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C.P.E. Bach - Oboenkonzerte & Sonaten (2005) {Hybrid-SACD // EAC Rip} [repost]

Posted By: luckburz

Date: 2 Jun 2013 09:58:18

C.P.E. Bach - Oboenkonzerte & Sonaten (2005) {Hybrid-SACD // EAC Rip} [repost]

Carl Philipp Emanuel Bach - Oboenkonzerte & Sonaten
Alexei Utkin / Hermitage Chamber Orchestra
EAC+LOG+CUE | WV: 321 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Caro Mitis # CM 0112004 | Country/Year: Russia 2005
Genre: Classical | Style: Late Baroque

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

selfrip [] not my rip [X]

EAC

Exact Audio Copy V1.0 beta 2 from 29. April 2011

EAC extraction logfile from 12. August 2011, 21:46

Alexei Utkin, Hermitage Chamber Orchestra / C.P.E. Bach - Oboenkonzerte & Sonaten

Used drive : PLEXTOR DVDR PX-755A Adapter: 1 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 30
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:07.64 | 0 | 14088
2 | 3:07.64 | 2:04.55 | 14089 | 23443
3 | 5:12.44 | 2:23.58 | 23444 | 34226
4 | 7:36.27 | 2:38.74 | 34227 | 46150
5 | 10:15.26 | 6:08.15 | 46151 | 73765
6 | 16:23.41 | 6:45.35 | 73766 | 104175
7 | 23:09.01 | 5:48.56 | 104176 | 130331
8 | 28:57.57 | 4:16.29 | 130332 | 149560
9 | 33:14.11 | 2:50.02 | 149561 | 162312
10 | 36:04.13 | 5:00.24 | 162313 | 184836
11 | 41:04.37 | 7:38.43 | 184837 | 219229
12 | 48:43.05 | 6:22.18 | 219230 | 247897
13 | 55:05.23 | 7:10.52 | 247898 | 280199

Range status and errors

Selected range

Filename Z:\NetLab\C.P.E. Bach - Oboenkonzerte & Sonaten (Alexei Utkin, Hermitage Chamber Orchestra) (2005) {Caro Mitis}\C.P.E. Bach - Oboenkonzerte & Sonaten.wav

Peak level 93.6 %
Extraction speed 2.0 X
Range quality 99.9 %
Test CRC C5E84D7B
Copy CRC C5E84D7B
Copy OK

No errors occurred

AccurateRip summary

Track 1 accurately ripped (confidence 3) [7149421D] (AR v1)
Track 2 accurately ripped (confidence 3) [82CF69A7] (AR v1)
Track 3 accurately ripped (confidence 3) [31347B66] (AR v1)
Track 4 accurately ripped (confidence 3) [2CDA3723] (AR v1)
Track 5 accurately ripped (confidence 3) [7B33BC3A] (AR v1)
Track 6 accurately ripped (confidence 3) [C7F30A1B] (AR v1)
Track 7 accurately ripped (confidence 3) [838E5483] (AR v1)
Track 8 accurately ripped (confidence 3) [6758012B] (AR v1)
Track 9 accurately ripped (confidence 3) [CAACC906] (AR v1)
Track 10 accurately ripped (confidence 3) [49C847FE] (AR v1)
Track 11 accurately ripped (confidence 3) [295F0622] (AR v1)
Track 12 accurately ripped (confidence 3) [C5D600CB] (AR v1)
Track 13 accurately ripped (confidence 3) [CBB61A46] (AR v1)

All tracks accurately ripped

End of status report

==== Log checksum D46AC0FBA336CC5BE6FA024610C96BC69D9173B585E49150A7E8877E6F8FCA41 ====

auCDtect

auCDtect: CD records authenticity detector, version 0.8.2
Copyright © 2004 Oleg Berngardt. All rights reserved.
Copyright © 2004 Alexander Djourik. All rights reserved.

Detect mode (0..40 with 0 = most accurate): 8 (default)

––––––––––––––––––––––––––––––
[Alexei Utkin, Hermitage Chamber Orchestra - C.P.E. Bach - Oboenkonzerte & Sonaten.wav]
Detected average hi-boundary frequency: 2.039946e+004 Hz
Detected average lo-boundary frequency: 1.367755e+004 Hz
Detected average hi-cut frequency: 2.073705e+004 Hz
Detected average lo-cut frequency: 1.471789e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 1.061104e+000
First order smothness: 3.079678e-001
Second order smothness: 8.178563e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.

Dynamic

foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2013-03-25 18:48:47

––––––––––––––––––––––––––––––––––––––––
Analyzed: Alexei Utkin, Hermitage Chamber Orchestra / C.P.E. Bach - Oboenkonzerte & Sonaten
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -2.79 dB -20.29 dB 3:08 01-Trio Sonata in D minor for Flute, Oboe and Basso Continuo BWV 1036; I. Adagio
DR12 -2.83 dB -19.12 dB 2:05 02-II. Allegro
DR12 -2.89 dB -20.84 dB 2:24 03-III. Largo
DR12 -4.00 dB -19.51 dB 2:39 04-IV. Vivace
DR14 -0.88 dB -19.03 dB 6:08 05-Concerto in E-flat major for Oboe, Strings and Basso Continuo Wq.165; I. Allegro
DR12 -3.17 dB -21.02 dB 6:45 06-II. Adagio ma non troppo
DR13 -2.47 dB -18.86 dB 5:49 07-III. Allegro ma non troppo
DR12 -4.41 dB -21.08 dB 4:16 08-Sonata in G minor for Oboe and Harpsichord Wq.135; I. Allegro
DR11 -6.17 dB -21.36 dB 2:50 09-II. Adagio
DR12 -3.94 dB -19.92 dB 5:00 10-III. Allegro
DR14 -0.57 dB -18.45 dB 7:39 11-Concerto in C minor for Oboe, Strings and Basso Continuo Wq.22; I. Allegro
DR13 -2.42 dB -19.01 dB 6:22 12-II. Un poco andante
DR13 -0.81 dB -17.50 dB 7:11 13-III. Allegro di molto
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 13
Official DR value: DR12

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 720 kbps
Codec: WavPack
================================================================================

CD Info:

Carl Philipp Emanuel Bach (1714 –1788) - Oboenkonzerte & Sonaten

Alexei Utkin / Hermitage Chamber Orchestra

Label: Caro Mitis
Catalog#: CM 0112004
Format: Hybrid-SACD, Album
Country: Russia
Released: 2005
Genre: Classical

Tracklist:

1 Trio Sonata in D minor for Flute, Oboe and Basso Continuo BWV 1036; I. Adagio 3:08
2 II. Allegro 2:05
3 III. Largo 2:24
4 IV. Vivace 2:39
5 Concerto in E-flat major for Oboe, Strings and Basso Continuo Wq.165; I. Allegro 6:08
6 II. Adagio ma non troppo 6:45
7 III. Allegro ma non troppo 5:49
8 Sonata in G minor for Oboe and Harpsichord Wq.135; I. Allegro 4:16
9 II. Adagio 2:50
10 III. Allegro 5:00
11 Concerto in C minor for Oboe, Strings and Basso Continuo Wq.22; I. Allegro 7:39
12 II. Un poco andante 6:22
13 III. Allegro di molto 7:11

Text of the booklet is available in English, German, and Russian.

I am really impressed with the attention to detail in this (and every) Caro Mitis release I have heard so far. This is a must have disc for anyone who understands the genius of CPE Bach. The recording quality is as good as it gets…(Thanks Polyhymnia..!!) No one dropped the ball here - I have nothing but respect for everyone in the Hermitage Chamber Orchestra & Alexei Utkin…Superb job.!!! The performance and program selection is just impeccable. As you can tell, I really do enjoy this disc and will be looking at future Caro Mitis releases…

*****Highly Recommended***** sa-cd.net

I’m pleased that Caro Mitis SACDs are finally coming to Fanfare for review. The label showcases Russian musicians, particularly oboist Alexei Utkin, in primarily but not exclusively 18th-century music, on period and modern instruments. The technical team is Polyhymnia, the people behind the outstanding PentaTone SACDs from Holland. The label’s name is Latin for “succulent fruit,” and the dozen or so releases I’ve heard over the past couple of years are, indeed, succulent. The C. P. E. Bach collection at hand, though, while not deficient in any way, is a bit less ripe than the rest of this Russian label’s catalog.
Emanuel Bach wrote two kinds of music: decorative Rococo pieces intended for polite company, and arresting, tempestuous works in which the music is whipped about from bar to bar, evoking a series of changing emotions. My preference is for the second style, mainly because it’s so distinctive. Much of the music on this disc, though, has more to do with the first manner, and even the Sturm und Drang elements that do find their way into these scores seem rather tame here. (The D-Minor Trio Sonata for flute, oboe, and continuo, by the way, is a transcription of J.S. Bach’s BWV 1036 Trio Sonata.)
Particularly in the first movement of the E? Oboe Concerto, the youthful modern-instrument chamber orchestra opts for elegance rather than intensity. Is this a terrible fault? The chamber pieces are performed with great delicacy, and the wind-playing (mainly oboist Utkin) is limpid throughout. The audio quality defines “high resolution.” This is in every respect a lovely production, but I wish it gave a better sense of the blood coursing beneath the beauty. Fanfare

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