Tom Harrell - Sail Away (2003)
Jazz | EAC Rip | APE (image)+CUE+LOG | mp3@320 | 506 MB. & 213 MB.
300dpi. Complete Scans (JPG) included | WinRar, 3% recovery
Audio CD (2003) | Label: Contemporary/OJC | Catalog# OJC20-1095-2(C-14054) | 79:44 min.
Jazz | EAC Rip | APE (image)+CUE+LOG | mp3@320 | 506 MB. & 213 MB.
300dpi. Complete Scans (JPG) included | WinRar, 3% recovery
Audio CD (2003) | Label: Contemporary/OJC | Catalog# OJC20-1095-2(C-14054) | 79:44 min.
Review by Ronnie D. Lankford, Jr. ~allmusicTracklist:
Recorded in 1989 and re-released on Original Jazz Classics in 2003, Sail Away is a fine outing by trumpeter Tom Harrell. He's joined by pianist James Williams, bassist Ray Drummond, and drummer Adam Nussbaum. A handful of guests – flutist Cheryl Pyle, guitarist John Abercrombie, tenor Joe Lovano, and soprano Dave Liebman – fill out the arrangements on ten instrumentals (two are bonus cuts from Visions). Together, Harrell and company add a contemporary spin to mainstream jazz. The ten-minute track "Dream in June" takes a number of adventurous flights of fancy without ever losing track of its base. Both Harrell and Abercrombie's solos build complex, forceful ideas against a backdrop of Nussbaum's powerful drumming, creating a dense sound that belies predictability. Harrell and Lovano's horns entwine on "Glass Mystery"'s intro, concocting a late-night mood for this lovely piece, while Pyle's flute adds the right touch to the meditative "Dancing Trees." Each track of Sail Away unfolds like an impressionistic canvas, bursting with color and light, with every brush stroke working toward the sum total of the painting. Modern jazz fans looking for music that's grounded – but never imprisoned – by yesteryear will want to pick up a copy.
01. Eons (6:54)
02. Glass Mystery (8:39)
03. Dream in June (10:58)
04. Sail Away (5:16)
05. Buffalo Wings (9:53)
06. It Always Is (8:21)
07. Dancing Trees (6:15)
08. Hope St. (7:54)
09. April Mist (6:27)
10. Visions of Gaudi (9:06)
Personnel:
Tom Harrell - trumpet, flugelhorn
Joe Lovano - tenor saxophone (#1, 2, 5, 6, 9)
Dave Liebman - soprano saxophone (#3, 8, 10)
Cheryl Pyle - flute (#7)
John Abercrombie - guitar, guitar synthesizer (#3, 4, 7, 8, 10)
James Williams - piano
Ray Drummond - bass (except #7)
Adam Nussbaum - drums (except #7)
~www.tomharrell.com
"Neither aggressively avant-garde nor focused on the past, neither steeped in the language of bebop nor entirely free from it. Harrell's music simply celebrates sonic beauty for its own sake."
- Howard Reich, Chicago Tribune
"Tom Harrell is one of my favorite trumpeters of all time. His strengths were all the more apparent tonight because he has a way of shining truth and his incredible voice through whatever circumstances he might be in. Every single solo was like parting the Red Sea."
-Chris Miller, concert critic. Review of a Miles Davis Tribute concert on May 30, 2010.
"A supreme trumpet/flugelhorn player, Tom Harrell has an endless flow of bubbling, intricate ideas conveyed with an almost serene delivery. His equal ability as a formidable post-bop composer remains in full flower on this melodic, sharply conceived music. From dangerous tear-ups (Storm Approaching) to near abstract (Study in Sound) to conventional balladry (Roman Nights), Harrell is a master." -Mojo Magazine
Praised by Newsweek for his pure melodic genius, Tom Harrell is widely recognized as one of the most creative and uncompromising jazz instrumentalists and composers of our time. Even with a discography of over 260 recordings and a career that spans more than four decades, Harrell has managed to stay fresh and current as he continues to actively record and tour around the world. He is a frequent winner in Down Beat and Jazz Times magazines' Critics and Readers Polls and a Grammy nominee. Harrell is also a Trumpeter of the Year nominee two years in a row for the 2010 and 2011 Jazz Journalists Association Awards. His warm, burnished sound on the trumpet and the flugelhorn, and the unparalleled harmonic and rhythmic sophistication in his playing and composing, have earned Harrell his place as a jazz icon to aspiring musicians and devoted fans alike.
Following the success of his first three albums with the current members of his quintet - a remarkably cohesive unit that includes tenor saxophonist Wayne Escoffery, pianist Danny Grissett, drummer Johnathan Blake, and his bassist of 12 years, Ugonna Okegwo - Harrell is set to release his next quintet offering, THE TIME OF THE SUN, on May 31st.
The quintet's previous albums, ROMAN NIGHTS (2010), LIGHT ON (2007) and PRANA DANCE (2009), were released to wide critical acclaim and won SESAC awards for topping the radio charts in the U.S.
In contrast to his signature recordings during the RCA/BMG years (1996 - 2003) where much of his focus was on projects involving large ensembles, the latest albums on Highnote demonstrate Harrell's skills as a leader of a smaller unit that calls to mind the energy and rapport of Art Blakey’s and Horace Silver’s bands. The sheer joy of playing Harrell's music with one another is evident from each member of the quintet. The writing on these recordings is no less of an achievement than his work for the orchestra or the big band. The trumpeter-composer deftly weaves complex harmonies together with daring rhythmic concepts and unforgettable melodies while utilizing the available colors to full effect. Harrell's music is at once intelligent, soulful, fresh and accessible.
Harrell divides his time between writing projects, live performances, and recordings, and actively tours with his quintet around the world. Recent television broadcasts of concerts include: San Javier Jazz Festival in Spain; Viersen Jazz Festival in Germany; Red Sea Jazz Festival in Israel; Jazz a Liege in Belgium; and Chivas Jazz Festival in Brazil. Harrell was featured as the Artist in Residence at the Barga Jazz Festival (August 2009) and Vicenza Jazz Festival (May 2009). At the latter festival he performed duo, quintet and big band concerts over several days. Harrell also performed music from his WISE CHILDREN and PARADISE albums with the Duisburg Philharmonic Orchestra at Traumzeit Festival (July 2009) and with the Yakima Symphony Orchestra at the Seasons Music Festival (October 2010). In the spring of this year, Harrell reunited with the Jazz Orchestra of the Concertgebouw as guest soloist and arranger for a tour in the Netherlands, after their successful collaboration at the Concertgebouw in July of 2009. This summer Harrell will debut his TH Chamber Ensemble at the Highline Ballroom in New York as part of the Blue Note Jazz Festival, where he will present his own arrangements of the works of Debussy and Ravel. Harrell will also be touring extensively in July and August with his quintet, in support of his forthcoming album, THE TIME OF THE SUN.
A graduate of Stanford University with a degree in music composition, Harrell is a prolific composer and arranger. Carlos Santana, Cold Blood, Azteca, Vince Guaraldi, Hank Jones, Kenny Barron, the Vanguard Jazz Orchestra, Danish Radio Big Band, WDR Big Band, Brussels Jazz Orchestra, Metropole Orchestra and Arturo O'Farrill & the Afro-Latin Jazz Orchestra are among the many who have recorded or performed his work. Harrell's composition and arrangement, "Humility," was recorded for the latter's 2008 release, which just won a Grammy for the Best Latin Jazz Album.
Some of Harrell's notable RCA/BMG recordings include WISE CHILDREN, a project in which he combines woodwinds, brass, horns, strings, guitars, percussion and the vocals of Cassandra Wilson, Dianne Reeves, Jane Monheit and Claudia Acuna with his quintet; PARADISE and THE ART OF RHYTHM, both of which feature chamber groups with strings; and his big band project, TIME'S MIRROR.
In addition to the 26 albums and thousands of concerts worldwide as a leader, Harrell has worked with important figures in jazz history including Stan Kenton, Woody Herman, Dizzie Gillespie, Horace Silver, Bill Evans, Gerry Mulligan, Art Farmer, Phil Woods, Lee Konitz, Sam Jones (with whom he briefly co-led a big band in the 70s), Jim Hall, Charlie Haden and with contemporaries such as Joe Lovano and Charles McPherson.
In 2006, Harrell was awarded a Chamber Music America grant with which he composed and performed new pieces for trumpet and piano. He also wrote symphony orchestra arrangements for the French Orchestre National de Lorraine and the vocalist Elisabeth Kontomanou for a live recording album released in 2009, SIREN SONG.
"Neither aggressively avant-garde nor focused on the past, neither steeped in the language of bebop nor entirely free from it. Harrell's music simply celebrates sonic beauty for its own sake."
- Howard Reich, Chicago Tribune
"Tom Harrell is one of my favorite trumpeters of all time. His strengths were all the more apparent tonight because he has a way of shining truth and his incredible voice through whatever circumstances he might be in. Every single solo was like parting the Red Sea."
-Chris Miller, concert critic. Review of a Miles Davis Tribute concert on May 30, 2010.
"A supreme trumpet/flugelhorn player, Tom Harrell has an endless flow of bubbling, intricate ideas conveyed with an almost serene delivery. His equal ability as a formidable post-bop composer remains in full flower on this melodic, sharply conceived music. From dangerous tear-ups (Storm Approaching) to near abstract (Study in Sound) to conventional balladry (Roman Nights), Harrell is a master." -Mojo Magazine
Praised by Newsweek for his pure melodic genius, Tom Harrell is widely recognized as one of the most creative and uncompromising jazz instrumentalists and composers of our time. Even with a discography of over 260 recordings and a career that spans more than four decades, Harrell has managed to stay fresh and current as he continues to actively record and tour around the world. He is a frequent winner in Down Beat and Jazz Times magazines' Critics and Readers Polls and a Grammy nominee. Harrell is also a Trumpeter of the Year nominee two years in a row for the 2010 and 2011 Jazz Journalists Association Awards. His warm, burnished sound on the trumpet and the flugelhorn, and the unparalleled harmonic and rhythmic sophistication in his playing and composing, have earned Harrell his place as a jazz icon to aspiring musicians and devoted fans alike.
Following the success of his first three albums with the current members of his quintet - a remarkably cohesive unit that includes tenor saxophonist Wayne Escoffery, pianist Danny Grissett, drummer Johnathan Blake, and his bassist of 12 years, Ugonna Okegwo - Harrell is set to release his next quintet offering, THE TIME OF THE SUN, on May 31st.
The quintet's previous albums, ROMAN NIGHTS (2010), LIGHT ON (2007) and PRANA DANCE (2009), were released to wide critical acclaim and won SESAC awards for topping the radio charts in the U.S.
In contrast to his signature recordings during the RCA/BMG years (1996 - 2003) where much of his focus was on projects involving large ensembles, the latest albums on Highnote demonstrate Harrell's skills as a leader of a smaller unit that calls to mind the energy and rapport of Art Blakey’s and Horace Silver’s bands. The sheer joy of playing Harrell's music with one another is evident from each member of the quintet. The writing on these recordings is no less of an achievement than his work for the orchestra or the big band. The trumpeter-composer deftly weaves complex harmonies together with daring rhythmic concepts and unforgettable melodies while utilizing the available colors to full effect. Harrell's music is at once intelligent, soulful, fresh and accessible.
Harrell divides his time between writing projects, live performances, and recordings, and actively tours with his quintet around the world. Recent television broadcasts of concerts include: San Javier Jazz Festival in Spain; Viersen Jazz Festival in Germany; Red Sea Jazz Festival in Israel; Jazz a Liege in Belgium; and Chivas Jazz Festival in Brazil. Harrell was featured as the Artist in Residence at the Barga Jazz Festival (August 2009) and Vicenza Jazz Festival (May 2009). At the latter festival he performed duo, quintet and big band concerts over several days. Harrell also performed music from his WISE CHILDREN and PARADISE albums with the Duisburg Philharmonic Orchestra at Traumzeit Festival (July 2009) and with the Yakima Symphony Orchestra at the Seasons Music Festival (October 2010). In the spring of this year, Harrell reunited with the Jazz Orchestra of the Concertgebouw as guest soloist and arranger for a tour in the Netherlands, after their successful collaboration at the Concertgebouw in July of 2009. This summer Harrell will debut his TH Chamber Ensemble at the Highline Ballroom in New York as part of the Blue Note Jazz Festival, where he will present his own arrangements of the works of Debussy and Ravel. Harrell will also be touring extensively in July and August with his quintet, in support of his forthcoming album, THE TIME OF THE SUN.
A graduate of Stanford University with a degree in music composition, Harrell is a prolific composer and arranger. Carlos Santana, Cold Blood, Azteca, Vince Guaraldi, Hank Jones, Kenny Barron, the Vanguard Jazz Orchestra, Danish Radio Big Band, WDR Big Band, Brussels Jazz Orchestra, Metropole Orchestra and Arturo O'Farrill & the Afro-Latin Jazz Orchestra are among the many who have recorded or performed his work. Harrell's composition and arrangement, "Humility," was recorded for the latter's 2008 release, which just won a Grammy for the Best Latin Jazz Album.
Some of Harrell's notable RCA/BMG recordings include WISE CHILDREN, a project in which he combines woodwinds, brass, horns, strings, guitars, percussion and the vocals of Cassandra Wilson, Dianne Reeves, Jane Monheit and Claudia Acuna with his quintet; PARADISE and THE ART OF RHYTHM, both of which feature chamber groups with strings; and his big band project, TIME'S MIRROR.
In addition to the 26 albums and thousands of concerts worldwide as a leader, Harrell has worked with important figures in jazz history including Stan Kenton, Woody Herman, Dizzie Gillespie, Horace Silver, Bill Evans, Gerry Mulligan, Art Farmer, Phil Woods, Lee Konitz, Sam Jones (with whom he briefly co-led a big band in the 70s), Jim Hall, Charlie Haden and with contemporaries such as Joe Lovano and Charles McPherson.
In 2006, Harrell was awarded a Chamber Music America grant with which he composed and performed new pieces for trumpet and piano. He also wrote symphony orchestra arrangements for the French Orchestre National de Lorraine and the vocalist Elisabeth Kontomanou for a live recording album released in 2009, SIREN SONG.
Tom Harrell (1946 - …)
Produced by Bill Goodwin
Recorded by Jim Anderson at A&R Studios, New York City
Recording Date: March 22-23, 1989
Mixed on March 27, 1989
Assistant Engineer: Stan Wallace
Piano Tuning: Ed Wedberg
Remastering, 2003 - Joe Tarantino (Fantasy Studios, Berkeley)
Art Direction: Phil Carroll
Designed by Deborah Bates
Photography: Sheckman-Ferguson Studio, 1989
Liner notes by Tom Surowicz
EAC extraction logfile from 15. September 2007, 11:32 for CD
Tom Harrell / Sail Away
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Tom Harrell / Sail Away
Used drive : HL-DT-STDVDRAM GSA-4120B Adapter: 1 ID: 1
Read mode : Secure with NO C2, accurate stream, disable cache
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Used output format : Internal WAV Routines
44.100 Hz; 16 Bit; Stereo
Other options :
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Installed external ASPI interface
Range status and errors
Selected range
Filename D:\_rips\EAC\Tom Harrell - Sail Away.wav
Peak level 84.5 %
Range quality 100.0 %
CRC 292B16B1
Copy OK
No errors occured
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Thanks to the original releaser.
(all links are interchangeable)