This band were one of the major groups of the Italian prog rock scene in the seventies and one of the few Italian bands that were successful outside their own country.
"La Via Della Seta", which means the silk road, can be regarded as one long suite. All tracks are linked together and the music flows without any interruption making an imaginary journey along this road, where you encounter the ghosts of merchants, pilgrims, missionaries, soldiers, nomads and cruel barbarians exploring mysterious cities and civilizations. The music that comes along with this concept recalls the best moments of Le Orme. There's even more room for the guitars and the interaction between the piano and the keyboards is excellent while the powerful, brilliant rhythm section adds so much more to the compositions…

Composer, producer and multi-instrumentalist Mario Konrad was born June 14, 1973 in Gütersloh, Germany. Grown up and still living in Germany. After experimenting with the first synthesizer in 1989, and deeply inspired by the music of Peter Gabriel, Brian Eno and Michael Brook, own compositions were created. The first electronic ambient album "Submerging" was released on Musique Intemporelle in 1992. 80's style synth sequences combined with world nature instruments.

Easily an upgrade over "The Visitor" (2009), UFO have returned to their hard rock roots on "Seven Deadly", yet still retaining that bluesy edge they seem to have incorporated over the last few years. Vinnie Moore is sizzling throughout, Phil Mogg sounds better than ever, Andy Parker is still pounding his kit, and Paul Raymond adds his keyboard colors and occasional rhythm guitar. What more could any UFO fan want?

Gold assembled a handful of knowns and unknowns to make special cameos on this melodic and fun collection of original and classic Halloween tunes with a pop-rock bent. Among the haunted are David Cassidy, Karla Bonoff, Linda Ronstadt, Stephen Bishop, Nicolette Larson, and Gold's children and wife. From the Beatlesesque touches of "It Must Be Halloween" (parts seemingly lifted from "Being for the Benefit of Mr. Kite") to Boris Karloff's "Monster Mash" and "The Addams Family" theme song, Gold and company offer up treats that kids and their parents will like, including the "Ghostbusters" theme. But with cooler original fare like "The Creature from the Tub" and "Spooky, Scary Skeletons," you have to wonder why they relied on so many predictable cover songs.

"Monster Mash" is one of the all-time great holiday songs, resurfacing (and sometimes charting) every Halloween without fail. The Original Monster Mash is the accompanying Top 20 album from 1962, on which Pickett leads off with his big hit before plying his Boris Karloff shtick for another 15 songs. Pickett's other Top 100 monster hit, the Christmas novelty "Monsters' Holiday," is here as well, along with dated jokes about Fabian ("Rabian - The Fiendage Idol") and then-current dance crazes ("Transylvania Twist," "Skully Gully"). "Let's Fly Away" is a brief Stan Freberg send-up that replaces "John and Marsha" with Dracula and Vampira. The Crypt-Kickers were an all-star band that counted Leon Russell, producer Gary Paxton, and other famous folks among its members, and the album remains a fine Halloween party platter year and years later. Unfortunately, the album was remixed for CD release in 1991, and the vocals are obscured in the mix so that the generic rock backing often prevails over the "spooky" dialogue and singing, which defeats the point for a novelty effort such as this.

This live recording has a frisson about it and Les Musiciens du Louvre create a sound that blends and blooms in the Théâtre de Poissy. Minkowski has chosen music that contrasts well on many…

Couperin’s Trois Leçons de Ténèbres are amongst the small amount of the composer’s sacred music that was published during his lifetime. They are intensely personal, depicting the prophet Jeremiah’s bitter anguish in settings that are quite unique. Also included here are Couperin’s joyful motets Laetentur caeli and Venite, exsultemus Domino, and a remarkable Magnificat.

Khatia Buniatishvili’s first Schubert recording includes Schubert’s great last Piano Sonata (D 960), the 4 popular Impromptus and Ständchen (arr.by Liszt). Khatia will be performing the repertoire on a worldwide tour, including London’s Barbican on 1st April. Khatia is one of the today’s leading classical pianists, having performed at the most prestigious venues and events including New York’s Carnegie Hall, the BBC Proms at the London’s iconic Royal Albert Hall and Salzburg Festival.