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Grieg- Gothenburg SO, Järvi - Peer Gynt Suites No. 1 & 2 (1989, Deutsche Grammophon # 427 807-2)

Posted By: luckburz

Date: 2 Dec 2015 16:53:20

Grieg- Gothenburg SO, Järvi - Peer Gynt Suites No. 1 & 2 (1989, Deutsche Grammophon # 427 807-2)

Edvard Grieg - Peer Gynt Suites No. 1 & 2
Gothenburg Symphony Orchestra / Neeme Järvi
EAC+LOG+CUE | FLAC: 266 MB | Full Artwork: 58 MB | 5% Recovery Info
Label/Cat#: Deutsche Grammophon # 427 807-2 | Country/Year: Germany 1989
Genre: Classical | Style: Romantic

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EAC

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 19. September 2013, 14:14

Gothenburg Symphony Orchestra, Neeme Järvi / Grieg: Peer Gynt Suites No. 1 & 2

Used drive : PIONEER BD-RW BDR-206 Adapter: 0 ID: 2

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%

TOC of the extracted CD

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1 | 0:00.32 | 4:16.00 | 32 | 19231
2 | 4:16.32 | 3:50.10 | 19232 | 36491
3 | 8:06.42 | 3:41.65 | 36492 | 53131
4 | 11:48.32 | 2:57.08 | 53132 | 66414
5 | 14:45.40 | 3:48.72 | 66415 | 83586
6 | 18:34.37 | 4:54.08 | 83587 | 105644
7 | 23:28.45 | 2:19.65 | 105645 | 116134
8 | 25:48.35 | 5:02.57 | 116135 | 138841
9 | 30:51.17 | 4:11.23 | 138842 | 157689
10 | 35:02.40 | 4:52.00 | 157690 | 179589
11 | 39:54.40 | 2:13.05 | 179590 | 189569
12 | 42:07.45 | 4:15.72 | 189570 | 208766
13 | 46:23.42 | 3:24.60 | 208767 | 224126
14 | 49:48.27 | 3:35.40 | 224127 | 240291
15 | 53:23.67 | 3:14.45 | 240292 | 254886
16 | 56:38.37 | 8:41.23 | 254887 | 293984

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Filename F:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Grieg- Gothenburg SO, Järvi - Peer Gynt Suites No. 1 & 2.wav

Peak level 97.8 %
Extraction speed 8.0 X
Range quality 100.0 %
Test CRC A6613BAA
Copy CRC A6613BAA
Copy OK

No errors occurred

AccurateRip summary

Track 1 accurately ripped (confidence 16) [4774E3B1] (AR v2)
Track 2 accurately ripped (confidence 16) [D58E5E16] (AR v2)
Track 3 accurately ripped (confidence 17) [1579DC8D] (AR v2)
Track 4 accurately ripped (confidence 16) [60880C35] (AR v2)
Track 5 accurately ripped (confidence 17) [1F102972] (AR v2)
Track 6 accurately ripped (confidence 17) [D9CAFAE0] (AR v2)
Track 7 accurately ripped (confidence 17) [DA49271D] (AR v2)
Track 8 accurately ripped (confidence 17) [376AFEE1] (AR v2)
Track 9 accurately ripped (confidence 17) [D1C3ECEC] (AR v2)
Track 10 accurately ripped (confidence 17) [661A215F] (AR v2)
Track 11 accurately ripped (confidence 17) [E732BC15] (AR v2)
Track 12 accurately ripped (confidence 17) [B32869B3] (AR v2)
Track 13 accurately ripped (confidence 16) [BC6F5659] (AR v2)
Track 14 accurately ripped (confidence 17) [B74C455A] (AR v2)
Track 15 accurately ripped (confidence 17) [CD72A5E7] (AR v2)
Track 16 accurately ripped (confidence 17) [E887DB0E] (AR v2)

All tracks accurately ripped

End of status report

–– CUETools DB Plugin V2.1.3

[CTDB TOCID: yswvTD5tGvK_.IeSRT0FS1WAhbc-] found, Submit result: discs with pregaps not supported in this protocol version
[2c0bdc45] (55/55) Differs in 0 samples @
You can use CUETools to repair this rip.

==== Log checksum 1F0B6374DD0211F81A7CF9B8B6E9DD7624B67E0ABBF23D73CAF21B18DC0BDBBC ====

Dynamic

foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2013-09-21 15:46:16

––––––––––––––––––––––––––––––––––––––––
Analyzed: Lyric Suite, op. 54 / Grieg: Peer Gynt Suites No. 1 & 2
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -9.86 dB -28.46 dB 4:11 09-1. Shepherd Boy
DR16 -0.19 dB -26.86 dB 4:52 10-2. Bell-Ringing
DR15 -2.72 dB -24.16 dB 2:13 11-3. Norwegian March
DR13 -6.76 dB -26.58 dB 4:16 12-4. Notturno
DR13 -0.20 dB -24.30 dB 3:25 13-5. March of the Trolls
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 5
Official DR value: DR14

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 570 kbps
Codec: FLAC
================================================================================

––––––––––––––––––––––––––––––––––––––––
Analyzed: Peer Gynt, op. 23: Suite No. 1 / Grieg: Peer Gynt Suites No. 1 & 2 (1-4)
Peer Gynt, op. 23: Suite No. 2 / Grieg: Peer Gynt Suites No. 1 & 2 (5-8)
Sigurd Jorsalfar op. 56, 3 Orchesterstücke / Grieg: Peer Gynt Suites No. 1 & 2 (9-11)
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -6.35 dB -27.33 dB 4:16 01-1. Morning Mood
DR12 -13.03 dB -32.03 dB 3:50 02-2. Åses Death
DR15 -11.14 dB -34.48 dB 3:42 03-3. Anitra's Dance
DR11 -0.20 dB -16.58 dB 2:57 04-4. In the Hall of the Mountain King
DR18 -0.20 dB -24.30 dB 3:49 05-1. Abduction of the Bride
DR15 -0.20 dB -19.92 dB 4:54 06-2. Arabian Dance
DR14 -0.20 dB -19.79 dB 2:20 07-3. Peer Gynt's Homecoming
DR15 -8.51 dB -30.03 dB 5:03 08-4. Solveig's Song
DR12 -4.67 dB -22.44 dB 3:36 14-1. In the King's Hall
DR15 -7.42 dB -29.23 dB 3:15 15-2. Intermezzo: Borghild's Dream
DR13 -0.20 dB -18.79 dB 8:41 16-3. Homage March
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 11
Official DR value: DR14

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 570 kbps
Codec: FLAC
================================================================================

CD Info:

Edvard Grieg - Peer Gynt Suites No. 1 & 2

Gothenburg Symphony Orchestra / Neeme Järvi

Label: Deutsche Grammophon
Series: 3D Classics
Catalog#: 427 807-2
Format: CD, Album
Country: Germany
Released: 1989
Genre: Classical
Style: Romantic

Tracklist:

1 Peer Gynt, op. 23: Suite No. 1 - 1. Morning Mood 4:16
2 Peer Gynt, op. 23: Suite No. 1 - 2. Åses Death 3:50
3 Peer Gynt, op. 23: Suite No. 1 - 3. Anitra's Dance 3:42
4 Peer Gynt, op. 23: Suite No. 1 - 4. In the Hall of the Mountain King 2:57
5 Peer Gynt, op. 23: Suite No. 2 - 1. Abduction of the Bride 3:49
6 Peer Gynt, op. 23: Suite No. 2 - 2. Arabian Dance 4:54
7 Peer Gynt, op. 23: Suite No. 2 - 3. Peer Gynt's Homecoming 2:20
8 Peer Gynt, op. 23: Suite No. 2 - 4. Solveig's Song 5:03
9 Lyric Suite, op. 54 - 1. Shepherd Boy 4:11
10 Lyric Suite, op. 54 - 2. Bell-Ringing 4:52
11 Lyric Suite, op. 54 - 3. Norwegian March 2:13
12 Lyric Suite, op. 54 - 4. Notturno 4:16
13 Lyric Suite, op. 54 - 5. March of the Trolls 3:25
14 Sigurd Jorsalfar op. 56, 3 Orchesterstücke - 1. In the King's Hall 3:36
15 Sigurd Jorsalfar op. 56, 3 Orchesterstücke - 2. Intermezzo: Borghild's Dream 3:15
16 Sigurd Jorsalfar op. 56, 3 Orchesterstücke - 3. Homage March 8:41

Credits:

Art Direction – Hartmut Pfeiffer
Choir – Pro Musica Chamber Choir (tracks: 6)
Conductor – Neeme Järvi
Liner Notes – Anthony Burton
Mezzo-soprano Vocals – Marianne Eklöf (tracks: 6)
Orchestra – Gothenburg Symphony Orchestra
Soprano Vocals – Barbara Bonney (tracks: 8)
Vocals – Gösta Ohlin's Vocal Ensemble (tracks: 6)

Notes:

Recordings: Göteborg, Konserthus, May 1986 (Op. 54) & June 1987.
Total playing time: 65:20
℗ 1986 (Op. 54)/1987 Polydor International GmbH, Hamburg
© 1983/86/87/89 Anthony Burton; Prof Dr. Ferruccio Tàmmaro
Cover Illustration: Victor Vasarely “ILILE-C”
© VGBild-Kunst, Bonn, 1989

Released with 12 page booklet containing liner notes in English with German, French, Italian and Spanish translations.

Neeme Järvi was one of the busiest stars on the international conducting scene. Brought up within the USSR's system for developing musical talent, Järvi studied percussion and conducting at the Tallinn Music School. He made his debut as a conductor at age 18. From 1955 to 1960 he pursued further studies at the Leningrad Conservatory, where his principal teachers were Nikolaï Rabinovich and Yevgeny Mravinsky.

From the early '60s, Järvi took a leading role in the musical life of his homeland. In 1963 he assumed the directorship of the Estonian Radio & Television Orchestra, his first important post. He also founded the Tallinn Chamber Orchestra, and for 13 years was the chief conductor of Opera House Estonia in Tallinn. From 1976 to 1980 he was chief conductor and artistic director of the Estonian State Symphony Orchestra, then in its infancy. By the late 1970s his fame had spread throughout the Soviet Union and Eastern Europe, and he received favorable notices for his appearances in the West. He made history by leading the first performances of Strauss' Der Rosenkavalier and Gershwin's Porgy and Bess ever given in the USSR.

While with the ESSO Järvi developed a particular interest in unearthing and performing neglected repertory by both little-known and important composers. He was a particular champion of the Estonian composers Eduard Tubin and Arvo Pärt. In 1979 he premiered Pärt's Credo, a work that represents a turning point in that composer's stylistic evolution. Järvi, recognizing the importance of Credo (which incorporates biblical texts), presented it without first navigating through the usual channels of the Communist Party or the Composers' Union. The resulting controversy and official disfavor induced Järvi to emigrate. He was permitted to leave Estonia in 1980; within a month of his departure, he made his debut performances with the Boston Symphony, the Philadelphia Orchestra, and the New York Philharmonic. He quickly received important appointments: principal guest conductor of the City of Birmingham Symphony Orchestra in England (1981-1983), music director of the Royal Scottish Orchestra (1984-1988), music director of the Gothenburg (Sweden) Symphony Orchestra (1982-2004), and principal guest conductor of the Japan Philharmonic.

In 1990 he assumed the post of music director of the Detroit Symphony Orchestra. With that ensemble he made 30 of some 150 recordings on the Chandos label. Järvi has also recorded for BIS, Deutsche Grammophon, and Orfeo; his various recording projects include cycles of orchestral music by Sibelius, Prokofiev, Shostakovich, Tubin, Brahms, Schumann, Shostakovich, and others. Järvi announced his decision to step down from his Detroit post in 2005. He has also served as principal conductor of the New Jersey Symphony, and accepted music director positions with the Residentie Orchestra of The Hague and the Orchestre de la Suisse Romande for 2012.

Järvi's children have made their mark on the musical world as well: son Paavo is gaining an international reputation as a conductor and holds posts with the Orchestre de Paris and the Frankfurt Radio Symphony Orchestra; Kristjan is the founder and conductor of the Absolut Ensemble of New York City; and daughter Maarika was principal flutist with the RTVE Symphony Orchestra in Madrid. ~allmusicguide

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