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Kristian Bezuidenhout - Mozart: Keyboard Music (Vol 1-4)

Posted By: peotuvave
Kristian Bezuidenhout - Mozart: Keyboard Music (Vol 1-4)

Kristian Bezuidenhout - Mozart: Keyboard Music (Vol 1-4)
EAC Rip | Flac (Image + cue + log) | 4 CDs | Full Scans | 1.08 GB
Genre: Classical | Label: Harmonia Mundi

Fortepiano phenomenon Kristian Bezuidenhout begins his multi-volume traversal of Mozart’s music for solo keyboard.

Composer: Wolfgang Amadeus Mozart
Performer: Kristian Bezuidenhout

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Kristian Bezuidenhout - Mozart: Keyboard Music (Vol 1-4)

Kristian Bezuidenhout - Mozart: Keyboard Music Vol 1 (2010)
EAC Rip | Flac (Image + cue + log) | 1 CD | Full Scans | 303 MB
Genre: Classical | Label: Harmonia Mundi | Catalog Number: 907497

Volume 1 features an instrument by Derek Adlam modeled on an original by Gabriel Anton Walter of the type Mozart owned in Vienna. Kristian Bezuidenhout studied with Rebecca Penneys, Malcolm Bilson and Paul O’Dette. He first gained international recognition at the age of 21 after winning the prestigious first prize as well as the audience prize in the Bruges Fortepiano Competition (2001), a double honour, this being only the third time the former prize has been awarded in the history of the competition. Bezuidenhout is a frequent guest artist with the world’s leading ensembles and he now has a standing duo with the baroque violinist Petra Müllejans, artistic director of the Freiburg Baroque Orchestra; their first CD, a disc of Mozart Violin Sonatas, was released on harmonia mundi USA in the Spring of 2009. Highlights of past seasons have included a complete cycle of the late Mozart Piano Concertos and the Beethoven Piano Concertos (Amsterdam Concertgebouw) with the Orchestra of the 18th Century under Frans Bruggen. Plans for the future include concerts with the Orchestre des Champs Elysées under Philippe Herreweghe; a Mendelssohn project with the Freiburger Baroque Orchestra and Gottfried von der Goltz; a tour with Les Arts Florissants; trio concerts with Viktoria Mullova & Pieter Wispelwey and more recordings for harmonia mundi.

Reviews: “He plays a copy of a Walter fortepiano, such as Mozart owned…it fits the music like a glove…Bezuidenhout’s decorations sound — as is by no means always the case — supremely natural, and in the brilliant Gluck variations, it’s as if we were eavesdropping on the composer himself improvising.”

“Bezuidenhout offers a personal distillation that is impressively absorbing. So indeed are the timbre and sonority of the instrument…But, perhaps unexpectedly, a singing line is to the fore too because Bezuidenhout is consummately artistic…These interpretations - excellent to outstanding - are interpretations of today.”

Tracklisting:

01. Fantasia for piano in C minor, K. 475 (1786) [0:13:11.22]

Piano Sonata in F major, K. 533/494 (1788) [24'49]

02. I. Allegro [0:08:23.30]
03. II. Andante [0:09:53.72]
04. III. Rondo: Allegretto [0:06:31.71]

Piano Sonata No. 16 in B flat major, K. 570 (1789) [19'23]

05. I. Allegro [0:06:12.33]
06. II. Adagio [0:09:32.32]
07. III. Allegretto [0:03:38.33]

08. Variations (10) on 'Unser dummer Pöbel meint' ("Les hommes pieusement") for piano in G major, K. 455 (1784) [0:14:49.19]

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 3. September 2013, 19:48

Kristian Bezuidenhout / Mozart - Keyboard Music (Vol.1) - Kristian Bezuidenhout

Used drive : TSSTcorpCDDVDW SH-222BB Adapter: 2 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "TITLE=%title%" -T "ARTIST=%artist%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TRACKTOTAL=%numtracks%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %source% -o %dest%


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8 | 57:23.68 | 14:49.19 | 258293 | 324986


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Peak level 100.0 %
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Range quality 100.0 %
Test CRC 87B6BDCF
Copy CRC 87B6BDCF
Copy OK

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Kristian Bezuidenhout - Mozart: Keyboard Music (Vol 1-4)

Kristian Bezuidenhout - Mozart: Keyboard Music Vol 2 (2011)
EAC Rip | Flac (Image + cue + log) | 1 CD | Full Scans | 293 MB
Genre: Classical | Label: Harmonia Mundi | Catalog Number: 907498

Fortepianist Kristian Bezuidenhout continues his multi-disc survey of Mozart’s music for solo keyboard. Volume 2 features an instrument by Paul McNulty, modelled on a Viennese original by Anton Walter & Sohn (c.1802).

Kristian Bezuidenhout was born in South Africa in 1979. He first gained international recognition at the age of 21 after winning the prestigious first prize as well as the audience prize in the Bruges Fortepiano Competition after studying harpsichord with Arthur Haas, fortepiano with Malcolm Bilson and continuo playing and performance practice with Paul O’Dette. During this time he gained experience as a continuo player in Baroque opera productions in the USA and Europe. He is a frequent guest artist with the Freiburger Barockorchester, the Orchestre des Champs-Élysées, Les Arts Florissants, Concerto Köln and Collegium Vocale Gent, in many instances assuming the role of guest director. He has performed with celebrated artists including Philippe Herreweghe, Christopher Hogwood, Daniel Hope and Viktoria Mullova, and he regularly gives Lied recitals with, among others, Carolyn Sampson, Mark Padmore and Jan Kobow.

“Bezuidenhout is a prince of the fortepiano, making it sing in melodic phrases as no other practitioner of this intractable instrument has done in my experience.” The Times

Reviews: Volume 2 of Kristian Bezuidenhout’s traversal of Mozart’s keyboard works more than amply fulfills the high expectations engendered by his first release ( Fanfare 33:6). Here, alongside the felicitous C-Major Sonata, K 330, and the D-Major Rondo, K 485, are three monuments of Mozart’s mature style: the haunting Rondo, K 511, the B-Minor Adagio, and the mighty C-Minor Sonata, K 457. Bezuidenhout plays a superb Paul McNulty replica, after an Anton Walther & Sohn piano c.1802. Yet, in this case, the verb “plays” seems inadequate. To a greater degree than many of his colleagues, Bezuidenhout is his instrument, the master of its every expressive potential. Under his hands, nothing seems overplayed, strained, or lacking either power or subtlety. We hear instead the Viennese-action piano as precisely what we know it must have been in its heyday: a musical tool of tremendous versatility, capable of such variety of expression that it inspired some of the most personal and enduring creations of the era.


Most striking perhaps is Bezuidenhout’s ability to capture Mozart’s rhetoric in a way that is at once vividly original and devoid of any fussy excess or striving for novelty. His approach is profoundly lyrical, as it must be in the piano music of a composer who was also a supreme genius of opera. Repeats are always varied with embellishments, as rich as they are organically inevitable. Attention to the smallest detail is never allowed to obscure the overarching dramatic sweep of these performances. Moreover, Bezuidenhout wears his obvious erudition lightly. His playing, for all its power to surprise and delight, is never less than perfectly natural. The overwhelming impression is of Mozart revealed in the fullness of his humanity—his tenderness, wit, anger, sweetness, distress, charm, elegance, ardor, despair, candor, and so much more.


If I were to voice a single small disappointment, it would be the decision to include the c-Minor Fantasy, K 475, in Vol. 1, rather than here as the preface to the Sonata, K 457 (something Mozart may or may not have intended). However, given the searing intensity of Bezuidenhout’s reading of the sonata, it may have been the right choice, lest the combined four movements overwhelm everything else in their affective impact. Of the manifold beauties of this performance, the finale, Allegro assai agitato, must be mentioned. Mozart punctuates this desperate flight from the Furies with no fewer than 15 fermatas, nine of which are above measures of whole rests. Bezuidenhout’s sense of energy and pacing is so acute that, though he gives these silences their full due and worlds seem to topple, no momentum is lost. On the contrary, the music continues through the silence and, when the sound resumes, it is with trebled intensity. Quite frankly, this is the most perfectly realized performance of this tragic masterpiece I can ever hope to hear.


The other two minor-key pieces are no less successful. The sliding chromaticism of the Rondo, K 411, has never been more exquisitely shaped. If these affective gestures seem bows of submission, they evoke fate accepted with the utmost dignity. A work that, in lesser hands, can seem episodic emerges here unified and cohesive. Bezuidenhout uses the moderator pedal judiciously. When he does engage it, as in passages of the B-Minor Adagio or in the F-Minor section of the C-Major Sonata’s slow movement, the veiled, otherworldly sonority is breathtaking. It would be a mistake to assume that Bezuidenhout excels only in Mozart’s more serious realms. The sun-drenched C-Major Sonata abounds with ebullient spirits and masculine allure. Meanwhile, the carefree playfulness of the D-Major Rondo is irresistible.


Bezuidenhout’s approach to Mozart is so captivating, his playing so natural, it’s tempting to forget that only artistic temperaments of the fiercest integrity are capable of such exalted music-making. Ultimately, it is not that Bezuidenhout’s point of view is so persuasive, but rather, listening to his interpretations, it’s hard to imagine any other. If you were to buy only one Mozart disc this year, this should be the one.

Tracklisting:

Piano Sonata No. 10 in C major, K. 330 (K. 300h) (c.1782) [19'16]

01. I. Allegro moderato [0:06:30.28]
02. II. Andante cantabile [0:06:53.68]
03. III. Allegretto [0:05:59.39]

04. Rondo for piano No. 3 in A minor, K. 511 (1787) [0:10:36.02]

05. Rondo for piano No. 1 in D major, K. 485 (1786) [0:06:25.07]

06. Adagio for piano in B minor, K. 540 (1788) [0:12:51.27]

Piano Sonata No. 14 in C minor, K. 457 (1784) [21'23]

07. I. Molto allegro [0:08:40.68]
08. II. Adagio [0:07:54.07]
09. III. Allegro assai [0:04:48.08]

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 3. September 2013, 20:27

Kristian Bezuidenhout / Mozart - Keyboard Music (Vol.2) - Kristian Bezuidenhout

Used drive : TSSTcorpCDDVDW SH-222BB Adapter: 2 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "TITLE=%title%" -T "ARTIST=%artist%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TRACKTOTAL=%numtracks%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %source% -o %dest%


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9 | 65:51.21 | 4:48.08 | 296346 | 317953


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Filename G:\Ripped general\[8592] Mozart – Keyboard Music (Vol.2) – Kristian Bezuidenhout\Mozart - Keyboard Music (Vol.2) - Kristian Bezuidenhout.wav

Peak level 100.0 %
Extraction speed 8.1 X
Range quality 100.0 %
Test CRC C9F9D7C5
Copy CRC C9F9D7C5
Copy OK

No errors occurred


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Track 9 accurately ripped (confidence 15) [D4FEF4FF] (AR v2)

All tracks accurately ripped

End of status report



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Kristian Bezuidenhout - Mozart: Keyboard Music (Vol 1-4)

Kristian Bezuidenhout - Mozart: Keyboard Music Vol 3 (2012)
EAC Rip | Flac (Image + cue + log) | 1 CD | Full Scans | 247 MB
Genre: Classical | Label: Harmonia Mundi | Catalog Number: 907499

In Volume 3 of his widely acclaimed traversal of Mozart’s music for solo keyboard, fortepianist Kristian Bezuidenhout plays a modern reproduction of an 1805 Viennese instrument by Anton Walter. The programme includes the well-loved Sonata in F major K. 332, alongside Mozart’s very last composition for piano, the Variations K. 613. Kristian Bezuidenhout was born in South Africa in 1979. He began his studies in Australia, completed them at the Eastman School of Music in the USA and now lives in London. He is a frequent guest artist with the Freiburger Barockorchester, the Orchestre des Champs-Élysées, the Orchestra of the Eighteenth Century, Les Arts Florissants, the Royal Concertgebouw Orchestra, The English Concert, the Chamber Orchestra of Europe and Collegium Vocale Gent, in many instances assuming the role of guest director.

Reviews: My pleasure in Kristian Bezuidenhout’s traversal of Mozart’s keyboard works, now at its third installment, grows unabated. If anything it has been enhanced by deep and repeated samplings of some of his other recent recordings: early Mendelssohn concertos with the Freiburg Baroque Orchestra and Gottfried von der Goltz, his collaborations with Mark Padmore in Schumann and Lachner songs, and, something I simply can’t get enough of, his “Kreutzer” Sonata with Victoria Mullova. (All but the last are Harmonia Mundi; the Beethoven sonatas with Mullova are on Onyx.) I can also happily report that, at least in most of the critical organs I track, response to this Mozart series is well nigh unanimous: praise for Bezuidenhout as pianist, as musician, and admiration for his tremendous gifts.


The anchors of Volume 3 are the two Sonatas, K 332 in F Major and K 333 in B?, both ripe fruits of 1783. In the first movement of the F-Major Sonata, with its suddenly overcast skies as the rippling major flows suddenly into choppy, syncopated minor waters, Bezuidenhout demonstrates his ability to turn on an emotional dime, yet always within the logically inevitable construct of Mozart’s sublime affective discourse. The Adagio unfolds with all the rich characterizations and contrasts of an operatic scena , and we are the spellbound observers of a gripping drama whose outcome we can only guess. While Bezuidenhout embellishes all repeats in quick movements, his ornamentation in slow tempos is conspicuously apt, always abetting the lyrical flow. The finale, its emotional contrasts notwithstanding, gambols, skips, and gallops in a fine kinesthetic madness fluctuating between merriment and elation. The B?-Sonata is as grandly august as anyone could wish, though its golden hues seem especially burnished and radiant.


Between the sonatas, the earlier of the two C-Minor fantasies and Mozart’s last set of variations provide contrast. The variations are based on a tune called “A Woman Is the Most Marvelous Thing In The World” composed by Benedikt Schack for a play by Schikaneder, Mozart’s friend and collaborator. Schack, it is interesting to note, created the role of Tamino in The Magic Flute . If the K 613Variations lack the virtuosity of the variations on a theme by Gluck, K 455, or the suave sophistication of those on a minuet by Duport, K 573, they nevertheless emanate the naïve nobility of his late operatic masterpiece. That is precisely the quality with which this performance is imbued. Particularly persuasive is the sixth variation in an ominous F Minor, with its slithering, snakelike chromaticism. Anyone familiar with Bezuidenhout’s reading of the C-Minor Fantasy, K 475, in Vol. 1 of this series won’t be surprised at the audacious originality of his interpretation of its younger sibling, K 396. There’s something irresistible in his no-holds-barred approach to these sorts of tragic scenes, as though a singer walked center-stage to the footlights, thrust out his chest and threw open his arms, raised his chin, and let it rip.


The piano Bezuidenhout uses is another superb Paul McNulty replica, this one from 2009. Like the instruments used in the two earlier recordings, it is based on an original by Anton Walter & Sohn, but a slightly later vintage (1805). To say that this is state-of-the-art Mozart playing is only meaningful with the qualification that there are at most three or four pianists in the world today capable of anything remotely similar. I know of no player on a modern Steinway or Bösendorfer, in fact, who could pull off an F-Major Sonata of greater charm or vivacity, or inflected with more color or nuance. Bezuidenhout seems to have it all: grasp of the characteristic rhetoric, comfort with late 18th-century style, exquisite sense of pacing, identification with every note he plays, and a highly developed musical discernment that allows him to distinguish the important from the subsidiary, substance from ornament. Plus he plays the fortepiano like nobody else. I can’t wait for the next installment.

Tracklisting:

Piano Sonata No. 13 in B flat major, K. 333 (K. 315c) (1783) [24'45]

01. I. Allegro [0:07:14.02]
02. II. Andante cantabile [0:10:49.48]
03. III. Allegretto grazioso [0:06:39.18]

Variations (8) on "Ein Weib ist das herrlichste Ding" for piano in F major, K. 613 (1791) [15'46]

04. Thema [0:01:17.22]
05. Variation 1 [0:01:15.26]
06. Variation 2 [0:01:15.33]
07. Variation 3 [0:01:14.41]
08. Variation 4 [0:01:13.03]
09. Variation 5 [0:01:22.23]
10. Variation 6 [0:01:55.22]
11. Variation 7 [0:03:24.46]
12. Variation 8 [0:02:47.62]

13. Movement for violin & piano (or piano solo) in C minor (fragment, completed by Maximilian Stadler), K. 396 (K. 385f) (c.1782) [0:09:38.04]

Piano Sonata No. 12 in F major, K. 332 (K. 300k) (1783) [18'56]

14. I. Allegro [0:06:56.55]
15. II. Adagio [0:04:42.74]
16. III. Allegro assai [0:07:16.25]

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 3. September 2013, 22:06

Kristian Bezuidenhout / Mozart - Keyboard Music (Vol.3) - Kristian Bezuidenhout

Used drive : TSSTcorpCDDVDW SH-222BB Adapter: 2 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "TITLE=%title%" -T "ARTIST=%artist%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TRACKTOTAL=%numtracks%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %source% -o %dest%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
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2 | 7:14.02 | 10:49.48 | 32552 | 81274
3 | 18:03.50 | 6:39.18 | 81275 | 111217
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5 | 26:00.15 | 1:15.26 | 117015 | 122665
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9 | 30:58.43 | 1:22.23 | 139393 | 145565
10 | 32:20.66 | 1:55.22 | 145566 | 154212
11 | 34:16.13 | 3:24.46 | 154213 | 169558
12 | 37:40.59 | 2:47.62 | 169559 | 182145
13 | 40:28.46 | 9:38.04 | 182146 | 225499
14 | 50:06.50 | 6:56.55 | 225500 | 256754
15 | 57:03.30 | 4:42.74 | 256755 | 277978
16 | 61:46.29 | 7:16.25 | 277979 | 310703


Range status and errors

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Filename G:\Ripped general\[8591] Mozart – Keyboard Music (Vol.3) – Kristian Bezuidenhout\Mozart - Keyboard Music (Vol.3) - Kristian Bezuidenhout.wav

Peak level 98.0 %
Extraction speed 7.9 X
Range quality 99.9 %
Test CRC 0465F87B
Copy CRC 0465F87B
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 9) [C497EF61] (AR v2)
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All tracks accurately ripped

End of status report


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Kristian Bezuidenhout - Mozart: Keyboard Music Vol 4 (2010)
EAC Rip | Flac (Image + cue + log) | 1 CD | Full Scans | 303 MB
Genre: Classical | Label: Harmonia Mundi | Catalog Number: 907497


Reviews:

Tracklisting:





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Kristian Bezuidenhout - Mozart: Keyboard Music (Vol 1-4)

Kristian Bezuidenhout - Mozart: Keyboard Music Vol 4 (2013)
EAC Rip | Flac (Image + cue + log) | 1 CD | Full Scans | 269 MB
Genre: Classical | Label: Harmonia Mundi | Catalog Number: 907528

On volume four of his widely acclaimed traversal of Mozart's music for solo keyboard, fortepianist Kristian Bezuidenhout performs on an instrument by Paul McNulty, modeled on a Viennese original by Anton Walter & Sohn (c.1805). The program includes Piano Sonatas in D major K.311 and G major K.283 and the lovely Variations on 'Je suis Lindor' in E flat Major, K.354. As with the other volumes in this exceptional series, Bezuidenhout brings out colors and shadings in these works that are only possible when performed on a fortepiano.

Reviews: It was either Mozart or Beethoven who wrote in a letter that, when hearing a few new fortepianos, he felt they sounded more like harps than pianos. Perhaps one of our “serious record collectors” will be good enough to tell us the composer of that letter and its recipient.


The fortepiano of this disc seems to be far more advanced than the ones complained about, but I still wager that Mozart, Beethoven, Chopin, and Liszt would fall down and kiss the feet of Henry Steinway for adding such great dimension to the instrument! Still, the dimensions of this particular instrument are expansive enough not to need the help of recording engineers, who have set these aristocratic performances awash in reverberation. One has the feeling that he is in a bowling alley rather than an 18th-century salon.


Kristian Bezuidenhout’s elegant readings are reminiscent of the great Paul Badura-Skoda. He displays the height of intelligence, sensitivity, imagination, and style. If sounds were objects we would be looking at a brightly lit chandelier, with the facets sharply cut, smooth, and crystal clear. The depth of the playing seems as incidental and inevitable as the depth of the compositions.

Tracklisting:

01. Fantasia for piano in D minor (fragment), K. 397 (K. 385g) (1782) [0:05:24.14]
leading attacca into:
Piano Sonata No. 9 in D major, K. 311 (K. 284c) (1777) [16'32]

02. I. Allegro con spirito [0:04:40.02]
03. II. Andante con espressione [0:05:35.55]
04. III. Rondeau: Allegro [0:06:21.38]

Prelude and fugue for piano in C major, K. 394 (K. 383a) (1782) [9'52]

05. Adagio [0:04:58.42]
06. Fugue [0:04:59.63]

Variations (12) on "Je suis Lindor," for piano in E flat major, K. 354 (K. 299a) (1778) [17'04]

07. Theme: Allegretto [0:01:14.59]
08. Variation 1 [0:01:02.41]
09. Variation 2 [0:01:03.25]
10. Variation 3 [0:01:19.39]
11. Variation 4 [0:01:24.67]
12. Variation 5 [0:00:57.47]
13. Variation 6 [0:01:01.12]
14. Variation 7 [0:01:14.03]
15. Variation 8 [0:01:29.11]
16. Variation 9 [0:01:42.19]
17. Variation 10 [0:00:33.56]
18. Variation 11 [0:00:35.40]
19. Variation 12 [0:02:00.63]
20. Allegretto [0:01:32.12]

Piano Sonata No. 5 in G major, K. 283 (K. 189h) (1774) [16'31]

21. I. Allegro [0:05:48.43]
22. II. Andante [0:06:27.68]
23. III. Presto [0:04:19.55]

24. Fantasia for piano in D minor (fragment, final bars completed by August Eberhard Müller), K. 397 (K. 385g) [0:05:39.04]

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 3. September 2013, 22:19

Kristian Bezuidenhout / Mozart - Keyboard Music (Vol.4) - Kristian Bezuidenhout

Used drive : TSSTcorpCDDVDW SH-222BB Adapter: 2 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "TITLE=%title%" -T "ARTIST=%artist%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TRACKTOTAL=%numtracks%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %source% -o %dest%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 5:24.14 | 0 | 24313
2 | 5:24.14 | 4:40.02 | 24314 | 45315
3 | 10:04.16 | 5:35.55 | 45316 | 70495
4 | 15:39.71 | 6:21.38 | 70496 | 99108
5 | 22:01.34 | 4:58.42 | 99109 | 121500
6 | 27:00.01 | 4:59.63 | 121501 | 143988
7 | 31:59.64 | 1:14.59 | 143989 | 149597
8 | 33:14.48 | 1:02.41 | 149598 | 154288
9 | 34:17.14 | 1:03.25 | 154289 | 159038
10 | 35:20.39 | 1:19.39 | 159039 | 165002
11 | 36:40.03 | 1:24.67 | 165003 | 171369
12 | 38:04.70 | 0:57.47 | 171370 | 175691
13 | 39:02.42 | 1:01.12 | 175692 | 180278
14 | 40:03.54 | 1:14.03 | 180279 | 185831
15 | 41:17.57 | 1:29.11 | 185832 | 192517
16 | 42:46.68 | 1:42.19 | 192518 | 200186
17 | 44:29.12 | 0:33.56 | 200187 | 202717
18 | 45:02.68 | 0:35.40 | 202718 | 205382
19 | 45:38.33 | 2:00.63 | 205383 | 214445
20 | 47:39.21 | 1:32.12 | 214446 | 221357
21 | 49:11.33 | 5:48.43 | 221358 | 247500
22 | 55:00.01 | 6:27.68 | 247501 | 276593
23 | 61:27.69 | 4:19.55 | 276594 | 296073
24 | 65:47.49 | 5:39.04 | 296074 | 321502


Range status and errors

Selected range

Filename G:\Ripped general\[8590] Mozart – Keyboard Music (Vol.4) – Kristian Bezuidenhout\Mozart - Keyboard Music (Vol.4) - Kristian Bezuidenhout.wav

Peak level 96.7 %
Extraction speed 7.9 X
Range quality 100.0 %
Test CRC 2D053B17
Copy CRC 2D053B17
Copy OK

No errors occurred


AccurateRip summary

Track 1 accurately ripped (confidence 9) [F829BD41] (AR v2)
Track 2 accurately ripped (confidence 10) [7353206E] (AR v2)
Track 3 accurately ripped (confidence 10) [46C666B6] (AR v2)
Track 4 accurately ripped (confidence 10) [31CD1291] (AR v2)
Track 5 accurately ripped (confidence 10) [714A137A] (AR v2)
Track 6 accurately ripped (confidence 10) [883AD5F2] (AR v2)
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Track 9 accurately ripped (confidence 10) [5CBDE774] (AR v2)
Track 10 accurately ripped (confidence 10) [60388C54] (AR v2)
Track 11 accurately ripped (confidence 10) [F43DFC40] (AR v2)
Track 12 accurately ripped (confidence 10) [9CA2DDA9] (AR v2)
Track 13 accurately ripped (confidence 10) [9987488C] (AR v2)
Track 14 accurately ripped (confidence 10) [C2215EFF] (AR v2)
Track 15 accurately ripped (confidence 10) [87A133EF] (AR v2)
Track 16 accurately ripped (confidence 10) [9F1F3E52] (AR v2)
Track 17 accurately ripped (confidence 10) [D8B5DFC2] (AR v2)
Track 18 accurately ripped (confidence 10) [BFBB7423] (AR v2)
Track 19 accurately ripped (confidence 10) [EA73CF97] (AR v2)
Track 20 accurately ripped (confidence 10) [C927BCD5] (AR v2)
Track 21 accurately ripped (confidence 10) [40874A1F] (AR v2)
Track 22 accurately ripped (confidence 10) [854BA83C] (AR v2)
Track 23 accurately ripped (confidence 10) [2916EBF0] (AR v2)
Track 24 accurately ripped (confidence 10) [7F4AB547] (AR v2)

All tracks accurately ripped

End of status report



Thanks to the original releaser
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