Su	Mo	Tu	We	Th	Fr	Sa
31	1	2	3	4	5	6
7	8	9	10	11	12	13
14	15	16	17	18	19	20
21	22	23	24	25	26	27
28	29	30	1	2	3	4

Johann Sebastian Bach - Stefan Temmingh & Ensemble - French & English Suites (2011)

Posted By: luckburz

Date: 1 Nov 2013 06:31:44

Johann Sebastian Bach - Stefan Temmingh & Ensemble - French & English Suites (2011)

J.S. Bach - French & English Suites and other works transcribed for recorder, viola da gamba and lute
Stefan Temmingh & Ensemble
EAC+LOG+CUE | FLAC: 371 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Oehms Classical # OC 795 | Country/Year: Germany 2011
Genre: Classical | Style: Baroque

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

my rip [X] not my rip []

EAC

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 23. April 2013, 13:16

Stefan Temmingh & Ensemble / Bach: French & English Suites

Used drive : PIONEER BD-RW BDR-206 Adapter: 0 ID: 2

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:55.10 | 0 | 17634
2 | 3:55.10 | 2:12.36 | 17635 | 27570
3 | 6:07.46 | 3:45.37 | 27571 | 44482
4 | 9:53.08 | 1:43.42 | 44483 | 52249
5 | 11:36.50 | 3:24.55 | 52250 | 67604
6 | 15:01.30 | 4:00.62 | 67605 | 85666
7 | 19:02.17 | 3:35.68 | 85667 | 101859
8 | 22:38.10 | 5:48.24 | 101860 | 127983
9 | 28:26.34 | 3:44.26 | 127984 | 144809
10 | 32:10.60 | 1:46.31 | 144810 | 152790
11 | 33:57.16 | 3:58.46 | 152791 | 170686
12 | 37:55.62 | 0:58.02 | 170687 | 175038
13 | 38:53.64 | 1:15.05 | 175039 | 180668
14 | 40:08.69 | 2:39.28 | 180669 | 192621
15 | 42:48.22 | 3:42.36 | 192622 | 209307
16 | 46:30.58 | 3:51.27 | 209308 | 226659
17 | 50:22.10 | 2:11.06 | 226660 | 236490
18 | 52:33.16 | 3:08.36 | 236491 | 250626
19 | 55:41.52 | 1:26.69 | 250627 | 257145
20 | 57:08.46 | 2:57.42 | 257146 | 270462
21 | 60:06.13 | 2:16.66 | 270463 | 280728
22 | 62:23.04 | 4:13.15 | 280729 | 299718
23 | 66:36.19 | 7:14.73 | 299719 | 332341

Range status and errors

Selected range

Filename F:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Bach- Stefan Temmingh & Ensemble - French & English Suites.wav

Peak level 95.5 %
Extraction speed 7.9 X
Range quality 99.9 %
Test CRC 07DE97D2
Copy CRC 07DE97D2
Copy OK

No errors occurred

AccurateRip summary

Track 1 not present in database
Track 2 not present in database
Track 3 not present in database
Track 4 not present in database
Track 5 not present in database
Track 6 not present in database
Track 7 not present in database
Track 8 not present in database
Track 9 not present in database
Track 10 not present in database
Track 11 not present in database
Track 12 not present in database
Track 13 not present in database
Track 14 not present in database
Track 15 not present in database
Track 16 not present in database
Track 17 not present in database
Track 18 not present in database
Track 19 not present in database
Track 20 not present in database
Track 21 not present in database
Track 22 not present in database
Track 23 not present in database

None of the tracks are present in the AccurateRip database

End of status report

–– CUETools DB Plugin V2.1.3

[CTDB TOCID: 4qf7H24R9ijCJRDDbCtEZZQFGho-] disk not present in database, Submit result: 4qf7H24R9ijCJRDDbCtEZZQFGho- has been uploaded

==== Log checksum 8D45B9DB3AD15A0B2B706B5842EC81D05BE2C2F942666FB1DA9BE569FE5194B6 ====

Dynamic

foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2013-04-23 17:50:21

––––––––––––––––––––––––––––––––––––––––
Analyzed: Stefan Temmingh & Ensemble / Bach: French & English Suites
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR10 -0.40 dB -13.90 dB 3:55 01-Siciliano BWV 1017
DR12 -2.83 dB -17.12 dB 2:12 02-'Pedal-Exercitium' in A minor (orig. G minor) BWV 598 for solo viola da gamba
DR10 -0.47 dB -13.48 dB 3:45 03-English Suite No. 2 in A minor, BWV 807 - I. Allemande
DR11 -0.83 dB -14.05 dB 1:44 04-English Suite No. 2 in A minor, BWV 807 - II. Courante
DR9 -1.02 dB -15.22 dB 3:25 05-English Suite No. 2 in A minor, BWV 807 - III. Sarabande
DR11 -0.40 dB -14.23 dB 4:01 06-English Suite No. 2 in A minor, BWV 807 - IV. Bourrée 1 - 2
DR10 -0.39 dB -12.17 dB 3:36 07-English Suite No. 2 in A minor, BWV 807 - V. Gigue
DR13 -6.14 dB -22.51 dB 5:48 08-Prelude in D major (orig. G), BWV 1006a for solo lute
DR9 -0.40 dB -12.40 dB 3:44 09-French Suite No. 5 in C major (orig. G), BWV 816 - I. Allemande
DR10 -0.77 dB -13.16 dB 1:46 10-French Suite No. 5 in C major (orig. G), BWV 816 - II. Courante
DR9 -0.50 dB -13.43 dB 3:59 11-French Suite No. 5 in C major (orig. G), BWV 816 - III. Sarabande
DR10 -0.94 dB -13.75 dB 0:58 12-French Suite No. 5 in C major (orig. G), BWV 816 - IV. Gavotte
DR11 -0.40 dB -13.30 dB 1:15 13-French Suite No. 5 in C major (orig. G), BWV 816 - V. Bourrée
DR14 -3.69 dB -22.02 dB 2:39 14-French Suite No. 5 in C major (orig. G), BWV 816 - VI. Loure
DR10 -0.87 dB -13.78 dB 3:42 15-French Suite No. 5 in C major (orig. G), BWV 816 - VII. Gigue
DR10 -0.40 dB -12.55 dB 3:51 16-French Suite No. 3 in B minor, BWV 814 - I. Allemande
DR10 -0.40 dB -12.42 dB 2:11 17-French Suite No. 3 in B minor, BWV 814 - II. Courante
DR11 -1.70 dB -17.34 dB 3:08 18-French Suite No. 3 in B minor, BWV 814 - III. Sarabande
DR10 -0.47 dB -13.01 dB 1:27 19-French Suite No. 3 in B minor, BWV 814 - IV. Anglaise
DR12 -1.34 dB -17.30 dB 2:58 20-French Suite No. 3 in B minor, BWV 814 - V. Menuet - Trio
DR11 -0.47 dB -13.40 dB 2:17 21-French Suite No. 3 in B minor, BWV 814 - VI. Gigue
DR9 -0.42 dB -13.58 dB 4:13 22-'Wachet auf, ruft uns die Stimme' in E-flat major, BWV 645
DR14 -7.81 dB -24.81 dB 7:15 23-Fugue in G minor, BWV 1000 for solo lute
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 23
Official DR value: DR11

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 670 kbps
Codec: FLAC
================================================================================

CD Info:

French & English Suites and other works transcribed for recorder, viola da gamba and lute

Stefan Temmingh & Ensemble

Label: Oehms Classical
Catalog#: OC 795
Format: CD, Album
Country: Germany
Released: 2011
Genre: Classical
Style: Baroque

Tracklist:

1 Siciliano BWV 1017 3:55
2 'Pedal-Exercitium' in A minor (orig. G minor) BWV 598 for solo viola da gamba 2:12
3 English Suite No. 2 in A minor, BWV 807 - I. Allemande 3:45
4 English Suite No. 2 in A minor, BWV 807 - II. Courante 1:44
5 English Suite No. 2 in A minor, BWV 807 - III. Sarabande 3:25
6 English Suite No. 2 in A minor, BWV 807 - IV. Bourrée 1 - 2 4:01
7 English Suite No. 2 in A minor, BWV 807 - V. Gigue 3:36
8 Prelude in D major (orig. G), BWV 1006a for solo lute 5:48
9 French Suite No. 5 in C major (orig. G), BWV 816 - I. Allemande 3:44
10 French Suite No. 5 in C major (orig. G), BWV 816 - II. Courante 1:46
11 French Suite No. 5 in C major (orig. G), BWV 816 - III. Sarabande 3:59
12 French Suite No. 5 in C major (orig. G), BWV 816 - IV. Gavotte 0:58
13 French Suite No. 5 in C major (orig. G), BWV 816 - V. Bourrée 1:15
14 French Suite No. 5 in C major (orig. G), BWV 816 - VI. Loure 2:39
15 French Suite No. 5 in C major (orig. G), BWV 816 - VII. Gigue 3:42
16 French Suite No. 3 in B minor, BWV 814 - I. Allemande 3:51
17 French Suite No. 3 in B minor, BWV 814 - II. Courante 2:11
18 French Suite No. 3 in B minor, BWV 814 - III. Sarabande 3:08
19 French Suite No. 3 in B minor, BWV 814 - IV. Anglaise 1:27
20 French Suite No. 3 in B minor, BWV 814 - V. Menuet - Trio 2:58
21 French Suite No. 3 in B minor, BWV 814 - VI. Gigue 2:17
22 'Wachet auf, ruft uns die Stimme' in E-flat major, BWV 645 4:13
23 Fugue in G minor, BWV 1000 for solo lute 7:15

Recorded January 17-20, 2011, Malteserstift St. Josef, Starnberg, Germany

Review by James Manheim

Bach and other Baroque composers often transcribed their music for new instrumental combinations as needed under the press of a busy schedule, and performers like South African-born recorder player Stefan Temmingh have taken this fact as carte blanche to create arrangements of Bach's music as desired. You can make various arguments pro or con in connection with this practice, and the procedure here, going from keyboard works to ensemble pieces, is in some ways the most problematical. So what you think of Temmingh's disc may depend on where you come down on the larger question. But there's no question that the Young Turks who have revived the art of recorder playing tend to make entertaining albums, and Temmingh's is no exception. He offers arrangements of two of Bach's French Suites and one English Suite for the combination of recorder and a basso continuo consisting of viola da gamba and lute, together with shorter pieces mostly showcasing his collaborators; the lute pieces exist in several versions by Bach himself, one of them the lute solos actually heard here. Temmingh argues that the melodic quality of the keyboard suites suits them well to the recorder; they are not virtuoso keyboard works, and he doesn't have to stretch when it comes to the range. It might also be argued that the solo-continuo deployment of the arrangement somewhat distorts the relationship between the hands of the keyboard work; contrapuntal voices with similar textures in the original are contrasted in the arrangement. It's hard to argue, however, that Temmingh is anything other than technically superb. He's got a lot of power (an odd thing to say of a recorder player, perhaps, but relevant), and he can carry through a pitch or a short phrase with enough of a sense of a tonal center to let him bend notes a bit without falling into the distressing sliding tones that characterized recorder albums in the bad old days. He's a pleasure to listen to on a disc that will have the most appeal to those with an inclination toward speculative performance styles, and he is aided by total sonic clarity from the crack Oehms engineering team. allmusicguide

all of my uploads in my blog

________________

Download:

Music
====
Artwork

________________

Baroque 2000s Classical Lossless