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Andreas Scholl & Orlando - Scholl Goes Pop (2007)

Posted By: luckburz
Andreas Scholl & Orlando - Scholl Goes Pop (2007)

Andreas Scholl & Orlando - Scholl Goes Pop
Andreas Scholl / Orlando & Die Unerlösten / Nürnberger Symphoniker / Rick Stengards
EAC+LOG+CUE | FLAC: 451 MB | MP3 CBR 320: 179 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Sony Classical # 88697127902 | Country/Year: Germany 2007
Genre: Classical / Pop | Style: Crossover

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

webfind [] selfrip [X]

Andreas Scholl & Orlando - Scholl Goes Pop (2007)

Andreas Scholl & Orlando - Scholl Goes Pop (2007)



Exact Audio Copy V1.0 beta 2 from 29. April 2011

EAC extraction logfile from 8. May 2012, 9:23

Andreas Scholl & Orlando / Scholl Goes Pop

Used drive : PIONEER BD-RW BDR-206 Adapter: 2 ID: 3

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 6:08.68 | 0 | 27667
2 | 6:08.68 | 4:37.62 | 27668 | 48504
3 | 10:46.55 | 6:06.51 | 48505 | 76005
4 | 16:53.31 | 4:21.64 | 76006 | 95644
5 | 21:15.20 | 4:42.61 | 95645 | 116855
6 | 25:58.06 | 5:29.63 | 116856 | 141593
7 | 31:27.69 | 4:07.69 | 141594 | 160187
8 | 35:35.63 | 5:51.33 | 160188 | 186545
9 | 41:27.21 | 4:35.17 | 186546 | 207187
10 | 46:02.38 | 7:08.43 | 207188 | 239330
11 | 53:11.06 | 4:19.54 | 239331 | 258809
12 | 57:30.60 | 5:56.56 | 258810 | 285565
13 | 63:27.41 | 5:43.27 | 285566 | 311317
14 | 69:10.68 | 4:18.24 | 311318 | 330691


Range status and errors

Selected range

Filename I:\=== VINYL RIPS ===\=== EAC===\Andreas Scholl & Orlando - Scholl Goes Pop.wav

Peak level 97.7 %
Extraction speed 8.3 X
Range quality 100.0 %
Test CRC DDB4EA96
Copy CRC DDB4EA96
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 3) [061E6F6E] (AR v1)
Track 2 accurately ripped (confidence 3) [EA134378] (AR v1)
Track 3 accurately ripped (confidence 3) [026CAFF5] (AR v1)
Track 4 accurately ripped (confidence 3) [20BEE936] (AR v1)
Track 5 accurately ripped (confidence 3) [A5C53EC8] (AR v1)
Track 6 accurately ripped (confidence 3) [7B476747] (AR v1)
Track 7 accurately ripped (confidence 3) [7F9F1B5E] (AR v1)
Track 8 accurately ripped (confidence 3) [29E78FE7] (AR v1)
Track 9 accurately ripped (confidence 3) [4C7887C2] (AR v1)
Track 10 accurately ripped (confidence 3) [BFF08288] (AR v1)
Track 11 accurately ripped (confidence 3) [2F17737E] (AR v1)
Track 12 accurately ripped (confidence 3) [2FF24C85] (AR v1)
Track 13 accurately ripped (confidence 3) [0806E9C8] (AR v1)
Track 14 accurately ripped (confidence 2) [530C21AD] (AR v1)

All tracks accurately ripped

End of status report

==== Log checksum 1C011765E366C889FCA04C6E0FB658A2F82781B52F43B8FB75355E0F3DC2C38C ====

foobar2000 1.1.7 / Dynamic Range Meter 1.1.1
log date: 2012-05-29 11:31:24

––––––––––––––––––––––––––––––––––––––––
Analyzed: Andreas Scholl & Orlando / Scholl Goes Pop
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR9 -0.20 dB -12.47 dB 6:09 01-Overture & Unredeemed
DR9 -0.20 dB -11.81 dB 4:38 02-Beauty Pleasure
DR9 -0.20 dB -11.46 dB 6:07 03-Never Again
DR9 -0.20 dB -12.96 dB 4:22 04-His Voice
DR9 -0.20 dB -10.91 dB 4:43 05-All Beauty Must Die
DR9 -0.20 dB -13.29 dB 5:30 06-Occhi Del Ama Mia
DR10 -0.20 dB -12.65 dB 4:08 07-Everything
DR9 -0.20 dB -11.31 dB 5:51 08-Blue Woman
DR11 -0.20 dB -13.52 dB 4:35 09-Virtual Girl
DR11 -0.20 dB -12.96 dB 7:09 10-Love Winged My Hopes
DR9 -0.20 dB -11.07 dB 4:20 11-Sunset Bossa Bova
DR9 -0.20 dB -12.00 dB 5:57 12-After Great Storms
DR9 -0.20 dB -11.65 dB 5:43 13-The Pearl
DR9 -0.20 dB -11.24 dB 4:18 14-Nives
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 14
Official DR value: DR9

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 859 kbps
Codec: FLAC
================================================================================



CD Info:

Andreas Scholl / Orlando & Die Unerlösten / Nürnberger Symphoniker / Rick Stengards - Scholl Goes Pop

Label: Sony Classical
Catalog#: 88697127902
Format: Hybrid-SACD, Album
Country: Germany
Released: 2007
Genre: Classical, Pop, Crossover

Tracklist:

01. Overture / Unredeemed 06:08
02. Beauty Pleasure 04:37
03. Never Again 06:06
04. His Voice 04:21
05. All Beauty Must Die 04:42
06. Occhi del alma mia 05:29
07. Everything 04:07
08. Blue Woman 05:51
09. Virtual Girl 04:35
10. Love Winged My Hopes 07:08
11. Sunset Bossa Nova 04:19
12. After Great Storms 05:56
13. The Pearl 05:43
14. Nives 04:18

Auf seiner neuen CD *Andreas Scholl Goes Pop* präsentiert der bekannte deutsche Countertenor Andreas Scholl zusammen mit seinem Fachkollegen, dem Counter ORLANDO alias Roland Kunz und dessen Pop-Band "Orlando und die Unerlösten" sowie den Nürnberger Symphonikern unter der Leitung von Rick Stengards eine fantasievolle Mischung aus Klassik und Pop, Barock und Folk, Mystik und Sinfonik. Die CD enthält Songs und Duette aus der Feder der beiden Countertenöre, Balladen in Arrangements von Craig Leon, Frank Zabel, Dieter Reith und Chris Walden - ein spannendes Klassik-Pop Crossoverprojekt, in dem Vergangenheit und Gegenwart engste Kontakte knüpfen.
Die CD wurde begleitend zu einem Live Konzert in Fürth im Sommer 2005 in Koproduktion mit dem Bayerischen Rundfunk - Studio Franken in Stereo und 5.1. Surround-Sound aufgenommen und erscheint als Hybrid Super Audio CD. Sony Music

Review

by James Manheim

German countertenor Andreas Scholl owes his considerable popularity partly to his ability to stay a step ahead of strong competition in terms of repertory. But nothing he has done compares with Scholl Goes Pop, which is unusual even by the often outrageous standards of the crossover universe. It is in no way a continuation of Scholl's earlier Wayfaring Stranger project, and it doesn't resemble pop and rock releases by other classically trained vocalists. Nor does the booklet interview with Scholl and his collaborator and duet partner Orlando (Roland Kunz), in English, German, and French, really shed much light on what Scholl was trying to do. He asserts that "the themes that pop music tends to focus on rarely have the depth or relevance of a Dowland song or the setting of a Shakespeare sonnet." There are several problems with this statement, one being that it's not in the themes that contemporary pop music differs from Dowland, and another being that Dowland had no idea he was writing anything other than pop music. The biggest problem, however, is that if the songs performed by Scholl and Orlando lack relevance or depth, they have only themselves to blame, for they wrote all of it themselves, sometimes, in Orlando's case, using preexisting lyrics ranging chronologically from the Roman poet Horace to English (or in one case Italian) madrigalists. Scholl seems to be striving for a sort of elevated pop music. Drawing on soft rock, ballads, and disco rather than more contemporary styles, he offers a few lyrics that could pass for contemporary pop songs, and he sounds mighty odd singing the words "ain't" and "gonna." In the Orlando compositions, he combines texts that a countertenor might normally sing with a middle-of-the-road pop language , an intriguing idea. But the oddest thing is that he doesn't really exploit his own voice. Almost all the music sticks to the mid-range, with Orlando occasionally providing harmony. The singing doesn't sound distinctively like Scholl, and it's disappointing that he makes virtually no use of the male falsetto tradition indigenous to the soul and R&B genres. The music was recorded live with Orlando's band Die Unerlösten and the Nüremberg Symphony, and audience responses are included: they're sluggish at first, but the audience warms to Scholl as the concert proceeds. This may be true of the wider circle of buyers, as well, but if there's a method to Scholl's madness here it's slow to show itself.
Andreas Scholl & Orlando - Scholl Goes Pop (2007)
allmusicguide
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