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Alexandre Tharaud - Frédéric Chopin: Journal Intime (2010)

Posted By: wursthans
Alexandre Tharaud - Frédéric Chopin: Journal Intime (2010)

Alexandre Tharaud - Frédéric Chopin: Journal Intime
Genre: Romantic Solo Piano | 1 CD | EAC & FLAC (CUE+LOG) | Complete Covers & PDF | 284 MB
2009 recording, 2010 release | Publisher: Virgin Classics 5099968556525
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Works/Tracks:

1. (00:02:37) Mazurka in C sharp minor, op. 63#3
2. (00:09:00) Ballade No. 1 in G minor, op. 23
3. (00:01:59) Mazurka in E minor, op. 17#2
4. (00:02:26) Mazurka in A minor, op. 68#2
5. (00:12:07) Fantasie in F minor, op. 49
6. (00:04:07) Nocturne in C sharp minor, op. posthume
7. (00:03:41) Mazurka in A minor, op. 7#2
8. (00:07:31) Ballade No. 2 in F, op. 38
9. (00:04:29) Mazurka in A minor, op. 17#4
10. (00:02:01) Largo in C minor
11. (00:00:56) Trois Ecossaises, op. 72 - #1 in D
12. (00:00:45) Trois Ecossaises, op. 72 - #2 in G
13. (00:00:47) Trois Ecossaises, op. 72 - #3 in D flat
14. (00:02:02) Contredanse in B flat
15. (00:05:03) Fantaisie-Impromptu in C sharp minor, op. 66
16. (00:04:38) Nocturne in E flat, op. 9#2

Performers:

Alexandre Tharaud (piano)

Exact Audio Copy V0.99 prebeta 5 from 4. May 2009

EAC extraction logfile from 13. February 2010, 22:43

Alexandre Tharaud / Chopin (1810-1849) - Journal Intime

Used drive : PLEXTOR CD-R PREMIUM2 Adapter: 3 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 30
Overread into Lead-In and Lead-Out : Yes
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track

Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : D:\Programme\EAC099\Flac\flac.exe
Additional command line options : -5 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "TOTALTRACKS=%x" -T "GENRE=%m" -T "ALBUM ARTIST=%v" -T "ALBUMARTIST=%v" -T "COMMENT=EAC V0.99 prebeta 5, Secure Mode, Test & Copy, Accurat


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:37.30 | 0 | 11804
2 | 2:37.30 | 8:59.40 | 11805 | 52269
3 | 11:36.70 | 1:58.47 | 52270 | 61166
4 | 13:35.42 | 2:25.41 | 61167 | 72082
5 | 16:01.08 | 12:07.21 | 72083 | 126628
6 | 28:08.29 | 4:06.62 | 126629 | 145140
7 | 32:15.16 | 3:41.06 | 145141 | 161721
8 | 35:56.22 | 7:31.15 | 161722 | 195561
9 | 43:27.37 | 4:28.53 | 195562 | 215714
10 | 47:56.15 | 2:01.01 | 215715 | 224790
11 | 49:57.16 | 0:55.57 | 224791 | 228972
12 | 50:52.73 | 0:45.18 | 228973 | 232365
13 | 51:38.16 | 0:47.21 | 232366 | 235911
14 | 52:25.37 | 2:02.14 | 235912 | 245075
15 | 54:27.51 | 5:03.14 | 245076 | 267814
16 | 59:30.65 | 4:38.33 | 267815 | 288697


Track 1

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Track 2

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Track 3

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Track 4

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Track 5

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Track 6

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Track 7

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Track 8

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Track 9

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Track 10

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Track 11

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Track 12

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Track 13

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Track 14

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Track 15

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Track 16

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None of the tracks are present in the AccurateRip database

No errors occurred

End of status report



Recording Information:

recorded May, 2009
Paris
released 2009

Virgin Classics
5099968556525


Reviews:

No one mounted to the rooftops to shout "the French are coming, the French are coming," yet somehow we have enjoyed a veritable invasion of French and French-based pianists (Aimard, Thibaudet,Angelich, Grimaud, et al.). In number they outstrip their German and Italian rivals, which is rather amazing, since French pianism has hardly been dominant on the international scene in the past (Casadesus over Kempff? Hardly.) Among the most lauded of the younger generation is 31-year-old Alexandre Tharaud, whose earlier Chopin disc won raves in high places.

I am not in a high place, so I'm free to say that he doesn't bowl me over. Tharaud is typed as an intellectual musician, and to be sure, there's more calculation in his approach than emotinal sweep. His Chopin is full of eccentric starts and stops and broken phrases, all done with taste and total lack of exaggeration. But at a certain point this kind of intelligent fussiness, if I can call it that, is crazy-making. Tharaud can't let two bars go by naturally; he micromanages literally every beat. Horowitz did the same on a grand scale. Apparently grandness is out, but the same nervous tinkering is praised on a small scale. On this whole disc, nothing sounded right to me except the Mazurkas, whose off-kilter rhythms suit Tharaud's off-kilter temperament.

As a test case, I urge you to try the Ballade no. 1, comparing Tharaud's inward, highly personal style with the sweep of Kissin, the natural instincts of Ax, or the aristocratic power of Pollini. No doubt Tharaud has as much to say in this music as any rising pianist, but he speaks in a language too skewed for me. (Santa Fe listener on amazon.com



PW: at_cji

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