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Bach - Montreal Baroque - "La Nativité", Cantates BWV 61, 122, 123, 182 (2008) {Hybrid-SACD // EAC Rip} [REPOST]

Posted By: luckburz
Bach - Montreal Baroque - "La Nativité", Cantates BWV 61, 122, 123, 182 (2008) {Hybrid-SACD // EAC Rip} [REPOST]

Johann Sebastian Bach - "La Nativité", Cantates BWV 61, 122, 123, 182
Montreal Baroque - Eric Milnes
EAC+LOG+CUE | APE: 295 MB | Artwork | 5% Recovery Info
Label/Cat#: ATMA # SACD2 2403 | Country/Year: Canada 2008
Genre: Classical | Style: Baroque, Sacred

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

selfrip [] not my rip [X]

Bach - Montreal Baroque - "La Nativité", Cantates BWV 61, 122, 123, 182 (2008) {Hybrid-SACD // EAC Rip} [REPOST]


EAC extraction logfile from 8. May 2009, 11:11 for CD
Montreal Baroque / Bach - Cantatas for the Nativity

Used drive : LITE-ON DVDRW SOHW-812S Adapter: 1 ID: 0
Read mode : Secure with NO C2, accurate stream, disable cache
Read offset correction : 12
Overread into Lead-In and Lead-Out : No

Used output format : Internal WAV Routines
44.100 Hz; 16 Bit; Stereo

Other options :
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Installed external ASPI interface


Range status and errors
Selected range
Filename C:\Montreal Baroque - Bach - Cantatas for the Nativity.wav

Peak level 100.0 %
Range quality 99.9 %
CRC E60C0831
Copy OK

No errors occured

End of status report

auCDtect: CD records authenticity detector, version 0.8.2
Copyright © 2004 Oleg Berngardt. All rights reserved.
Copyright © 2004 Alexander Djourik. All rights reserved.

Detect mode (0..40 with 0 = most accurate): 8 (default)


––––––––––––––––––––––––––––––
[Montreal Baroque - Bach - Cantatas for the Nativity.wav]
Detected average hi-boundary frequency: 2.036260e+004 Hz
Detected average lo-boundary frequency: 1.266383e+004 Hz
Detected average hi-cut frequency: 2.127292e+004 Hz
Detected average lo-cut frequency: 1.135340e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 5.568020e-001
First order smothness: 3.639150e-001
Second order smothness: 7.513886e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.

foobar2000 1.1.15 / Dynamic Range Meter 1.1.1
log date: 2013-10-18 15:29:54

––––––––––––––––––––––––––––––––––––––––
Analyzed: Montreal Baroque / Bach - Cantatas for the Nativity
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -0.16 dB -16.23 dB 2:51 01-Track01
DR12 -3.62 dB -19.83 dB 1:21 02-Track02
DR15 0.00 dB -18.51 dB 3:33 03-Track03
DR11 -9.15 dB -26.90 dB 0:54 04-Track04
DR14 -0.32 dB -22.62 dB 3:57 05-Track05
DR12 -0.13 dB -18.47 dB 0:55 06-Track06
DR12 -0.27 dB -19.04 dB 2:16 07-Track07
DR14 -3.87 dB -23.96 dB 5:10 08-Track08
DR12 -0.22 dB -20.57 dB 1:12 09-Track09
DR13 -3.38 dB -20.17 dB 1:39 10-Track10
DR12 -4.02 dB -22.28 dB 1:12 11-Track11
DR12 -0.14 dB -18.41 dB 0:38 12-Track12
DR13 -0.76 dB -19.39 dB 4:43 13-Track13
DR11 -4.81 dB -24.77 dB 0:48 14-Track14
DR13 -3.74 dB -22.25 dB 5:55 15-Track15
DR15 -3.55 dB -24.22 dB 0:41 16-Track16
DR12 -6.21 dB -22.56 dB 6:56 17-Track17
DR12 -0.91 dB -17.33 dB 1:21 18-Track18
DR10 -8.29 dB -24.02 dB 2:23 19-Track19
DR13 -1.05 dB -18.20 dB 2:55 20-Track20
DR10 -6.35 dB -21.52 dB 0:32 21-Track21
DR12 -2.36 dB -19.93 dB 2:59 22-Track22
DR14 -3.26 dB -21.49 dB 7:56 23-Track23
DR14 -3.25 dB -22.87 dB 3:33 24-Track24
DR11 -4.88 dB -21.92 dB 2:38 25-Track25
DR14 -0.08 dB -20.32 dB 3:50 26-Track26
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 26
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 568 kbps
Codec: Monkey's Audio
================================================================================



CD Info:

Johann Sebastian Bach - "La Nativité", Cantates BWV 61, 122, 123, 182

Montréal Baroque - Eric Milnes

Label: ATMA
Catalog#: SACD2 2403
Format: Hybrid-SACD, Album
Country: Canada
Released: 2008
Genre: Classical
Style: Baroque, Sacred

Tracklist:

1-6 Nun Komm, der Heiden Heiland, BWV 61
7-12 Das neugeborne Kindelein, BWV 122
13-18 Liebster Immanuel, Herzog der Frommen, BWV 123
19-26 Himmelskönig, sei willkommen, BWV 182

Monika Mauch, soprano
Matthew White, alto
Charles Daniels, tenor
Harry Van Der Kamp, bass

Montréal Baroque
Susie Napper, artistic director
Eric Milnes, conductor

Recorded: June 26-29, 2007
Église Saint-Augustin, Saint-Augustin de Mirabel (Québec)

Bach - Montreal Baroque - "La Nativité", Cantates BWV 61, 122, 123, 182 (2008) {Hybrid-SACD // EAC Rip} [REPOST]


This is the fourth volume of ATMA's ongoing Bach Cantata cycle and it is a big improvement over Bach: Cantatas BWV 1, 82, 147 - Montréal Baroque because Eric Milnes has moderated his previous excesses of interpretative choices. Now pauses fit in the overall conception of phrases and the longer line is immediately identifiable without recourse to a score.

The instrumental group used is substantially larger than on the Accent cycle and more "top heavy" in the string sections which makes the textures at once more concentrated yet lighter. As with the Accent cycle, Milnes is of the mind that the chorus should only be one voice per part and this helps keep the diction clear. The orchestral playing is good (as might be expected) although the larger forces do rather smooth over some textures in a way that gives Kuijken's set spice. The singing is good but not perhaps first class, especially for the somewhat stentorian Harry van der Kamp.

The sound is a little distantly miked than might be considered ideal, again smoothing over expressive aspects of both playing and singing - although it does lend give a lovely glow to their tone (where possible).

If one is collecting the series, then this is an easy addition - for a sample of Bach's output in this medium the BIS or Accent series would make for more reliably interesting accounts.

Copyright © 2009 John Broggio and SA-CD.net
Bach - Montreal Baroque - "La Nativité", Cantates BWV 61, 122, 123, 182 (2008) {Hybrid-SACD // EAC Rip} [REPOST]

Thanks to Caterina Sforza!

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