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Giovanni Battista Pergolesi - Sebastian Hennig / René Jacobs - Stabat Mater (1983, CD reissue 1987)

Posted By: luckburz

Date: 7 Sep 2014 07:17:45

Giovanni Battista Pergolesi - Sebastian Hennig / René Jacobs - Stabat Mater (1983, CD reissue 1987)

Giovanni Battista Pergolesi - Stabat Mater, séquence pour soprano, alto, cordes et orgue
Sebastian Hennig / René Jacobs - Concerto Vocale
EAC+LOG+CUE | FLAC: 158 MB | Partial Artwork | 5% Recovery Info
Label/Cat#: Harmonia Mundi # 1901119 | Country/Year: France 1987, 1983
Genre: Classical | Style: Baroque, Sacred, Vocal

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

my rip [ ] not my rip [X]

EAC

Exact Audio Copy V0.99 prebeta 5 from 4. May 2009

EAC extraction logfile from 17. January 2012, 12:09

Giovanni Battista Pergolesi / Stabat Mater

Used drive : Optiarc DVD RW AD-7243S Adapter: 6 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : D:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:31.15 | 0 | 15839
2 | 3:31.15 | 2:19.03 | 15840 | 26267
3 | 5:50.18 | 2:07.17 | 26268 | 35809
4 | 7:57.35 | 2:20.70 | 35810 | 46379
5 | 10:18.30 | 2:53.03 | 46380 | 59357
6 | 13:11.33 | 3:26.05 | 59358 | 74812
7 | 16:37.38 | 2:33.70 | 74813 | 86357
8 | 19:11.33 | 2:23.35 | 86358 | 97117
9 | 21:34.68 | 5:39.20 | 97118 | 122562
10 | 27:14.13 | 3:42.60 | 122563 | 139272
11 | 30:56.73 | 2:22.17 | 139273 | 149939
12 | 33:19.15 | 3:55.73 | 149940 | 167637

Range status and errors

Selected range

Filename E:\CDImage.wav

Peak level 98.4 %
Range quality 100.0 %
Test CRC E6BB4541
Copy CRC E6BB4541
Copy OK

No errors occurred

AccurateRip summary

Track 1 accurately ripped (confidence 4) [00FFD39A]
Track 2 accurately ripped (confidence 4) [283BD528]
Track 3 accurately ripped (confidence 5) [75A557A2]
Track 4 accurately ripped (confidence 4) [F780904A]
Track 5 accurately ripped (confidence 5) [F31F0DE2]
Track 6 accurately ripped (confidence 4) [2FF8BE07]
Track 7 accurately ripped (confidence 4) [5C38ABDB]
Track 8 accurately ripped (confidence 4) [70FF1A44]
Track 9 accurately ripped (confidence 4) [7D61E277]
Track 10 accurately ripped (confidence 3) [8D42412C]
Track 11 accurately ripped (confidence 4) [5DB9182C]
Track 12 accurately ripped (confidence 4) [EA248EC4]

All tracks accurately ripped

End of status report

auCDtect

auCDtect: CD records authenticity detector, version 0.8.2
Copyright © 2004 Oleg Berngardt. All rights reserved.
Copyright © 2004 Alexander Djourik. All rights reserved.

Detect mode (0..40 with 0 = most accurate): 8 (default)

––––––––––––––––––––––––––––––
[Giovanni Battista Pergolesi - Stabat Mater.wav]
Detected average hi-boundary frequency: 2.022473e+004 Hz
Detected average lo-boundary frequency: 1.312505e+004 Hz
Detected average hi-cut frequency: 2.135273e+004 Hz
Detected average lo-cut frequency: 1.095858e+004 Hz
Maximum probablis boundary frequency: 2.121300e+004 Hz
Coefficient of nonlinearity of a phase: 1.332571e-001
First order smothness: 4.229619e-001
Second order smothness: 7.131638e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.

Dynamic

foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2014-06-29 18:10:51

––––––––––––––––––––––––––––––––––––––––
Analyzed: Giovanni Battista Pergolesi / Stabat Mater
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -1.52 dB -22.39 dB 3:31 01-Duo: Stabat Mater dolorosa
DR11 -0.45 dB -18.50 dB 2:19 02-Aria (soprano): Cuius animam gementem
DR12 -0.43 dB -17.88 dB 2:07 03-Duo: O quam tristis et afflicta
DR16 -0.14 dB -21.89 dB 2:21 04-Aria (alto): Quae moerebat et dolebat
DR11 -0.75 dB -19.12 dB 2:53 05-Duo: Quis est homo, qui non fleret
DR12 -2.44 dB -24.38 dB 3:26 06-Aria: Vidit suum dulcem natum
DR15 -2.13 dB -24.48 dB 2:34 07-Aria (alto): Eja, Mater, fons amoris
DR11 -2.12 dB -18.57 dB 2:23 08-Duo: Fac, ut ardeat cor meum
DR13 -1.99 dB -21.62 dB 5:39 09-Duo: Sancta Mater, istud agas
DR16 -2.28 dB -26.00 dB 3:43 10-Aria (alto): Fac, ut portem Christi mortem
DR12 -5.06 dB -23.34 dB 2:22 11-Duo: Inflammatus et accensus
DR13 -4.33 dB -23.51 dB 3:56 12-Duo: Quando corpus morietur / Amen
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 12
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 554 kbps
Codec: FLAC
================================================================================

CD Info:

Giovanni Battista Pergolesi - Stabat Mater, séquence pour soprano, alto, cordes et orgue

Sebastian Hennig / René Jacobs - Concerto Vocale

Label: Harmonia Mundi France
Series: musique d'abord
Catalog#: HMA 1901119
Format: CD, Album, Reissue
Country: France
Released: 1987, 1983
Genre: Classical
Style: Baroque, Sacred

Tracklist:

1. Duo: Stabat Mater dolorosa
2. Aria (soprano): Cuius animam gementem
3. Duo: O quam tristis et afflicta
4. Aria (alto): Quae mocrebat et dolebat
5. Duo: Quis est homo, qui non fleret
6. Aria: Vidit suum dulcem natum
7. Aria (alto): Eja, Mater, fons amoris
8. Duo: Fac, ut ardeat cor meum
9. Duo: Sancta Mater, istud agas
10. Aria (alto): Fac, ut portem Christi mortem
11. Duo: Inflammatus et accensus
12. Duo: Quando corpus morietur. Amen

Sebastian Hennig, soprano (garçon)
René Jacobs, haute-contre

CONCERTO VOCALE
Dirk Vermeulen, Staas Swierstra, violons
Ruth Hesseling, alto
Richte van der Meer, violoncelle
Anthony Woodrow, violone
Johan Huys, orgue
Dir. RENÉ JACOBS

Pergolesi is chiefly known for two works of widely differing character, his comic intermezzo La servo padrona of 1733 and the Stabat muter which probably belongs to the very last months of a singularly short life (1710-1736). My own greater affection lies with the Stabat mater which, as Tom Walker observes in his interesting sleevenote, searches out new solutions to the expression of tender pathos. Padre Martini's accusation that Pergolesi used the same expressive language in both works is not fair. That is not to say that a theatrical element is absent from the Stabat mater; there is, in fact, quite a strong one, but of the spirit of his intermezzo there is hardly a trace.

This new performance confines the two vocal lines to solo voices rather than introducing any choral texture. I prefer it that way and there is some very sensitive singing here. The treble, Sebastian Hennig, we have already encountered in the Telefunken series of Bach cantatas. His is an agile and naturally expressive technique with predominantly sure intonation and a timbre to suit the music. His entries are beautifully clean, his diction beyond reproach and his attention to nuances of the text surprising in one of his tender years. His "Vidit suum dulcem natum" is full of pathos and anguish. The alto, Renê Jacobs, needs little in the way of introduction. His style is somewhat different and he, unlike Hennig, cannot resist scooping up his notes at the beginning of phrases. I do not much care for this mannerism but am none the less full of admiration for his handling of the music; his "Fac ut portem Christi mortem" is affectingly delivered. There is a degree of fervent intensity in both vocalists which does much to emphasize the spirit of the text.

I was less impressed by the string ensemble which is untidy in the top parts and thin in texture. Fortunately, one only notices it in the few exposed parts of the score and 1 did not find it a serious hindrance to my overall enjoyment. If you retain a place in your heart for this work, do try this performance. Its many ravishing moments easily win over the shortcomings.

– Gramophone [2/1984] reviewing the original LP release

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