and discovered a personality and panache in their songwriting that would help them become one of the greatest bands in history. In America, London Records released the first version of Out Of Our Heads on 30 July 1965, and the album became the Stones’ first No.1 on the Billboard charts. The UK version, issued by Decca Records, came out two months later, on 24 September, and featured some significant differences in the tracklisting.

David Jon Gilmour (Cambridge, March 6, 1946 -) is the singer, guitarist and main songwriter of the British band Pink Floyd. As a recording manager, he has worked with many artists throughout his life and has a successful solo career behind him after the breakup of Pink Floyd. He donated to many charities and was awarded the Order of the British Empire in 2003. In 2008, he received the Q Awards "Outstanding Contributor", which he dedicated to the late Richard Wright. In 2011, Rolling Stone magazine ranked Gilmour 14th on their list of the 100 Greatest Guitarists of All Time.

The Refectory Hall at Leeds University is, judging by the wealth of talented band who have played there, an important venue in northern England. Pink Floyd played there three times. The first time was on November 8th, 1969 and doesn’t have a tape source. The February 28th, 1970 show, which is featured on Dying Of Boredom, is complete and the final appearance in Leeds, which was on January 23rd, 1971, has a fragmentary tape with “A Saucerful Of Secrets” and the blues encore. A previous commercial release of this tape can be found on Leeds 1970 (Ayanami-243) but Sigma is the first silver release of this tape. It is very good and clear but a bit “flat” and lacking in dynamics. It contains all of the music played the taper paused between songs cutting off many of the song introductions. Despite these limitations it is still a very nice document from the first couple months of the new decade.

"The Endless River represents a return to the creative principles that informed the writing process that produced Pink Floyd classics like Echoes, Shine On You Crazy Diamond and Animals.

Ivor Wynne Stadium, Hamilton, Ontario, Canada, 1975-06-28.

Originally released in 1987, A Momentary Lapse Of Reason was updated and remixed by David Gilmour and Andy Jackson for The Later Years Box Set. By returning to some of Richard Wright’s original keyboard parts and by re-recording new drum tracks with Nick Mason, producers David Gilmour and Bob Ezrin have restored the creative balance between the three Pink Floyd members.

Introducing "#1s - 70s," the first installment in the highly-anticipated '#1s' series. Dive deep into the golden age of music with this compilation of chart-topping sensations from the 1970s. This disc collection captures the spirit, innovation, and charm of a transformative decade. Expect to be transported back in time with iconic tracks that still resonate today.

Comprehensive 3CD overview of the American power pop scene's evolution throughout the 70s. Featuring the genre's major bands, cult names, hits, rarites and several previously unissued tracks. Although the power pop genre wasn't named and codified until late 1977, the sound and spirit had been slowly gathering steam throughout the decade. Surrounded by heavy metal and introverted singer/songwriters, the likes of The Raspberries, Big Star, Blue Ash and The Wackers spearheaded an early 70s return to the spiky, three-minute pop urgency of the mid-60s British Invasion bands. While only The Raspberries charted, such bands established a musical template that was adopted by a new raft of slightly younger acts including the Dwight Twilley Band, The Rubinoos and Shoes. The tide had turned by the late 70s, with such names as Cheap Trick and The Cars achieving success as the American music industry embraced power pop as a radio-friendly alternative to punk.

Wall demo take that attracted the attention of Floyd fans suddenly appeared suddenly with the title of “Ayanami label” WALL IN PROGRESS 1978 – 1979 “, it became high sound quality renewal sound by the latest remaster, and came back around 2001!About ten years after the sound source from Angra Side appeared, since the demo sound source was included in the official box released in 2012, it seemed that past spill sound sources were useless, but in reality it was not so. Comparing past titles and official boxes, about 40% of the total contains parts with different edits and takes, and the demonstration of the outgoing sound source version is still worthwhile. Therefore, this time it was decided to release the final decision board which renewed the whole using the latest remaster sound source based on the outflow sound source version which was missing from the official box.

Unlike almost any of their peers, Pink Floyd played to both sides of the aisle: they were rooted in the blues but their heart belonged to the future, a dichotomy that made them a quintessentially modern 20th century band. That blues influence, quickly sublimated and only surfacing on the occasional Gilmour guitar solo, was the foundation for the band's very name, as the group decided to splice the names of two old bluesmen – Pink Anderson and Floyd Council – as a tribute to the American music they loved so. These members of the early Floyd – guitarist/singer Syd Barrett, bassist Roger Waters, keyboardist Rick Wright, and drummer Nick Mason – were all architecture students at London Polytechnic, with the exception of Barrett, who was an art student and a friend of Waters since childhood. This version of the band started gigging regularly in 1965, with Barrett becoming the group's lead singer quite quickly. During this time, the group relied on blues and R&B covers, not unlike many of their British peers, but they wound up extending the time of their sets through extended instrumental jams, planting the seeds of space rock that would come to fruition not much later. During 1966, the group's increasingly adventurous sets became something of a sensation in the London underground, leading to a contract with EMI early in 1967.

Pink Floyd Some bands turn into shorthand for a certain sound or style, and Pink Floyd belongs among that elite group. The very name connotes something specific: an elastic, echoing, mind-bending sound that evokes the chasms of space. Pink Floyd grounded that limitless sound with exacting explorations of mundane matters of ego, mind, memory, and heart, touching upon madness, alienation, narcissism, and society on their concept albums of the '70s. Of these concept albums, Dark Side of the Moon resonated strongest, earning new audiences year after year, decade after decade, and its longevity makes sense.

Along with Songs from the Big Chair, The Seeds of Love was part of a one-two artistic punch in the late '80s that situated Tears for Fears as one of the decade's more ambitious pop groups. But at the time, Tears was more a platform for Roland Orzabal than a true band – Curt Smith is present only on the smash "Sowing the Seeds of Love" (his only co-writing credit), while Ian Stanley was replaced by Nicky Holland as a keyboardist and Orzabal's songwriting partner. Like their other albums, The Seeds of Love continues the concept of moving from hurting to healing to beginning anew (the hit "Sowing the Seeds of Love") to growing apart. The songs feature expansive melodies instead of blatant hooks, and the sound is more grounded in soul and gospel on songs like "Woman in Chains," the updated Philly-soul strain of "Advice for the Young at Heart" and "Badman's Song." Orazabal's passionate vocals are well matched by Oleta Adams' fervent contributions. The group even dabbles in jazz on "Standing on the Corner of the Third World," the fabulous "Swords and Knives," and the slow-burning "Year of the Knife".

Although Blondie made several first-rate albums, most of their best songs were released as singles, which makes The Best of Blondie an essential collection. The Best of Blondie glosses over their punk roots – very little from the first album, apart from the vicious "Rip Her to Shreds" and the seductive "In the Flesh" – but the band's pop hits are among the finest of their era and encapsulate all of the virtues of new wave. Apart from genuine chart hits like "Heart of Glass," "One Way or Another," "Dreaming," "Call Me," "Atomic," "The Tide Is High," and "Rapture," Best of Blondie picks up several of the group's best album tracks, like "(I'm Always Touched by Your) Presence, Dear" and "Hanging on the Telephone." The Best of Blondie isn't all you need to know, but it is an excellent introduction to one of the best new wave bands.