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Guillaume de Machaut - The Hilliard Ensemble - Motets (2004, ECM New Series # 1823) [RE-UP]

Posted By: luckburz

Date: 22 Jul 2015 16:06:47

Guillaume de Machaut - The Hilliard Ensemble - Motets (2004, ECM New Series # 1823) [RE-UP]

Guillaume de Machaut - The Hilliard Ensemble - Motets
EAC+LOG+CUE | FLAC: 290 MB | Full Artwork: 163 MB | 5% Recovery Info
Label/Cat#: ECM New Series # 1823 | Country/Year: Germany 2004
Genre: Classical | Style: Medieval, Sacred, Vocal

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

my rip [X] not my rip [ [img]3586800]

EAC

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 17. October 2012, 20:40

Hilliard Ensemble / Machaut: Motets

Used drive : PIONEER BD-RW BDR-206 Adapter: 0 ID: 2

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%

TOC of the extracted CD

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2 | 3:37.10 | 2:40.65 | 16285 | 28349
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13 | 40:14.26 | 3:15.63 | 181076 | 195763
14 | 43:30.14 | 3:41.38 | 195764 | 212376
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16 | 49:35.28 | 5:00.22 | 223153 | 245674
17 | 54:35.50 | 3:31.51 | 245675 | 261550
18 | 58:07.26 | 4:26.32 | 261551 | 281532

Range status and errors

Selected range

Filename F:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Hilliard Ensemble - Machaut- Motets.wav

Peak level 81.2 %
Extraction speed 1.2 X
Range quality 100.0 %
Test CRC CB75689F
Copy CRC CB75689F
Copy OK

No errors occurred

AccurateRip summary

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Track 2 accurately ripped (confidence 4) [FCD06E05] (AR v1)
Track 3 accurately ripped (confidence 4) [C56219E0] (AR v1)
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Track 15 accurately ripped (confidence 4) [859EBD21] (AR v1)
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Track 18 accurately ripped (confidence 4) [D00A2065] (AR v1)

All tracks accurately ripped

End of status report

–– CUETools DB Plugin V2.1.3

[CTDB TOCID: 3cLOCFbVb2KcGXCuiXDErBdnHcQ-] found, Submit result: 3cLOCFbVb2KcGXCuiXDErBdnHcQ- has been confirmed
[d6c78b49] (1/1) Accurately ripped

==== Log checksum 1CB207766F497CAE765BCCB5B19706B3E91F90335A0FF3CF8451923113904C82 ====

Dynamic

foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2012-11-06 21:53:21

––––––––––––––––––––––––––––––––––––––––
Analyzed: Hilliard Ensemble / Machaut: Motets
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -7.98 dB -25.51 dB 3:37 01-De souspirant cuer, M2
DR13 -6.81 dB -23.12 dB 2:41 02-Fine Amour, qui me vint navrer, M3
DR13 -4.32 dB -21.54 dB 3:58 03-Puis que la douce rousée, M4
DR12 -7.07 dB -23.75 dB 3:47 04-Qui plus aimme, M5
DR13 -7.74 dB -24.92 dB 4:22 05-Lasse! je suis en aventure, M7
DR12 -10.10 dB -24.89 dB 2:39 06-Ha! Fortune, M8
DR12 -8.46 dB -24.69 dB 3:18 07-O livoris feritas, M9
DR12 -8.59 dB -23.83 dB 2:26 08-Helas! où sera pris confors, M10
DR13 -5.43 dB -23.69 dB 3:16 09-Fins cuers dous, M11
DR14 -5.40 dB -25.15 dB 2:55 10-Eins que ma dame d'onnur, M13
DR14 -4.62 dB -23.44 dB 3:23 11-Faus Samblant m'a deceü, M14
DR12 -7.89 dB -24.75 dB 3:51 12-Se j'aim mon loyal ami, M16
DR13 -8.34 dB -24.31 dB 3:16 13-Bone pastor, M18
DR15 -1.81 dB -22.06 dB 3:42 14-Diligenter inquiramus, M19
DR12 -8.44 dB -25.14 dB 2:24 15-Biauté parée de valour, M20
DR14 -3.22 dB -21.64 dB 5:00 16-Veni creator spiritus, M21
DR13 -8.01 dB -24.38 dB 3:32 17-Plange, regni respublica, M22
DR12 -7.13 dB -22.92 dB 4:26 18-Inviolata genitrix, M23
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 18
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 612 kbps
Codec: FLAC
================================================================================

CD Info:

Guillaume de Machaut - The Hilliard Ensemble - Motets

Label: ECM
Catalog#: New Series 1823
Format: CD, Album
Country: Germany
Released: 2004
Genre: Classical
Style: Medieval

Tracklist:

1 - De souspirant cuer, M2 3:37
2 - Fine Amour, qui me vint navrer, M3 2:41
3 - Puis que la douce rousée, M4 3:58
4 - Qui plus aimme, M5 3:47
5 - Lasse! je suis en aventure, M7 4:22
6 - Ha! Fortune, M8 2:39
7 - O livoris feritas, M9 3:18
8 - Helas! où sera pris confors, M10 2:26
9 - Fins cuers dous, M11 3:16
10 - Eins que ma dame d'onnur, M13 2:55
11 - Faus Samblant m'a deceü, M14 3:23
12 - Se j'aim mon loyal ami, M16 3:51
13 - Bone pastor, M18 3:16
14 - Diligenter inquiramus, M19 3:42
15 - Biauté parée de valour, M20 2:24
16 - Veni creator spiritus, M21 5:00
17 - Plange, regni respublica, M22 3:32
18 - Inviolata genitrix, M23 4:26

David James - countertenor
David Gould - countertenor
Rogers Covey-Crump - tenor
Steven Harrold - tenor
Gordon Jones - baritone

Recorded November 2001
Propstei St. Gerold
Tonmeister: Peter Laenger

New edition of the motetes by Nicky Losseff from the Machaut manuscripr A, Paris, Bibliotheque Nationale, MS fonds francais 1584

review by James Manheim

The motets of Guillaume de Machaut (1300-1377) are complicated works. Even casual listeners will notice that each of the three lines of music has its own text – one rapid and wordy, one moderate in speed, and one just a few words long. Musically they contain structural intricacies to which scholars devote pleasant lifetimes of research in old French libraries. Yet the interpretation of even music as arcane as this depends on the spirit of the age. Rationalists of earlier decades performed Machaut with rather harsh exactitude, seeking to clarify the subtle repetition schemes of Machaut's motets and polyphonic songs. But the Hilliard Ensemble, of the Self generation, focuses on Machaut as a creative figure with, to quote the liner notes, "a morbidly sensitive inner life." The notes allude to the possible religious symbolism of Machaut's convoluted language of courtly love, but what we get in practice are gorgeous, emotive readings that make these works sound a bit like Gesualdo madrigals. Of course, nobody can coax the impact out of a dissonance like the Hilliard Ensemble. Countertenors David James and David Gould shape Machaut's almost Faulknerian top-voice syntax into affecting emotional statements, and even listeners new to medieval music will become ensnared in the poet's quest for the slightest glance of regard from his unattainable Lady. One complaint: since this music draws interest from the puzzling relationships among a piece's various texts, the booklet should have been designed so that the listener could follow those texts simultaneously. Still, it's been a while since a major disc of Machaut motets was released (this disc contains 18 pieces, a few of them sacred), and if the Hilliard Ensemble doesn't close the book on this music, they nevertheless interpret it beautifully for our times. allmusicguide

Guillaume de Machaut - The Hilliard Ensemble - Motets (2004, ECM New Series # 1823) [RE-UP]

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