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Avison - Cafe Zimmermann / Pablo Valetti - Concertos in Seven Parts done from the Lessons of Domenico Scarlatti (2004)

Posted By: luckburz

Date: 11 Nov 2012 09:16:57

Avison - Cafe Zimmermann / Pablo Valetti - Concertos in Seven Parts done from the Lessons of Domenico Scarlatti (2004)

Charles Avison (1709-1770) - Concertos in Seven Parts done from the Lessons of Domenico Scarlatti
Cafe Zimmermann / Pablo Valetti
EAC+LOG+CUE | FLAC: 406 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Alpha # 031 | Country/Year: Europe 2004
Genre: Classical | Style: Baroque

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

selfrip [] not my rip [X]

EAC

Exact Audio Copy V1.0 beta 2 from 29. April 2011

EAC extraction logfile from 29. June 2011, 21:29

Cafe Zimmermann / Charles Avison - Concertos in Seven Parts

Used drive : PLEXTOR DVDR PX-755A Adapter: 1 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 30
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
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1 | 0:00.00 | 2:36.07 | 0 | 11706
2 | 2:36.07 | 4:54.43 | 11707 | 33799
3 | 7:30.50 | 1:55.68 | 33800 | 42492
4 | 9:26.43 | 3:37.53 | 42493 | 58820
5 | 13:04.21 | 3:01.37 | 58821 | 72432
6 | 16:05.58 | 1:45.08 | 72433 | 80315
7 | 17:50.66 | 3:36.27 | 80316 | 96542
8 | 21:27.18 | 2:24.09 | 96543 | 107351
9 | 23:51.27 | 3:55.64 | 107352 | 125040
10 | 27:47.16 | 3:20.56 | 125041 | 140096
11 | 31:07.72 | 3:00.43 | 140097 | 153639
12 | 34:08.40 | 2:40.27 | 153640 | 165666
13 | 36:48.67 | 1:27.57 | 165667 | 172248
14 | 38:16.49 | 3:11.36 | 172249 | 186609
15 | 41:28.10 | 3:19.56 | 186610 | 201590
16 | 44:47.66 | 2:08.16 | 201591 | 211206
17 | 46:56.07 | 1:30.38 | 211207 | 217994
18 | 48:26.45 | 3:49.00 | 217995 | 235169
19 | 52:15.45 | 3:04.00 | 235170 | 248969
20 | 55:19.45 | 4:10.01 | 248970 | 267720
21 | 59:29.46 | 2:02.23 | 267721 | 276893
22 | 61:31.69 | 1:18.40 | 276894 | 282783
23 | 62:50.34 | 3:39.21 | 282784 | 299229
24 | 66:29.55 | 5:09.54 | 299230 | 322458
25 | 71:39.34 | 1:30.66 | 322459 | 329274
26 | 73:10.25 | 3:26.11 | 329275 | 344735

Range status and errors

Selected range

Filename Z:\NetLab\Charles Avison - Concertos in Seven Parts (Cafe Zimmermann) (2004)\Charles Avison - Concertos in Seven Parts.wav

Peak level 100.0 %
Extraction speed 2.0 X
Range quality 100.0 %
Test CRC 338FD009
Copy CRC 338FD009
Copy OK

No errors occurred

AccurateRip summary

Track 1 accurately ripped (confidence 2) [C55089FC] (AR v2)
Track 2 accurately ripped (confidence 2) [D126E90E] (AR v2)
Track 3 accurately ripped (confidence 2) [917024D1] (AR v2)
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All tracks accurately ripped

End of status report

==== Log checksum 689E370538C22C69EB7B066CC6291E0A01A00E908A19DFA6AD916910CA3CB42B ====

auCDtect

auCDtect: CD records authenticity detector, version 0.8.2
Copyright © 2004 Oleg Berngardt. All rights reserved.
Copyright © 2004 Alexander Djourik. All rights reserved.

Detect mode (0..40 with 0 = most accurate): 8 (default)

––––––––––––––––––––––––––––––
[Charles Avison - Concertos in Seven Parts.wav]
Detected average hi-boundary frequency: 2.038510e+004 Hz
Detected average lo-boundary frequency: 1.372287e+004 Hz
Detected average hi-cut frequency: 2.030000e+004 Hz
Detected average lo-cut frequency: 1.341762e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 1.091906e+000
First order smothness: 2.813750e-001
Second order smothness: 7.988359e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 62%.

Dynamic

foobar2000 1.1.15 / Dynamic Range Meter 1.1.1
log date: 2012-10-05 18:22:24

––––––––––––––––––––––––––––––––––––––––
Analyzed: Cafe Zimmermann / Charles Avison - Concertos in Seven Parts
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 0.00 dB -18.52 dB 2:36 01-Concerto No. 6 Re Majeur; I. Largo
DR14 0.00 dB -17.74 dB 4:55 02-II. Con Furia
DR14 -1.76 dB -23.71 dB 1:56 03-III. Adagio
DR15 -0.06 dB -19.01 dB 3:38 04-IV. Vivacemente
DR13 -0.45 dB -17.82 dB 3:01 05-Concerto No. 5 Re Mineur; I. Largo
DR13 -1.56 dB -18.29 dB 1:45 06-II. Allegro
DR14 -10.18 dB -29.50 dB 3:36 07-III. Moderato
DR13 -0.50 dB -18.41 dB 2:24 08-IV. Allegro
DR15 -0.73 dB -19.68 dB 3:56 09-Concerto No. 11 Sol Majeur; I. Con Affetto
DR14 -0.70 dB -17.50 dB 3:21 10-II. Allegro
DR14 0.00 dB -20.31 dB 3:01 11-III. Andante Moderato
DR14 0.00 dB -17.67 dB 2:40 12-IV. Vivacemente
DR13 -0.01 dB -18.85 dB 1:28 13-Concerto No. 3 Re Mineur; I. Largo Andante
DR15 0.00 dB -18.72 dB 3:11 14-II. Allegro Spiritoso
DR13 -6.54 dB -24.06 dB 3:20 15-III. Amoroso
DR15 0.00 dB -18.17 dB 2:08 16-IV. Allegro
DR12 -0.98 dB -19.56 dB 1:31 17-Concerto No. 9 Ut Majeur; I. Largo
DR15 -0.73 dB -19.72 dB 3:49 18-II. Con Spirito-Andante-Con Spirito
DR13 -7.87 dB -25.40 dB 3:04 19-III. Siciliana
DR14 0.00 dB -18.46 dB 4:10 20-IV. Allegro
DR13 -4.39 dB -30.14 dB 2:02 21-Concerto No. 12 Re Majeur; I. Gravo Temporeggiato
DR13 0.00 dB -18.09 dB 1:19 22-II. Largo Tempo Giusto
DR13 0.00 dB -17.35 dB 3:39 23-III. Allegro Spiritoso
DR14 -2.80 dB -21.61 dB 5:10 24-IV. Lentemente
DR11 -15.33 dB -34.87 dB 1:31 25-V. Temporeggiato
DR13 0.00 dB -17.39 dB 3:26 26-VI. Allegro
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 26
Official DR value: DR14

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 742 kbps
Codec: FLAC
================================================================================

CD Info:

Charles Avison (1709-1770) - Cafe Zimmermann / Pablo Valetti - Concertos in Seven Parts done from the Lessons of Domenico Scarlatti

Label: Alpha
Catalog#: 031
Format: CD, Album
Country: Europe
Released: 2004
Genre: Classical
Style: Baroque

Tracklist:

Concerto No. 6 Re Majeur;
01. Largo
02. Con Furia
03. Adagio
04. Vivacemente
Concerto No. 5 Re Mineur;
05. Largo
06. Allegro
07. Moderato
08. Allegro
Concerto No. 11 Sol Majeur;
09. Con Affetto
10. Allegro
11. Andante Moderato
12. Vivacemente
Concerto No. 3 Re Mineur;
13. Largo Andante
14. Allegro Spiritoso
15. Amoroso
16. Allegro
Concerto No. 9 Ut Majeur;
17. Largo
18.Con Spirito-Andante-Con Spirito
19.Siciliana
20.Allegro
Concerto No. 12 Re Majeur;
21.Gravo Temporeggiato
22.Largo Tempo Giusto
23.Allegro Spiritoso
24.Lentemente
25.Temporeggiato
26.Allegro

~ 1:16:25

Concertino
Pablo Valetti, violon & Konzertmeister
Amandine Beyer, violon
Patricia Gagnon, alto
Petr Skalka, violoncelle
Celine Frisch, clavecin

Tutti
Christophe Robert, violon
Farran James, violon
Helena Zemanova, violon
Alba Roca, violon
Paula Waisman, violon
Natan Paruzel, alto
Felix Knecht, violoncelle
Ludek Brany, contrabasse

John Greene, ClassicsToday.com
Charles Avison was a remarkably influential composer, conductor, organist, teacher, and writer on music in England (and specifically London) during the 18th century. These string arrangements, or "grand concertos for violins" after Domenico Scarlatti's keyboard sonatas, geared mainly for amateur groups, were among his most popular and lucrative ventures, and it's easy to see why. They're absolutely gorgeous! All are based on Arcangelo Corelli's seductive concerto grosso model, where a larger ensemble alternates with a smaller one, observed here by Cafe Zimmermann dividing into "concertino" and "tutti" sections. When not reproducing Scarlatti's scores to the letter, Avison fine tunes or adjusts the orchestration to compensate for either extended or overly-difficult passages. What's not to like?

Avison's craftsmanship and Cafe Zimmermann's performances are impeccable. Rhythmically charged movements such as the Con furia of the Sixth, and the concluding Vivacemente of the Third concerto are as instrumentally if not inspirationally driven as any penned by Corelli or by Avison's more immediate competitor in the form, Handel. At the opposite extreme, and equally beautiful, are the ravishing sustained legato of the opening Grave temporeggiato and the following elegantly-dotted Largo tempo giusto of the 12th concerto. But then, there's not a moment throughout this program that doesn't in some way joyously celebrate the Baroque concerto form.

Alpha's sound is exceptionally vivid and clear. Jack Cassingham's notes are informative and entertaining, and they include a concordance that identifies, movement by movement, which sonata (by Kirkpatrick number) Avison used for his transcriptions. While there have been many recordings of these works, few match Cafe Zimmermann's virtuosity and uncanny idiomatic flair. And while there's no indication anywhere here, let's hope that Cafe Zimmermann will soon offer the remaining six concertos in Avison's Op. 6. Highly recommended!

Thanks to pr3ss!

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