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Johann Strauss Jr. - Ormandy / Philadelphia Orchestra - Viennese Waltzes And Polkas (1992 reissue, Sony Classical # SBK 48 164)

Posted By: luckburz
Johann Strauss Jr. - Ormandy / Philadelphia Orchestra - Viennese Waltzes And Polkas (1992 reissue, Sony Classical # SBK 48 164)

Johann Strauss Jr. - Viennese Waltzes And Polkas
Eugene Ormandy / The Philadelphia Orchestra
EAC+LOG+CUE | FLAC: 383 MB | Full Artwork: 57 MB | 5% Recovery Info
Label/Cat#: Sony Classical "Essential Classics" SBK 48 164 | Country/Year: Europe 1992; 1959/1966/1969
Genre: Classical | Style: Romantic, Waltz

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Johann Strauss Jr. - Ormandy / Philadelphia Orchestra - Viennese Waltzes And Polkas (1992 reissue, Sony Classical # SBK 48 164)


Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 11. July 2013, 13:28

Eugene Ormandy, Philadelphia Orchestra / Strauss: Viennese Waltzes And Polkas

Used drive : PLEXTOR CD-R PX-W1210A Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 99
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%


TOC of the extracted CD

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9 | 45:06.25 | 3:09.00 | 202975 | 217149
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11 | 57:04.25 | 2:26.00 | 256825 | 267774
12 | 59:30.25 | 9:13.00 | 267775 | 309249
13 | 68:43.25 | 6:07.25 | 309250 | 336799


Range status and errors

Selected range

Filename F:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Strauss- Ormandy, Philadelphia Orchestra - Viennese Waltzes And Polkas.wav

Peak level 100.0 %
Extraction speed 3.8 X
Range quality 100.0 %
Copy CRC 19115C83
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 2) [0DDEEF3D] (AR v2)
Track 2 accurately ripped (confidence 2) [972C4262] (AR v2)
Track 3 accurately ripped (confidence 2) [A5076701] (AR v2)
Track 4 accurately ripped (confidence 2) [0D820D91] (AR v2)
Track 5 accurately ripped (confidence 2) [21FDC100] (AR v2)
Track 6 accurately ripped (confidence 2) [E3F11E7A] (AR v2)
Track 7 accurately ripped (confidence 2) [A50741D4] (AR v2)
Track 8 accurately ripped (confidence 2) [9DE24CA6] (AR v2)
Track 9 accurately ripped (confidence 2) [4AB810C7] (AR v2)
Track 10 accurately ripped (confidence 2) [7612D1DC] (AR v2)
Track 11 accurately ripped (confidence 2) [90846BBB] (AR v2)
Track 12 accurately ripped (confidence 2) [5F562795] (AR v2)
Track 13 accurately ripped (confidence 2) [B271F3F6] (AR v2)

All tracks accurately ripped

End of status report

–– CUETools DB Plugin V2.1.3

[CTDB TOCID: XXZFCMkXutwdBEuCNPcus_CkNjk-] found, Submit result: XXZFCMkXutwdBEuCNPcus_CkNjk- has been confirmed
[0b7fc701] (1/3) Differs in 3925 samples @68:03:13,68:04:47,68:26:29-68:26:30,68:26:50-68:26:51,68:26:72-68:26:73,68:27:19-68:27:20,68:35:73-68:35:74,68:36:20-68:36:21,68:36:41-68:36:42,68:36:63-68:36:64,68:37:10-68:37:11,68:37:32-68:37:33
[a70ce760] (1/3) Differs in 15335 samples @40:43:43-40:43:44,40:44:21-40:44:22,40:44:39,40:44:57-40:44:58,40:45:00-40:45:01,40:45:18-40:45:19,40:45:36-40:45:37,40:45:54-40:45:55,40:45:72-40:45:73,40:46:15-40:46:16,40:46:33-40:46:34,40:46:51-40:46:52,40:46:69-40:46:70,40:47:12-40:47:13,40:47:29-40:47:30,40:47:47-40:47:48,40:47:65-40:47:66,40:48:08-40:48:09,40:48:26-40:48:27,40:48:44-40:48:45,40:48:62-40:48:63,40:49:05-40:49:06,40:49:23-40:49:24,40:49:41-40:49:42,40:49:59-40:49:60,40:50:02-40:50:03,40:50:20-40:50:21,40:50:38-40:50:39,40:50:56-40:50:57,40:50:73-40:50:74,40:51:16-40:51:17,40:51:34-40:51:35,40:51:52-40:51:53,40:51:70-40:51:71,40:52:13-40:52:14,40:52:32,40:53:28-40:53:29,40:55:39-40:55:40,40:55:57,40:56:00-40:56:01,40:56:18-40:56:19,40:56:36-40:56:37,40:56:54-40:56:55,40:56:72-40:56:73,40:57:15-40:57:16,40:57:33-40:57:34,40:57:51-40:57:52,40:57:69-40:57:70,40:58:12-40:58:13,40:58:30-40:58:31,40:58:48-40:58:49,40:58:66-40:58:67,40:59:09-40:59:10,40:59:27-40:59:28,40:59:45-40:59:46,40:59:63-40:59:64,41:00:06-41:00:07,41:00:41-41:00:43,41:00:60,41:01:02-41:01:03
[de755717] (1/3) Accurately ripped
You can use CUETools to repair this rip.


==== Log checksum B030BD28B6AC6744C0A261F5139C1DF1F0EFB4CED2F39653E6CBA603226A9983 ====

foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2013-07-16 22:12:17

––––––––––––––––––––––––––––––––––––––––
Analyzed: Eugene Ormandy, Philadelphia Orchestra / Strauss: Viennese Waltzes And Polkas
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 0.00 dB -17.14 dB 8:26 01-An der schönen, blauen Donau, Walzer Op.314 [Le Beau Danuble bleu] rec.1959
DR13 -0.01 dB -17.08 dB 7:06 02-Wiener Blut, Walzer Op.354 [Sang viennois] rec.1959
DR14 -0.34 dB -17.61 dB 3:06 03-Annen-Polka, Op.117 rec.1961
DR14 -0.37 dB -16.99 dB 2:41 04-Tritsch-Tratsch-Polka, Op.214 [Chit-Chat] rec.1961
DR13 0.00 dB -17.33 dB 11:01 05-G'schichten aus dem Wienerwald, Walzer Op.325 [Histoire de la forêt de Vienn…
DR14 -0.65 dB -20.44 dB 4:27 06-Neue Pizzicato-Polka, Op.449 [de '' Fürstin Ninetta ''] rec.1961
DR13 0.00 dB -15.69 dB 5:32 07-Frühlingsstimmen, Walzer Op.410 [Voix du printemps] rec.1959
DR16 -0.11 dB -21.23 dB 2:47 08-Pizzicato-Polka, Op.234 (Johann & Josef Strauss) [Arr: Eugene Ormandy] rec….
DR12 -0.10 dB -15.17 dB 3:09 09-Unter Donner und Blitz, Polka schnell Op.324 [Sous le tonnerre et les éclair…
DR12 -0.14 dB -15.94 dB 8:49 10-Rosen aus dem Süden, Walzer Op.388 [Roses du sud] rec.1961
DR12 -0.32 dB -15.82 dB 2:26 11-Auf der Jagd, Polka schnell Op. 373 [À la chasse] rec.1961
DR12 -0.32 dB -15.75 dB 9:13 12-Tausend und eine Nacht, Walzer Op.346 [Mille et une nuits] rec.1961
DR11 -0.48 dB -15.28 dB 6:07 13-Wine, Weib und Gesang, Walzer Op.333 [Aimer, boire et chanter] rec.1961
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 13
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 717 kbps
Codec: FLAC
================================================================================



CD Info:

Johann Strauss Jr. - Viennese Waltzes And Polkas

Eugene Ormandy / The Philadelphia Orchestra

Label: Sony Classical
Series: Essential Classics
Catalog#: SBK 48 164
Format: CD, Album
Country: Europe
Released: 1992; 1959/1966/1969
Genre: Classical
Style: Romantic, Waltz

Tracklist:

1 An Der Schönen, Blauen Donau, Walzer (The Blue Danube, Waltz) Op. 314 8:22
2 Wiener Blut (Viennese Blood), Walzer Op. 354 7:02
3 Annen-Polka Op. 117 3:02
4 Tritsch-Tratsch-Polka (Chit-Chat Polka) Op. 214 2:37
5 G'schichten Aus Dem Wienerwald (Tales From The Vienna Woods), Walzer Op. 325 10:56
6 Neue Pizzicato-Polka (From Fürstin Ninetta) Op. 449 4:23
7 Frühlingsstimmen (Voices Of Spring), Walzer Op. 410 5:28
8 Pizzicato-Polka 2:43
9 Unter Donner Und Blitz, Polka Schnell (Thunder And Lightning, Quick Polka) Op. 324 3:05
10 Rosen Aus Dem Süden (Roses From The South), Walzer Op. 388 8:43
11 Auf Der Jagd, Polka Schnell (Hunting, Quick Polka) (From Cagliostro In Wien) Op. 373 2:22
12 Tausen Und Eine Nacht (Thousand And One Nights), Walzer (From Indigo Und Die Vierzig Räuber) Op. 346 9:09
13 Wein, Weib Und Gesang (Wine, Women And Song), Walzer Op. 333 6:07

Total Playing Time: 74:50

Recordings: Broadwood Hotel, Philadelphia, Pennsylvania, December 27, 1959 [1], [2], [3], [7];
Town Hall, Philadelphia, Pennsylvania, December 28, 1969 [3], [4], [6], [9]-[13];
Philadelphia Hotel, Philadelphia Pennsylvania, January 7, 1966 [8]

Eugene Ormandy (November 18, 1899 – March 12, 1985) was a Hungarian-born conductor and violinist who became internationally famous as the music director and conductor of the Philadelphia Orchestra. The maestro's 44-year-long association with the Philadelphia is one of the longest enjoyed by any conductor with a single orchestra. Under his baton, the Philadelphia had three gold records and won two Grammy Awards.

The Philadelphia Orchestra

Ormandy's 44-year tenure with the Philadelphia Orchestra began in 1936 and became the source of much of his lasting reputation and fame. Two years after his appointment as associate conductor under Leopold Stokowski, he became its music director. (Stokowski continued to conduct some concerts in Philadelphia until 1941; he returned as a guest conductor in 1960.) As music director, Ormandy conducted from 100 to 180 concerts each year in Philadelphia. Upon his retirement in 1980, he was made conductor laureate.

Ormandy was a quick learner of scores, often conducting from memory and without a baton. He demonstrated exceptional musical and personal integrity, exceptional leadership skills, and a formal and reserved podium manner in the style of his idol and friend, Arturo Toscanini.[citation needed] One orchestra musician complimented him by saying: "He doesn't try to conduct every note as some conductors do."[citation needed] Under Ormandy's direction the Philadelphia Orchestra continued the lush, legato style originated by Stokowski and for which the orchestra was well known. Ormandy's conducting style was praised for its opulent sound, but also was criticized for supposedly lacking any real individual touch. In the book Dinner with Lenny, containing one of the last interviews of Leonard Bernstein, Ormandy is criticized by Bernstein for applying the same lush sound to every piece that he conducted, even if the composer of the piece in question did not call for it, a criticism that Bernstein voiced indirectly in The Sound of an Orchestra, one of the Young People's Concerts.

Ormandy was particularly noted for conducting late Romantic and early 20th century music. He particularly favored Bruckner, Debussy, Dvořák, Ravel, Richard Strauss, Tchaikovsky, Sibelius, and transcriptions of Bach. His performances of Beethoven, Brahms, Haydn, and Mozart were considered less successful by some critics, especially when he applied the lush, so-called "Philadelphia Sound" to them. On the other hand, Donald Peck, principal flute of the Chicago Symphony Orchestra, reports that a fellow flutist was won over when Ormandy conducted the Chicago in Beethoven's Ninth Symphony; he told Peck that it was the greatest Ninth he had ever heard.[5] He was particularly noted as a champion of Sergei Rachmaninoff's music, conducting the premiere of his Symphonic Dances and leading the orchestra in the composer's own recordings of three of his piano concertos in 1939-40. He also directed the American premiere of several symphonies by Dmitri Shostakovich. He made the first recording of Deryck Cooke's first performing edition of the complete Mahler Tenth Symphony, which many critics praised. His recording of Camille Saint-Saëns' Third Symphony received stellar reviews and is held in high regard. He also performed a great deal of American music and gave many premières of works by Samuel Barber, Paul Creston, David Diamond, Howard Hanson, Walter Piston, Ned Rorem, William Schuman, Roger Sessions, Virgil Thomson, and Richard Yardumian.

The conductor Kenneth Woods ranked Ormandy 14th of the "Real Top 20 of Conducting," saying,

Critics hate Ormandy. It must be the first "fact" they teach at critic school – always work in an Ormandy slam into every article you write. Record collectors hate him, too. I just don't get it. The film of him looks pretty impressive – classical and classy conducting technique, not at all showy. His Philadelphia Orchestra was the only real rival to Karajan's Berlin for sonic beauty in the 50s-70s, but was also a tighter and more versatile band.

In 1947, Ormandy appeared in the feature film Night Song in which he conducted Leith Stevens' Piano Concerto, with Arthur Rubinstein as soloist.
Ormandy visited Finland several times. Here he is seen in 1951 with Jean Sibelius (left) and Nils-Eric Ringbom in Sibelius' home, Ainola.

The Philadelphia Orchestra under Ormandy's direction frequently performed outside of Philadelphia, in New York and other American cities, and undertook a number of foreign tours. During a 1955 tour of Finland, Ormandy and many of the Orchestra's members visited the elderly composer Jean Sibelius at his country estate; Ormandy was photographed with Sibelius and the picture later appeared on the cover of his 1962 stereo recording of the composer's first symphony. During a 1973 tour of the People's Republic of China, the Orchestra performed to enthusiastic audiences that had been isolated from Western classical music for many decades.

Ormandy and the Philadelphia Orchestra, as well as smaller ensembles composed of its members, often collaborated with Richard P. Condie (and later Jerold Ottley) and the Mormon Tabernacle Choir to produce many recordings still considered definitive today, most notably the Grammy- winning recording of the Peter Wilhousky arrangement of the Battle Hymn of the Republic.

After Ormandy officially retired as music director of the Philadelphia Orchestra in 1980, he served as a guest conductor of other orchestras and made a few recordings.

Ormandy died in Philadelphia on March 12, 1985. His papers, including his marked scores and complete arrangements, fill 501 boxes in the archives of the University of Pennsylvania Library. ~wikipedia

Johann Strauss Jr. - Ormandy / Philadelphia Orchestra - Viennese Waltzes And Polkas (1992 reissue, Sony Classical # SBK 48 164)


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