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Clarence 'Gatemouth' Brown - The Blues Ain't Nothing (1972/2002)

Posted By: countryfreak
Clarence 'Gatemouth' Brown - The Blues Ain't Nothing (1972/2002)

Clarence 'Gatemouth' Brown - The Blues Ain't Nothing (1972/2002)
EAC Rip | FLAC (Image) + CUE + LOG | Covers | 413 MB
Genre: Blues/Folk/R&B/Country | Label: Black And Blue | Catalog Number: BB 428
RAR 5% Rec. | Uploaded | Release Date: July 1, 2002

Blues Ain't Nothin' album by Clarence "Gatemouth" Brown was released July 1, 2002 on the Black And Blue label. Recording information: Barclay Studio, Paris, France (12/30/1971-08/01/1973); Decca Studio, Paris, France (12/30/1971-08/01/1973).

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Tracklist
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1. Sad Sad Hour 3:51
2. You Got Money 5:46
3. My Time Is Expensive 4:31
4. Slow Down 4:55
5. Taking My Chance 6:18
6. Just Got Lucky 3:53
7. Deep Deep Water 10:07
8. Goin' To Chicago 4:17
9. Dirty Work At Crossroads 4:47
10. Here I Am 3:25
11. New Okie Dokie Stomp 2:37
12. Piney Brown Blues 5:04
13. Hot Club Drive 7:13
14. The People 4:38

Personnel:
Clarence 'Gatemouth' Brown - Guitar,Vocal
Jay McShann - Oiano
Roland Lobligeois - Bass
Paul Gunther - Drums
Al Grey - Trombone
Hal Singer - Tenor Sax
Stan Hunter - Organ
Xavier Chambon - Trumpet
Michel Attenous - Alto Sax

Clarence 'Gatemouth' Brown - The Blues Ain't Nothing (1972/2002)

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 10. April 2013, 13:15

Clarence ''Gatemouth'' Brown / The Blues Ain't Nothing

Used drive : ASUS DRW-24B1LT Adapter: 3 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" %hascover%–picture="%coverfile%"%hascover% %source% -o %dest%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:51.60 | 0 | 17384
2 | 3:51.60 | 5:46.65 | 17385 | 43399
3 | 9:38.50 | 4:31.32 | 43400 | 63756
4 | 14:10.07 | 4:55.65 | 63757 | 85946
5 | 19:05.72 | 6:18.43 | 85947 | 114339
6 | 25:24.40 | 3:53.15 | 114340 | 131829
7 | 29:17.55 | 10:07.27 | 131830 | 177381
8 | 39:25.07 | 4:17.00 | 177382 | 196656
9 | 43:42.07 | 4:47.20 | 196657 | 218201
10 | 48:29.27 | 3:25.25 | 218202 | 233601
11 | 51:54.52 | 2:37.03 | 233602 | 245379
12 | 54:31.55 | 5:04.05 | 245380 | 268184
13 | 59:35.60 | 7:13.72 | 268185 | 300731
14 | 66:49.57 | 4:37.33 | 300732 | 321539


Range status and errors

Selected range

Filename D:\MUSIK\BLUES\Clarence 'Gatemouth' Brown - The Blues Ain't Nothing [FLAC] (1972)\Clarence ''Gatemouth'' Brown - The Blues Ain't Nothing.wav

Peak level 99.9 %
Extraction speed 8.1 X
Range quality 100.0 %
Copy CRC 60831102
Copy OK

No errors occurred


AccurateRip summary

Track 1 cannot be verified as accurate (confidence 4) [8BAFDDC0], AccurateRip returned [77FFA794] (AR v2)
Track 2 cannot be verified as accurate (confidence 4) [54C4A207], AccurateRip returned [4A3C7B3C] (AR v2)
Track 3 cannot be verified as accurate (confidence 4) [24589767], AccurateRip returned [3D827164] (AR v2)
Track 4 cannot be verified as accurate (confidence 4) [91F44C33], AccurateRip returned [4BC593F2] (AR v2)
Track 5 cannot be verified as accurate (confidence 4) [BFAE8B5D], AccurateRip returned [D3709D61] (AR v2)
Track 6 cannot be verified as accurate (confidence 4) [89B90AB3], AccurateRip returned [7602110E] (AR v2)
Track 7 cannot be verified as accurate (confidence 4) [23217BDB], AccurateRip returned [3273C704] (AR v2)
Track 8 cannot be verified as accurate (confidence 4) [703C22B6], AccurateRip returned [F8E55790] (AR v2)
Track 9 cannot be verified as accurate (confidence 4) [786F8A5F], AccurateRip returned [6C1BC242] (AR v2)
Track 10 cannot be verified as accurate (confidence 4) [090B77CA], AccurateRip returned [7591F8A7] (AR v2)
Track 11 cannot be verified as accurate (confidence 4) [F35C83FD], AccurateRip returned [EA790EDD] (AR v2)
Track 12 cannot be verified as accurate (confidence 4) [F1C8194D], AccurateRip returned [948A03DE] (AR v2)
Track 13 cannot be verified as accurate (confidence 3) [1BC4E7C8], AccurateRip returned [5A547DA6] (AR v2)
Track 14 cannot be verified as accurate (confidence 3) [CBB853C6], AccurateRip returned [6D5B32D1] (AR v2)

No tracks could be verified as accurate
You may have a different pressing from the one(s) in the database

End of status report

==== Log checksum 2FB70ADAA9C11236739FCD9F7728699C5A151AD83D0282453CB28D4A7EB956D3 ====


foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2013-04-10 13:16:21

––––––––––––––––––––––––––––––––––––––––
Analyzed: Clarence ''Gatemouth'' Brown / The Blues Ain't Nothing
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 0.00 dB -17.38 dB 3:52 01-Sad Sad Hour
DR12 -2.36 dB -16.58 dB 5:47 02-You Got Money
DR13 -0.78 dB -17.83 dB 4:31 03-My Time Is Expensive
DR13 -2.05 dB -18.61 dB 4:56 04-Slow Down
DR12 -0.78 dB -16.51 dB 6:19 05-Taking My Chance
DR12 -0.05 dB -15.55 dB 3:53 06-Just Got Lucky
DR14 -0.33 dB -18.52 dB 10:07 07-Deep Deep Water
DR10 -2.68 dB -15.75 dB 4:17 08-Goin' To Chicago
DR11 -3.87 dB -18.88 dB 4:47 09-Dirty Work At Crossroads
DR10 -2.81 dB -16.32 dB 3:25 10-Here I Am
DR10 -2.84 dB -15.05 dB 2:37 11-New Okie Dokie Stomp
DR12 -3.28 dB -18.73 dB 5:04 12-Piney Brown Blues
DR12 -2.20 dB -17.89 dB 7:14 13-Hot Club Drive
DR12 -1.00 dB -15.60 dB 4:37 14-The People
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 14
Official DR value: DR12

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 756 kbps
Codec: FLAC
================================================================================


AllMusic
Wikipedia

BIO: Whatever you do, don't refer to multi-instrumentalist Clarence "Gatemouth" Brown as a bluesman, although his imprimatur on the development of Texas blues is enormous. You're liable to get him riled. If you must pigeonhole the legend, just call him an eclectic Texas musical master whose interests encompass virtually every roots genre imaginable.
Brown learned the value of versatility while growing up in Orange, TX. His dad was a locally popular musician who specialized in country, Cajun, and bluegrass – but not blues. Later, Gate was entranced by the big bands of Count Basie, Lionel Hampton, and Duke Ellington (a torrid arrangement of "Take the 'A' Train" remains a centerpiece of Brown's repertoire). Tagged with the "Gatemouth" handle by a high school instructor who accused Brown of having a "voice like a gate," Brown has used it to his advantage throughout his illustrious career. (His guitar-wielding brother, James "Widemouth" Brown, recorded "Boogie Woogie Nighthawk" for Jax in 1951.)In 1947, Gate's impromptu fill-in for an ailing T-Bone Walker at Houston entrepreneur Don Robey's Bronze Peacock nightclub convinced Robey to assume control of Brown's career. After two singles for Aladdin stiffed, Robey inaugurated his own Peacock label in 1949 to showcase Brown's blistering riffs, which proved influential to a legion of Houston string-benders (Albert Collins, Johnny Copeland, Johnny "Guitar" Watson, Cal Green, and many more have pledged allegiance to Brown's riffs). Peacock and its sister label Duke prospered through the '50s and '60s.Gate stayed with Peacock through 1960. The R&B charts didn't reflect Brown's importance (he hit only once nationwide with 1949's two-sided smash "Mary Is Fine"/"My Time Is Expensive"). But his blazing instrumentals ("Boogie Uproar," "Gate Walks to Board," 1954's seminal "Okie Dokie Stomp"), horn-enriched rockers ("She Walked Right In," "Rock My Blues Away"), and lowdown Lone Star blues ("Dirty Work at the Crossroads") are a major component of the rich Texas postwar blues legacy. Brown broke new ground often – even in the '50s, he insisted on sawing his fiddle at live performances, although Robey wasn't interested in capturing Gate's violin talent until "Just Before Dawn" (his final Peacock platter in 1959).The '60s weren't all that kind to Brown. His cover of Little Jimmy Dickens' country novelty "May the Bird of Paradise Fly Up Your Nose" for tiny Hermitage Records made a little noise in 1965 (and presaged things to come stylistically). But the decade was chiefly memorable for Brown's 1966 stint as house bandleader for The!!!!Beat, a groundbreaking syndicated R&B television program out of Dallas hosted by WLAC DJ Bill "Hoss" Allen.When Gate began to rebuild his career in the '70s, he was determined to do things his way. Country, jazz, even calypso now played a prominent role in his concerts; he became as likely to launch into an old-time fiddle hoedown as a swinging guitar blues. He turned up on Hee Haw with pickin' and grinnin' pal Roy Clark after they cut a sizzling 1979 duet album for MCA, Makin' Music. Acclaimed discs for Rounder, Alligator, Verve, and Blue Thumb in the '80s, '90s, and 2000s have proven that Gatemouth Brown is a steadfastly unclassifiable American original. Gatemouth Brown passed away on September 10, 2005 in Orange, TX.–by Bill Dahl


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