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Trio Serkin - Beethoven / Brahms: Trios (1969, CD Reissue 1990)

Posted By: luckburz

Date: 12 Jun 2014 14:48:05

Trio Serkin - Beethoven / Brahms: Trios (1969, CD Reissue 1990)

Trio Serkin - Beethoven / Brahms: Trios
EAC+LOG+CUE | FLAC: 247 MB | Full Artwork: 55 MB | 5% Recovery Info
Label/Cat#: CBS Masterworks # MPK 46447 | Country/Year: Europe 1990, 1969
Genre: Classical, Historical Recording | Style: Viennese School, Romantic, Piano Trios

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

my rip [X] not my rip []

EAC

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 5. August 2013, 12:18

Trio Serkin - A. Busch - H. Busch / Beethoven, Brahms: Trios

Used drive : PIONEER BD-RW BDR-206 Adapter: 0 ID: 2

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 4:52.55 | 0 | 21954
2 | 4:52.55 | 9:19.05 | 21955 | 63884
3 | 14:11.60 | 7:44.27 | 63885 | 98711
4 | 21:56.12 | 9:05.13 | 98712 | 139599
5 | 31:01.25 | 9:23.45 | 139600 | 181869
6 | 40:24.70 | 4:39.67 | 181870 | 202861
7 | 45:04.62 | 5:32.18 | 202862 | 227779

Range status and errors

Selected range

Filename F:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Trio Serkin - Beethoven, Brahms- Trios.wav

Peak level 86.6 %
Extraction speed 7.0 X
Range quality 100.0 %
Copy CRC 4CA95518
Copy OK

No errors occurred

AccurateRip summary

Track 1 cannot be verified as accurate (confidence 2) [0AD33507], AccurateRip returned [ABAE50D4] (AR v2)
Track 2 cannot be verified as accurate (confidence 2) [C20A34C8], AccurateRip returned [FCDF822D] (AR v2)
Track 3 cannot be verified as accurate (confidence 2) [6F570EDE], AccurateRip returned [9F74B322] (AR v2)
Track 4 cannot be verified as accurate (confidence 2) [702AD71F], AccurateRip returned [DC64271A] (AR v2)
Track 5 cannot be verified as accurate (confidence 2) [EB17C39F], AccurateRip returned [ECAE71AD] (AR v2)
Track 6 cannot be verified as accurate (confidence 2) [F474A200], AccurateRip returned [F9E79872] (AR v2)
Track 7 cannot be verified as accurate (confidence 2) [BD8542F2], AccurateRip returned [A270545D] (AR v2)

No tracks could be verified as accurate
You may have a different pressing from the one(s) in the database

End of status report

–– CUETools DB Plugin V2.1.3

[CTDB TOCID: okaw.R5a.vTVgx.zzFm.AJDGxeg-] found, Submit result: okaw.R5a.vTVgx.zzFm.AJDGxeg- has been confirmed
[834442d5] (2/2) Accurately ripped

==== Log checksum A34307D6C8A4B16A8339B296338ABBE79EB83FCEB3CDE0520B698B4172ADCE89 ====

Dynamic

foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2013-08-05 20:48:07

––––––––––––––––––––––––––––––––––––––––
Analyzed: Trio Serkin - A. Busch - H. Busch / Beethoven, Brahms: Trios
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -3.33 dB -18.08 dB 4:53 01-Beethoven-PIANO TRIO IN D MAJOR, OP. 70 No.1 'GHOST' I Allegro vivace e con brio
DR12 -3.84 dB -22.06 dB 9:19 02-Beethoven-PIANO TRIO IN D MAJOR, OP. 70 No.1 'GHOST' II Largo assai ed espres…
DR11 -2.49 dB -17.33 dB 7:44 03-Beethoven-PIANO TRIO IN D MAJOR, OP. 70 No.1 'GHOST' III Presto
DR13 -1.24 dB -19.62 dB 9:05 04-Brahms- PIANO TRIO IN C MAJOR Op. 87 I Allegro
DR13 -3.94 dB -21.50 dB 9:24 05-Brahms- PIANO TRIO IN C MAJOR Op. 87 II Andante con moto
DR11 -4.08 dB -20.99 dB 4:40 06-Brahms- PIANO TRIO IN C MAJOR Op. 87 III Scerzo. Presto
DR13 -2.72 dB -20.66 dB 5:32 07-Brahms- PIANO TRIO IN C MAJOR Op. 87 IV Finale. Allegro giocoso
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 7
Official DR value: DR12

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 651 kbps
Codec: FLAC
================================================================================

CD Info:

Trio Serkin - Beethoven / Brahms: Trios

Label: CBS Masterworks
Catalog#: MPK 46447
Format: CD, Album, Mono
Country: Europe
Released: 1990, 1969
Genre: Classical, Historical Recording
Style: Viennese School, Romantic, Piano Trios

Tracklist:

1 Beethoven-PIANO TRIO IN D MAJOR, OP. 70 No.1 'GHOST' I Allegro vivace e con brio 4:53
2 Beethoven-PIANO TRIO IN D MAJOR, OP. 70 No.1 'GHOST' II Largo assai ed espres… 9:19
3 Beethoven-PIANO TRIO IN D MAJOR, OP. 70 No.1 'GHOST' III Presto 7:44
4 Brahms- PIANO TRIO IN C MAJOR Op. 87 I Allegro 9:05
5 Brahms- PIANO TRIO IN C MAJOR Op. 87 II Andante con moto 9:24
6 Brahms- PIANO TRIO IN C MAJOR Op. 87 III Scerzo. Presto 4:40
7 Brahms- PIANO TRIO IN C MAJOR Op. 87 IV Finale. Allegro giocoso 5:32

Recorded: Beethoven: unknown / Brahms: October 1951, Vermont, USA

(P) 1969 CBS Records (C) 1990 Sony Classical GmbH

Artist Biography by Blair Johnston

Rudolf Serkin emerged from the environment of post-World War I Austria to become one of the most profound and challenging pianists of the century. Childhood studies in Vienna with Richard Robert (piano), and Joseph Marx and Arnold Schoenberg for composition, led to a 1915 debut performance with the Vienna Symphony Orchestra at the age of 12. After 1920, Serkin was associated with noted violinist Adolf Busch, both as a duo-sonata partner, and with the Busch Chamber Orchestra (and, from 1935, as Busch's son-in-law). An American debut in 1936 with the New York Philharmonic under Toscanini led to Serkin's decision to relocate to the U.S. in 1939. Invited to join the piano faculty of the Curtis Institute of Music, he quickly rose to become head of the piano department, and, from 1968, president of the Institute. He devoted his summers to cultivating several generations of young musicians at the Marlboro Festival in Vermont.

Many observers have remarked that Serkin was not a natural pianist. Indeed, he seemed rather to play by force of will alone, and the strength of his musicianship lies more in the deep insight that he brought to the music of the composers he holds dearest – traditional Austrian and German masters – than in virtuosic pianism. In the sonatas of Beethoven, Serkin finds particular inspiration. His Beethoven interpretations do not necessarily please the listener in terms of superficial "beauty," but rather convey the unique mixture of logic, violence, and spiritual transcendence that he feels is the essence of Beethoven's work. In the Brahms concerti, Serkin's vision is nothing short of titanic. On off-nights, however, Serkin's lofty, cerebral brand of pianism sometimes failed him, and the austere, "square" approach to phrasing that makes his playing so immediately recognizable sometimes sounded unnecessarily harsh.

Rudolf Serkin's discography is impressive, spanning most of the general repertory from Bach to the early/mid-twentieth century, and including such relative novelties as the F minor Concerto of Max Reger, a composer Serkin had an abiding affinity for. His work at the Curtis Institute, and, during the summers, at the Marlboro Festival, has made him one of the most influential American teachers of the post-World War II era. Serkin's son Peter is also a pianist of considerable renown. allmusicguide

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