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The Boston Camerata, Joel Cohen -- Dowland: Farewell, Unkind - Songs & dances [REPOST]

Posted By: wdilbert

Date: 9 Aug 2012 16:58:14

The Boston Camerata, Joel Cohen -- Dowland: Farewell, Unkind - Songs & dances [REPOST]

A comic Dowland? After so many interpretations that explore the solitary, melancholic aspect of the great Elizabethan lutenist, this one effectively changes the décor. After introspection, the theater, after the intimacy of the dialogue between solo voice and lute, the bright colors of an "early" musical comedy. The concept is quite simple, and indeed one can ask why noone has thought of it before: thanks to the mixture of sources, this recital takes on an extraordinary dynamism. The program is conceived like a guided tour to an Elizabethan palace: the Queen's chambers, songs of awakening, declarations of love, tears, farewells. Surprisingly, the recital begins with a psalm….the soloists are treated as actors…we appreciate the articulation of Karen Clark on track 8, as well as Anne Azéma's spontaneity, reaching towards nonchalance in Go Crystal Tears, or flirting with irony in Lasso vita mia. The two female voices are models of complicity and elegance. Another lovely surprise: the period pronunciation is brought off quite naturally. Finally, the dances have a sort of bohemian character that is delightful, far from the metaphysical depths into which some people have wanted to place them. As Joel Cohen reminds us, Dowland decried the court and its futile pastimes because he failed in his attempt to be appreciated by them…. This voyage through the looking-glass of courtly theatre, dreamed-about and perhaps inaccessible, beautifully illuminates the other face of his genius.
Marc Desmet (Le Monde de la Musique, May 1996)

EAC Log

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 4. August 2012, 14:35

The Boston Camerata - Joel Cohen / Dowland: Farewell, Unkind - Songs & dances

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_TRACKS_

I. Invocation
1. Psalm 100 (voices)

II. In the Presence of a Queen
2. Lady Laiton's Almain (cittern, lute, bass viol)
3. Humour say: a Dialogue (2 voices, ensemble)
3. The Most Sacred Queen Elizabeth, her Galliard (lutes, bass viol)
4. Say, Love, if ever thou didst find (ensemble)

III. My Love doth wake
5. Galliard on "Awake, sweet love" (lutes)
6. Come away, come sweet love (ensemble)
7. Sleep, wayward thoughts (voice, viols, lutes)
8. Come, heavy sleep (2 voices, ensemble)

IV. To Die with Thee
9. Captain Digorie Piper's Galliard - If my complaints (voice)
10. Pavan a 4 (instruments)
11. Can she excuse my wrongs (voice, instruments)
12. Lady, if you so spite me (voice, lutes)
13. Come again, sweet love doth now invite (ensemble)

V. Go, Crystal Tears
14. Go, crystal tears (voice, viols)
15. Stay, Time, awhile thy flying (voice, lutes)
16. If that a sinner's sighs (voice, viols)
17. Weep you no more, sad fountains (voices)

VI. Then Farewell, O Farewell
18. Mr. George Whitehead his Almand (instruments)
19. Wilt thou, unkind, thus reave me (voices)
20. Tarleton's Riserrectione (lutes)
21. Far from triumphing Court (voice, lute, bass viol)
22. Lasso vita mia (voice, violin, lutes, bass viol)
23. The Frog Galliard (instruments)
24. Now o now I needs must part (ensemble)
25. Farewell, Unkind (ensemble)

The Boston Camerata
Anne Azéma, soprano
Karen Clark, mezzo-soprano
William Hite, tenor
Joel Frederiksen, bass, lute
Jesse Lepkoff, flutes, recorders
Robert Mealy, violin
Carol Lewis, treble & bass viol
Lynn Tetenbaum, tenor viol
Emily Walhout, bass viol
Olav Chris Henriksen, lute
Joel Cohen, cittern, lute

Director: Joel Cohen

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