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Beethoven - Du Pre / Bishop-Kovacevich - Cello Sonatas 3 & 5 (1967, 1988 cd reissue, EMI # CDM 7 69179 2)

Posted By: luckburz
Beethoven - Du Pre / Bishop-Kovacevich - Cello Sonatas 3 & 5 (1967, 1988 cd reissue, EMI # CDM 7 69179 2)

Ludwig van Beethoven - Cello Sonatas 3 & 5
Jaqueline Du Pre / Stephen Bishop-Kovacevich
EAC+LOG+CUE | FLAC: 196 MB | Full Artwork: 37 MB | 5% Recovery Info
Label/Cat#: EMI # CDM 7 69179 2 | Country/Year: Europe 1988, 1967
Genre: Classical | Style: Viennese School

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

my rip [X] not my rip []

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 5. August 2013, 18:43

Du Pre, Kovacevich / Beethoven: Cello Sonatas 3 & 5

Used drive : PIONEER BD-RW BDR-206 Adapter: 0 ID: 2

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.33 | 13:11.02 | 33 | 59359
2 | 13:11.35 | 5:16.58 | 59360 | 83117
3 | 18:28.18 | 2:07.47 | 83118 | 92689
4 | 20:35.65 | 6:51.40 | 92690 | 123554
5 | 27:27.30 | 6:36.08 | 123555 | 153262
6 | 34:03.38 | 10:49.22 | 153263 | 201959
7 | 44:52.60 | 3:51.35 | 201960 | 219319


Range status and errors

Selected range

Filename F:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Beethoven- Du Pre, Kovacevich - Cello Sonatas 3 & 5.wav

Peak level 99.6 %
Extraction speed 1.6 X
Range quality 99.9 %
Copy CRC 0DDA238E
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 3) [C34AD191] (AR v2)
Track 2 accurately ripped (confidence 3) [F76A53A0] (AR v2)
Track 3 accurately ripped (confidence 3) [04E0CFCA] (AR v2)
Track 4 accurately ripped (confidence 3) [9D296313] (AR v2)
Track 5 accurately ripped (confidence 3) [5E2DEC84] (AR v2)
Track 6 accurately ripped (confidence 3) [07F36C47] (AR v2)
Track 7 accurately ripped (confidence 3) [98398175] (AR v2)

All tracks accurately ripped

End of status report

–– CUETools DB Plugin V2.1.3

[CTDB TOCID: ubhor7aZ5IijI.xh.qZ2HktZcW4-] disk not present in database, Submit result: discs with pregaps not supported in this protocol version


==== Log checksum C7D835D7F57CCCBEE66920A7B690B233B21CEA98B2F3EFB23219DB103F98322E ====


CD Info:

Ludwig van Beethoven - Cello Sonatas 3 & 5

Jaqueline Du Pre / Stephen Bishop-Kovacevich

Label: EMI
Catalog#: CDM 7 69179 2
Format: CD, Album, Remastered
Country: Europe
Released: 1988, 1967
Genre: Classical
Style: Viennese School

Tracklist:

1 Cello Sonata no 3 in A major - I. Allegro ma non tanto 13:11
2 Cello Sonata no 3 in A major - II. Scherzo ( Allegro molto) 5:17
3 Cello Sonata no 3 in A major - III. Adagia cantabile 2:08
4 Cello Sonata no 3 in A major - IV. Allegro vivace 6:52
5 Cello Sonata no 5 in D major - I. Allegro con brio 6:36
6 Cello Sonata no 5 in D major - II. Adagio con molto sentimento d'affetto 10:49
7 Cello Sonata no 5 in D major - III. Allegro - Allegro fugato 3:51

Jacqueline Mary du Pré, OBE (26 January 1945 – 19 October 1987) was a British cellist. She is particularly famous for performing the Elgar's Cello Concerto in E Minor, her interpretation of which has been described as "definitive" and "legendary". Her career was cut short by multiple sclerosis, which forced her to stop performing at the age of 28, and led to her premature death. Posthumously, she was the subject of a film entitled Hilary and Jackie (based on her siblings' memoir, A Genius in the Family) that was factually controversial and criticized for sensationalising her private life.

In March 1961, at the age of 16, du Pré made her formal début, at Wigmore Hall, London. She was accompanied by Ernest Lush, and played sonatas by Handel, Brahms, Debussy and de Falla, and a solo cello suite by Bach. She made her concerto début on 21 March 1962 at the Royal Festival Hall playing the Elgar Cello Concerto with the BBC Symphony Orchestra under Rudolf Schwarz. She performed at The Proms in 1963, playing the Elgar Concerto with Sir Malcolm Sargent. Her performance of the concerto proved so popular that she returned three years in succession to perform the work. At her 3 September 1964 Prom Concert, she performed the Elgar concerto as well as the world premiere of Priaulx Rainier's Cello Concerto. Du Pré became a favourite at the Proms, performing every year until 1969.

In 1965, at age 20, du Pré recorded the Elgar Concerto for EMI with the London Symphony Orchestra and Sir John Barbirolli, which brought her international recognition. This recording has become a benchmark for the work, and one which has never been out of print since its release. Du Pré also performed the Elgar with the BBC Symphony Orchestra under Antal Doráti for her United States début, at Carnegie Hall on 14 May 1965. In 1968, at the suggestion of Ian Hunter, a composition was created by Alexander Goehr specifically for du Pré, Romanza for cello and orchestra, op.24, which she premiered at the Brighton Music Festival, with Barenboim conducting the New Philharmonia Orchestra.

Du Pré performed with several prestigious orchestras, including the Berlin Philharmonic Orchestra, London Symphony, London Philharmonic, Cleveland Orchestra, New Philharmonia Orchestra, BBC Symphony Orchestra, New York Philharmonic, Philadelphia Orchestra, Israel Philharmonic, and the Los Angeles Philharmonic Orchestra. She regularly performed with such famous conductors as Barbirolli, Sargent, Sir Adrian Boult, Daniel Barenboim, Zubin Mehta and Leonard Bernstein.

Du Pré primarily played on two Stradivarius cellos, one from 1673 and the so-called Davidov Stradivarius of 1712. Both instruments were gifts from her godmother, Ismena Holland. She performed with the 1673 Stradivarius from 1961 until 1964, when she acquired the Davidov. Many of her most famous recordings were made on this instrument, including the Elgar Concerto with Barbirolli, the Robert Schumann Cello Concerto with Barenboim and the two Brahms cello sonatas. From 1969 to 1970 she (like Casals before her) played on a Francesco Goffriller cello, and in 1970 acquired a modern instrument from the Philadelphia violin maker Sergio Peresson. It was the Peresson cello that du Pré played for the remainder of her career until 1973, using it for a second, live, recording of the Elgar Concerto, and her last studio recording, of Frédéric Chopin's Cello Sonata in G minor and César Franck's Violin Sonata in A arranged for cello, in December 1971.

Her friendship with musicians Yehudi Menuhin, Itzhak Perlman, Zubin Mehta and Pinchas Zukerman, and marriage to Daniel Barenboim led to many memorable chamber-music performances. In a book review for two biographies about the cellist, the former wife of Zukerman judged du Pré "one of the most stunningly gifted musicians of our time". The 1969 performance at the Queen Elizabeth Hall in London of the Schubert Piano Quintet in A major, "The Trout", was the basis of a film, The Trout, by Christopher Nupen. Nupen made other films featuring du Pré, including Jacqueline du Pré and the Elgar Cello Concerto, a documentary featuring a live performance of the Elgar; and The Ghost, with Barenboim and Zukerman in a performance of the "Ghost" Piano Trio in D major, by Beethoven. wikipedia

Beethoven - Du Pre / Bishop-Kovacevich - Cello Sonatas 3 & 5 (1967, 1988 cd reissue, EMI # CDM 7 69179 2)


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