Tags
Language
Tags
April 2024
Su Mo Tu We Th Fr Sa
31 1 2 3 4 5 6
7 8 9 10 11 12 13
14 15 16 17 18 19 20
21 22 23 24 25 26 27
28 29 30 1 2 3 4

Cabezon: Obras De Musica - Harmonices Mundi, La Moranda (2012)

Posted By: peotuvave
Cabezon: Obras De Musica - Harmonices Mundi, La Moranda (2012)

Cabezon: Obras De Musica - Harmonices Mundi, La Moranda (2012)
EAC Rip | Flac (Image + cue + log) | 7 CDs | Full Scans | 2.14 GB
Genre: Classical | Label: Brilliant Classics | Catalog Number: 94346

Antonio de Cabezón was the most important composer of Spain’s Golden Age, the 16th century. He served at the court of Charles V, and was the music teacher of his children with Isabella of Portugal.

Cabezón was a master of the keyboard (organ and spinet), and most of his works are instrumental, either solo keyboard or for ensembles of stringed instruments. Famous are his “Intabulations”, instrumental arrangements of famous vocal works by contemporaries like Josquin and Lassus.

A unique survey of an important era in the musical history, played by expert musicians, using period instruments: Claudio Astronio and his Harmonices Mundi. Excellent liner notes written by a Spanish musicologist.

Composer: Antonio De Cabezón
Performer: Claudio Astronio
Conductor: Claudio Astronio
Orchestra/Ensemble: La Moranda, Harmonices Mundi, La Moranda Wind Ensemble, …

Reviews: Blind from childhood,Antonio de Cabezón (b.1510) was appointed organist in the chapel of Queen Isabella at the age of 16, and in 1538, became músico de la cámara to her husband Charles V. After Isabella’s death he was appointed the musical tutor of Prince Philip and his sisters. Cabezón accompanied Philip on trips to Milan, Naples, Germany and the Netherlands between 1548 and 1551.These tours would doubtless have given him exposure to a wide range of music performed by leading musicians of the period. His music reveals both cosmopolitanism and traits that have been identified as belonging distinctly to Spanish musical style or to a personal style.

This complete recorded survey of his Obras de música para tecla arpa y vihuela represents one of the most remarkable, and celebrated collections of instrumental music of the sixteenth-century. The collection divides by genre into instrumental elaborations of liturgical texts; intabulations and transcriptions of popular motets by composers such as Mouton and Josquin; and the famous and original tientos, prized for their combination of the composer’s intensity of expression with a good deal of variety and ingenuity.

The performances on a variety of instruments and ensembles are masterminded by the Italian keyboard player and musicologist Claudio Astronio, whose musical enthusiasms range from early music to jazz and pop.

Tracklisting:

1. Benedicta es coelorum Regina con segunda y tercera parte (after Josquin) by Antonio De Cabezón
Performer: Claudio Astronio (Harpsichord), Claudio Astronio (Organ)
Conductor: Claudio Astronio
Period: Renaissance
Venue: Convento delle Clarisse di San Salvatore
Length: 7 Minutes 1 Secs.

2. Sancta Maria Verdelot (after Verdelot) by Antonio De Cabezón
Performer: Claudio Astronio (Organ), Claudio Astronio (Harpsichord)
Period: Renaissance
Venue: Convento delle Clarisse di San Salvatore
Length: 6 Minutes 59 Secs.

3. Ave Maria Jusquin (after Josquin) by Antonio De Cabezón
Performer: Claudio Astronio (Organ), Claudio Astronio (Harpsichord)
Period: Renaissance
Venue: Convento delle Clarisse di San Salvatore
Length: 6 Minutes 22 Secs.

4. Ultimi miei suspiri (after Verdelot) by Antonio De Cabezón
Performer: Claudio Astronio (Organ), Claudio Astronio (Harpsichord)
Period: Renaissance
Venue: Convento delle Clarisse di San Salvatore
Length: 5 Minutes 42 Secs.

5. Ardenti miei suspiri (after Verdelot) by Antonio De Cabezón
Performer: Claudio Astronio (Harpsichord), Claudio Astronio (Organ)
Period: Renaissance
Venue: Convento delle Clarisse di San Salvatore
Length: 6 Minutes 26 Secs.

6. Diferencias sobre "Las Vacas" by Antonio De Cabezón
Performer: Claudio Astronio (Harpsichord), Claudio Astronio (Organ)
Period: Renaissance
Written: 16th Century; Spain
Venue: Convento delle Clarisse di San Salvatore
Length: 3 Minutes 44 Secs.

7. Diferencias sobre el canto llano del "Caballero" by Antonio De Cabezón
Performer: Claudio Astronio (Organ), Claudio Astronio (Harpsichord)
Period: Renaissance
Written: 16th Century; Spain
Venue: Convento delle Clarisse di San Salvatore
Length: 3 Minutes 6 Secs.

8. Discante sobre la pavana italiana by Antonio De Cabezón
Performer: Claudio Astronio (Organ), Claudio Astronio (Harpsichord)
Period: Renaissance
Written: circa 1550
Venue: Convento delle Clarisse di San Salvatore
Length: 3 Minutes 40 Secs.

9. Diferencias sobre "La dama le demanda" by Antonio De Cabezón
Performer: Claudio Astronio (Organ), Claudio Astronio (Harpsichord)
Period: Renaissance
Written: 16th Century; Spain
Venue: Convento delle Clarisse di San Salvatore
Length: 3 Minutes 4 Secs.

10. Diferencias sobre el canto "De quien teme enojo Isabel", for keyboard by Antonio De Cabezón
Performer: Claudio Astronio (Harpsichord), Claudio Astronio (Organ)
Period: Renaissance
Venue: Convento delle Clarisse di San Salvatore
Length: 7 Minutes 14 Secs.

11. Duuiensela by Antonio De Cabezón
Performer: Claudio Astronio (Organ), Claudio Astronio (Harpsichord)
Period: Renaissance
Written: 16th Century; Spain
Venue: Convento delle Clarisse di San Salvatore
Length: 3 Minutes 26 Secs.

12. Tres dúos para principiantes para mostrar a llevar el compas by Antonio De Cabezón
Performer: Claudio Astronio (Regal), Claudio Astronio (Harpsichord)
Conductor: Claudio Astronio
Orchestra/Ensemble: La Moranda
Period: Renaissance
Venue: Chiesa Evangelica di Bolzano / Museo del
Length: 1 Minutes 49 Secs.

13. Dos Ave maris stellas. Lleva el canto llano el contrabajo by Antonio De Cabezón
Conductor: Claudio Astronio
Orchestra/Ensemble: La Moranda
Period: Renaissance
Venue: Chiesa evangelica di Bolzano
Length: 1 Minutes 31 Secs.

14. Dos Ave maris stellas. Lleva el canto llano el triple by Antonio De Cabezón
Performer: Claudio Astronio (Regal)
Conductor: Claudio Astronio
Orchestra/Ensemble: La Moranda
Period: Renaissance
Venue: Chiesa Evangelica di Bolzano / Museo del
Length: 2 Minutes 9 Secs.

15. Te lucis ante terminum. Lleva el canto llano el tenor by Antonio De Cabezón
Performer: Claudio Astronio (Organ)
Period: Renaissance
Venue: Convento di S. Magno, Amelia, Terni, Ita
Length: 1 Minutes 9 Secs.

16. Duo by Antonio De Cabezón
Performer: Claudio Astronio (Organ)
Period: Renaissance
Venue: Convento di S. Magno, Amelia, Terni, Ita
Length: 1 Minutes 1 Secs.

17. Tres Kiryes sobre el canto llano de Rex Virginum by Antonio De Cabezón
Performer: Claudio Astronio (Organ)
Period: Renaissance
Venue: Convento di S. Magno, Amelia, Terni, Ita
Length: 3 Minutes 26 Secs.

18. Ave maris stella, de Hernando de Cabeçon. Lleva el canto llano el contrabaxo by Antonio De Cabezón
Conductor: Claudio Astronio
Orchestra/Ensemble: La Moranda
Period: Renaissance
Venue: Chiesa evangelica di Bolzano
Length: 1 Minutes 23 Secs.

19. Otra Ave maris stella. Canto llano, el tenor by Antonio De Cabezón
Performer: Claudio Astronio (Organ)
Period: Renaissance
Venue: Convento di S. Magno, Amelia, Terni, Ita
Length: 1 Minutes 45 Secs.

20. Pange lingua. Canto llano tenor by Antonio De Cabezón
Performer: Claudio Astronio (Regal)
Period: Renaissance
Venue: Museo del Convento di S. Giuseppe da Cop
Length: 1 Minutes 50 Secs.

21. Otra pange lingua by Antonio De Cabezón
Performer: Claudio Astronio (Organ)
Period: Renaissance
Venue: Convento di S. Magno, Amelia, Terni, Ita
Length: 1 Minutes 58 Secs.

22. Queramus. Moton con 2 y 3 parte by Antonio De Cabezón
Performer: Claudio Astronio (Organ)
Conductor: Claudio Astronio
Orchestra/Ensemble: La Moranda
Period: Renaissance
Venue: Chiesa evangelica di Bolzano
Length: 8 Minutes 38 Secs.

23. Queramus. Moton con differente glosa con segundo parte by Antonio De Cabezón
Performer: Claudio Astronio (Organ)
Period: Renaissance
Venue: Convento di S. Magno, Amelia, Terni, Ita
Length: 4 Minutes 20 Secs.

24. Clama neceses. Jusquin by Antonio De Cabezón
Performer: Claudio Astronio (Organ)
Conductor: Claudio Astronio
Orchestra/Ensemble: Harmonices Mundi
Period: Renaissance
Venue: Chiesa del Borgo di Presule, Bolzano, It
Length: 5 Minutes 58 Secs.

25. Quatro favordones del primier tono by Antonio De Cabezón
Performer: Claudio Astronio (Organ)
Conductor: Claudio Astronio
Orchestra/Ensemble: La Moranda
Period: Renaissance
Venue: Chiesa evangelica di Bolzano
Length: 2 Minutes 48 Secs.

26. Quatro favordones del segundo tono by Antonio De Cabezón
Performer: Claudio Astronio (Organ)
Conductor: Claudio Astronio
Orchestra/Ensemble: Harmonices Mundi
Period: Renaissance
Venue: Chiesa del Borgo di Presule, Bolzano, It
Length: 2 Minutes 2 Secs.

27. Quatro favordones del tercer tono by Antonio De Cabezón
Performer: Claudio Astronio (Organ)
Period: Renaissance
Venue: Convento di S. Magno, Amelia, Terni, Ita
Length: 2 Minutes 1 Secs.

28. Quatro favordones del quarto tono by Antonio De Cabezón
Performer: Claudio Astronio (Organ)
Conductor: Claudio Astronio
Orchestra/Ensemble: Harmonices Mundi
Period: Renaissance
Venue: Chiesa del Borgo di Presule, Bolzano, It
Length: 1 Minutes 53 Secs.

29. Quatro favordones del quinto tono by Antonio De Cabezón
Performer: Claudio Astronio (Harpsichord)
Period: Renaissance
Venue: Chiesa evangelica di Bolzano
Length: 1 Minutes 48 Secs.

30. Quatro favordones del sexto tono by Antonio De Cabezón
Performer: Claudio Astronio (Organ)
Conductor: Claudio Astronio
Orchestra/Ensemble: Harmonices Mundi
Period: Renaissance
Venue: Chiesa del Borgo di Presule, Bolzano, It
Length: 2 Minutes 41 Secs.

31. Quatro favordones del septimo tono by Antonio De Cabezón
Performer: Claudio Astronio (Regal)
Period: Renaissance
Venue: Museo del Convento di S. Giuseppe da Cop
Length: 1 Minutes 49 Secs.

32. Quatro favordones del octavo tono by Antonio De Cabezón
Performer: Claudio Astronio (Organ)
Conductor: Claudio Astronio
Orchestra/Ensemble: La Moranda
Period: Renaissance
Venue: Chiesa evangelica di Bolzano
Length: 2 Minutes 24 Secs.

33. Ave maris stella a 2 by Antonio De Cabezón
Performer: Claudio Astronio (Organ)
Period: Renaissance
Written: 1578; Spain
Date of Recording: 1997
Venue: Italy
Length: 1 Minutes 16 Secs.

34. Ave maris stella IV by Antonio De Cabezón
Performer: Claudio Astronio (Organ)
Period: Renaissance
Written: Spain
Date of Recording: 1997
Venue: Italy
Length: 2 Minutes 16 Secs.

35. Veni creator spiritus by Antonio De Cabezón
Performer: Claudio Astronio (Regal)
Period: Renaissance
Written: 16th Century; Spain
Date of Recording: 1997
Venue: Italy
Length: 2 Minutes 37 Secs.

36. Christe redemptor by Antonio De Cabezón
Performer: Claudio Astronio (Organ)
Period: Renaissance
Written: 16th Century; Spain
Date of Recording: 1997
Venue: Italy
Length: 2 Minutes 17 Secs.

37. Ut queant laxis by Antonio De Cabezón
Conductor: Claudio Astronio
Orchestra/Ensemble: La Moranda Wind Ensemble
Period: Renaissance
Written: 16th Century; Spain
Date of Recording: 1997
Venue: Italy
Length: 1 Minutes 56 Secs.

38. Pange lingua by Antonio De Cabezón
Conductor: Claudio Astronio
Orchestra/Ensemble: Harmonices Mundi String Ensemble
Period: Renaissance
Written: 16th Century; Spain
Date of Recording: 1997
Venue: Italy
Length: 2 Minutes 18 Secs.

39. Otra pange lingua by Antonio De Cabezón
Performer: Claudio Astronio (Harpsichord)
Period: Renaissance
Written: 16th Century; Spain
Date of Recording: 1997
Venue: Italy
Length: 2 Minutes 51 Secs.

40. Missa del home arme: Osana by Antonio De Cabezón
Performer: Claudio Astronio (Organ)
Period: Renaissance
Written: 16th Century; Spain
Date of Recording: 1997
Venue: Italy
Length: 3 Minutes 28 Secs.

41. Benedictus de la missa del home arme by Antonio De Cabezón
Performer: Claudio Astronio (Regal)
Period: Renaissance
Written: 16th Century; Spain
Date of Recording: 1997
Venue: Italy
Length: 2 Minutes 21 Secs.

42. Canto Ilano Beata viscera Mariae Virginis by Antonio De Cabezón
Performer: Claudio Astronio (Regal)
Period: Renaissance
Written: Spain
Date of Recording: 1997
Venue: Italy
Length: 2 Minutes 10 Secs.

43. Cum sancto spiritu de Beata Virgine by Antonio De Cabezón
Performer: Claudio Astronio (Regal)
Period: Renaissance
Written: 16th Century; Spain
Date of Recording: 1997
Venue: Italy
Length: 2 Minutes 34 Secs.

44. Ave maris stella a 3 by Antonio De Cabezón
Conductor: Claudio Astronio
Orchestra/Ensemble: Harmonices Mundi String Ensemble
Period: Renaissance
Written: 16th Century; Spain
Date of Recording: 1997
Venue: Italy
Length: 2 Minutes 41 Secs.

45. Kyries (4) de nuestra Señora by Antonio De Cabezón
Conductor: Claudio Astronio
Orchestra/Ensemble: La Moranda Wind Ensemble
Period: Renaissance
Written: 16th Century; Spain
Date of Recording: 1997
Venue: Italy
Length: 3 Minutes 25 Secs.

46. Kyries (4) del primer tono by Antonio De Cabezón
Performer: Claudio Astronio (Organ)
Period: Renaissance
Written: 16th Century; Spain
Date of Recording: 1997
Venue: Italy
Length: 3 Minutes 2 Secs.

47. Kyries (4) del segundo tono by Antonio De Cabezón
Performer: Claudio Astronio (Regal)
Period: Renaissance
Written: 16th Century; Spain
Date of Recording: 1997
Venue: Italy
Length: 3 Minutes 56 Secs.

48. Kyries (4) del tercer tono by Antonio De Cabezón
Performer: Claudio Astronio (Organ)
Period: Renaissance
Written: 16th Century; Spain
Date of Recording: 1997
Venue: Italy
Length: 3 Minutes 4 Secs.

49. Kyries (4) del cuarto tono by Antonio De Cabezón
Conductor: Claudio Astronio
Orchestra/Ensemble: Harmonices Mundi String Ensemble
Period: Renaissance
Written: 16th Century; Spain
Date of Recording: 1997
Venue: Italy
Length: 3 Minutes 0 Secs.

50. Kyries (4) del sexto tono by Antonio De Cabezón
Performer: Claudio Astronio (Organ)
Period: Renaissance
Written: 16th Century; Spain
Date of Recording: 1997
Venue: Italy
Length: 4 Minutes 1 Secs.

51. Kyries (4) del séptimo tono by Antonio De Cabezón
Performer: Claudio Astronio (Regal)
Period: Renaissance
Written: 16th Century; Spain
Date of Recording: 1997
Venue: Italy
Length: 3 Minutes 59 Secs.

52. Kyries (4) del quinto tono by Antonio De Cabezón
Performer: Claudio Astronio (Organ)
Period: Renaissance
Written: 16th Century; Spain
Date of Recording: 1997
Venue: Italy
Length: 3 Minutes 19 Secs.

53. Si bona susceptimus (after Verdelot) by Antonio De Cabezón
Conductor: Claudio Astronio
Orchestra/Ensemble: Harmonices Mundi
Period: Renaissance
Venue: Chiesa del borgo di Presule
Length: 6 Minutes 37 Secs.

54. Aspice Domine (after Josquin) by Antonio De Cabezón
Performer: Claudio Astronio (Organ)
Period: Renaissance
Venue: Convento di S. Magno ad Amelia
Length: 7 Minutes 35 Secs.

55. Je fille quant dieu me donne de quoy (after Willaert) by Antonio De Cabezón
Orchestra/Ensemble: La Moranda
Period: Renaissance
Venue: Museo del convento di S. Giuseppe da Cop
Length: 1 Minutes 15 Secs.

56. Pisne me pulvenir, for keyboard (after Crequillon) by Antonio De Cabezón
Performer: Claudio Astronio (Organ)
Period: Renaissance
Venue: Convento di S. Magno ad Amelia
Length: 2 Minutes 54 Secs.

57. Aiuli vous sola verdura, for keyboard (after Lupus) by Antonio De Cabezón
Performer: Claudio Astronio (Harpsichord)
Period: Renaissance
Venue: Museo del convento di S. Giuseppe da Cop
Length: 3 Minutes 5 Secs.

58. Ayme qui Voldra (after Gomberth) by Antonio De Cabezón
Conductor: Claudio Astronio
Orchestra/Ensemble: Harmonices Mundi
Period: Renaissance
Venue: Chiesa del borgo di Presule
Length: 4 Minutes 13 Secs.

59. Durmendo un jorno (after Verdelot) by Antonio De Cabezón
Performer: Claudio Astronio (Organ)
Period: Renaissance
Venue: Convento di S. Magno ad Amelia
Length: 4 Minutes 14 Secs.

60. Triste de par (after Gombert) by Antonio De Cabezón
Conductor: Claudio Astronio
Orchestra/Ensemble: Harmonices Mundi
Period: Renaissance
Venue: Chiesa del borgo di Presule
Length: 3 Minutes 24 Secs.

61. Je suis ayme (after Criquillon) by Antonio De Cabezón
Performer: Claudio Astronio (Organ)
Period: Renaissance
Venue: Convento di S. Magno ad Amelia
Length: 3 Minutes 14 Secs.

62. Tiento I del segundo tono, for keyboard by Antonio De Cabezón
Performer: Claudio Astronio (Organ)
Period: Renaissance
Venue: Museo del convento di S. Giuseppe da Cop
Length: 4 Minutes 6 Secs.

63. Tiento del quarto tono by Antonio De Cabezón
Performer: Claudio Astronio (Organ)
Period: Renaissance
Written: 16th Century; Spain
Venue: Museo del convento di S. Giuseppe da Cop
Length: 3 Minutes 50 Secs.

64. Tiento del primer tono by Antonio De Cabezón
Performer: Claudio Astronio (Organ)
Period: Renaissance
Written: 16th Century; Spain
Venue: Museo del convento di S. Giuseppe da Cop
Length: 5 Minutes 50 Secs.

65. Tiento IV sobre "Qui la dira", for keyboard by Antonio De Cabezón
Performer: Claudio Astronio (Harpsichord)
Period: Renaissance
Venue: Museo del convento di S. Giuseppe da Cop
Length: 3 Minutes 51 Secs.

66. Tiento del 3 tono. Fugas al contrario by Antonio De Cabezón
Performer: Claudio Astronio (Organ)
Period: Renaissance
Venue: Convento di S. Magno ad Amelia
Length: 5 Minutes 27 Secs.

67. Tiento del quinto tono by Antonio De Cabezón
Performer: Claudio Astronio (Organ)
Period: Renaissance
Written: 16th Century; Spain

68. Tiento del quarto tono by Antonio De Cabezón
Performer: Claudio Astronio (Harpsichord)
Period: Renaissance
Written: 16th Century; Spain

69. Tiento del octavo tono by Antonio De Cabezón
Conductor: Claudio Astronio
Orchestra/Ensemble: La Moranda
Period: Renaissance
Written: 16th Century; Spain

70. Tiento del primer tono by Antonio De Cabezón
Performer: Claudio Astronio (Regal)
Period: Renaissance
Written: 16th Century; Spain

71. Tiento del sexto tono by Antonio De Cabezón
Performer: Claudio Astronio (Organ)
Period: Renaissance
Written: 16th Century; Spain

72. Tiento sobre "Cum sanctu spiritu" (after Josquin) by Antonio De Cabezón
Performer: Claudio Astronio (Regal)

73. Stabat mater (after Josquin) by Antonio De Cabezón
Performer: Claudio Astronio (Organ)

74. Inviolata (after Josquin) by Antonio De Cabezón
Conductor: Claudio Astronio
Orchestra/Ensemble: La Moranda

75. Pisne me pulvenir (after Hernando de Cabezón) by Antonio De Cabezón
Conductor: Claudio Astronio
Orchestra/Ensemble: Harmonices Mundi

76. Susana un jur by Antonio De Cabezón
Conductor: Claudio Astronio
Orchestra/Ensemble: La Moranda

77. Susana by Antonio De Cabezón
Conductor: Claudio Astronio
Orchestra/Ensemble: Harmonices Mundi
Period: Renaissance
Written: Portugal

78. Qui la dira by Antonio De Cabezón
Performer: Claudio Astronio (Organ)
Period: Renaissance
Written: 16th Century; Spain

79. Ad Dominum cum tribularer by Antonio De Cabezón
Conductor: Claudio Astronio
Orchestra/Ensemble: La Moranda

80. Pues a mi desconsolado by Antonio De Cabezón
Conductor: Claudio Astronio
Orchestra/Ensemble: Harmonices Mundi

81. Quien llamo al partir, partir? by Antonio De Cabezón
Performer: Claudio Astronio (Organ)
Period: Renaissance
Written: 16th Century; Spain

82. Comiençan las canciones glosadas a quatro by Antonio De Cabezón
Performer: Claudio Astronio (Organ)
Orchestra/Ensemble: Italian Viola da Gamba Quartet

83. Comiençan los versos de Magnificat sobre todos los ocho tonos I by Antonio De Cabezón
Performer: Claudio Astronio (Organ)
Orchestra/Ensemble: Italian Viola da Gamba Quartet

84. Comiençan las obras de a quatro by Antonio De Cabezón
Performer: Claudio Astronio (Organ)
Orchestra/Ensemble: Italian Viola da Gamba Quartet

85. Motetes de a cinco III by Antonio De Cabezón
Performer: Claudio Astronio (Organ)
Orchestra/Ensemble: Italian Viola da Gamba Quartet

86. Versos de Magnificat II by Antonio De Cabezón
Performer: Claudio Astronio (Organ)
Orchestra/Ensemble: Italian Viola da Gamba Quartet

87. Discantes II by Antonio De Cabezón
Performer: Claudio Astronio (Organ)
Orchestra/Ensemble: Italian Viola da Gamba Quartet

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 19. November 2012, 2:55

Claudio Astronio / Cabezon - Obras de Musica - CD1

Used drive : HL-DT-STDVDRAM GSA-4083N Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 %source%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 7:01.18 | 0 | 31592
2 | 7:01.18 | 10:09.52 | 31593 | 77319
3 | 17:10.70 | 6:59.20 | 77320 | 108764
4 | 24:10.15 | 6:22.25 | 108765 | 137439
5 | 30:32.40 | 5:42.25 | 137440 | 163114
6 | 36:14.65 | 6:26.63 | 163115 | 192127
7 | 42:41.53 | 3:44.67 | 192128 | 208994
8 | 46:26.45 | 3:06.05 | 208995 | 222949
9 | 49:32.50 | 3:40.15 | 222950 | 239464
10 | 53:12.65 | 3:04.43 | 239465 | 253307
11 | 56:17.33 | 7:14.32 | 253308 | 285889
12 | 63:31.65 | 3:26.10 | 285890 | 301349


Range status and errors

Selected range

Filename J:\New Music\Cabezon - Obras de Musica\Cabezon - Obras de Musica - CD1.wav

Peak level 100.0 %
Extraction speed 4.3 X
Range quality 100.0 %
Test CRC 2FFA00A6
Copy CRC 2FFA00A6
Copy OK

No errors occurred

End of status report

==== Log checksum 57CF15B6336B791CBB9F1EEE401A5206984C1F6CEAD38F85952BD4D01E9FB280 ====

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 21. November 2012, 1:27

Harmonices Mundi, La Moranda, Claudio Astronio / Cabezon - Obras de Musica - CD2

Used drive : HL-DT-STDVDRAM GSA-4083N Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 %source%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 1:49.50 | 0 | 8224
2 | 1:49.50 | 1:00.65 | 8225 | 12789
3 | 2:50.40 | 1:01.18 | 12790 | 17382
4 | 3:51.58 | 1:31.72 | 17383 | 24279
5 | 5:23.55 | 2:16.63 | 24280 | 34542
6 | 7:40.43 | 2:09.37 | 34543 | 44254
7 | 9:50.05 | 1:58.73 | 44255 | 53177
8 | 11:49.03 | 1:09.22 | 53178 | 58374
9 | 12:58.25 | 1:01.07 | 58375 | 62956
10 | 13:59.32 | 3:26.41 | 62957 | 78447
11 | 17:25.73 | 1:23.10 | 78448 | 84682
12 | 18:49.08 | 1:45.10 | 84683 | 92567
13 | 20:34.18 | 1:50.70 | 92568 | 100887
14 | 22:25.13 | 1:58.52 | 100888 | 109789
15 | 24:23.65 | 8:38.58 | 109790 | 148697
16 | 33:02.48 | 4:20.17 | 148698 | 168214
17 | 37:22.65 | 5:58.48 | 168215 | 195112
18 | 43:21.38 | 2:48.22 | 195113 | 207734
19 | 46:09.60 | 2:02.23 | 207735 | 216907
20 | 48:12.08 | 2:01.40 | 216908 | 226022
21 | 50:13.48 | 1:53.55 | 226023 | 234552
22 | 52:07.28 | 1:48.12 | 234553 | 242664
23 | 53:55.40 | 2:41.65 | 242665 | 254804
24 | 56:37.30 | 1:49.13 | 254805 | 262992
25 | 58:26.43 | 2:24.32 | 262993 | 273824


Range status and errors

Selected range

Filename J:\New Music\Cabezon - Obras de Musica\Cabezon - Obras de Musica - CD2.wav

Peak level 99.5 %
Extraction speed 4.2 X
Range quality 99.9 %
Test CRC 07603B24
Copy CRC 07603B24
Copy OK

No errors occurred

End of status report

==== Log checksum 26626A8A5BB7503789119CB35B257AB6562AF16818D2D8BAB78E20170EF11949 ====

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 22. November 2012, 1:33

Harmonices Mundi, La Moranda, Claudio Astronio / Cabezon - Obras de Musica - CD3

Used drive : HL-DT-STDVDRAM GSA-4083N Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 %source%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 1:24.55 | 0 | 6354
2 | 1:24.55 | 1:16.37 | 6355 | 12091
3 | 2:41.17 | 0:53.05 | 12092 | 16071
4 | 3:34.22 | 2:16.68 | 16072 | 26339
5 | 5:51.15 | 2:37.22 | 26340 | 38136
6 | 8:28.37 | 2:16.55 | 38137 | 48391
7 | 10:45.17 | 1:56.40 | 48392 | 57131
8 | 12:41.57 | 2:17.55 | 57132 | 67461
9 | 14:59.37 | 2:18.00 | 67462 | 77811
10 | 17:17.37 | 2:51.18 | 77812 | 90654
11 | 20:08.55 | 3:11.05 | 90655 | 104984
12 | 23:19.60 | 3:28.17 | 104985 | 120601
13 | 26:48.02 | 2:21.03 | 120602 | 131179
14 | 29:09.05 | 2:41.52 | 131180 | 143306
15 | 31:50.57 | 2:10.30 | 143307 | 153086
16 | 34:01.12 | 2:34.25 | 153087 | 164661
17 | 36:35.37 | 3:25.40 | 164662 | 180076
18 | 40:01.02 | 3:02.08 | 180077 | 193734
19 | 43:03.10 | 3:56.07 | 193735 | 211441
20 | 46:59.17 | 3:04.43 | 211442 | 225284
21 | 50:03.60 | 3:00.52 | 225285 | 238836
22 | 53:04.37 | 4:01.60 | 238837 | 256971
23 | 57:06.22 | 3:59.65 | 256972 | 274961
24 | 61:06.12 | 3:19.40 | 274962 | 289926


Range status and errors

Selected range

Filename J:\New Music\Cabezon - Obras de Musica\Cabezon - Obras de Musica - CD3.wav

Peak level 89.5 %
Extraction speed 4.4 X
Range quality 100.0 %
Test CRC 7765BB2E
Copy CRC 7765BB2E
Copy OK

No errors occurred

End of status report

==== Log checksum B8007778AFCD519CF823E4C97C336BB9FED4479AE37EC9315076FDE23F3BC73D ====

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 22. November 2012, 2:12

Harmonices Mundi, La Moranda, Claudio Astronio / Cabezon - Obras de Musica - CD4

Used drive : HL-DT-STDVDRAM GSA-4083N Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 %source%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 6:37.62 | 0 | 29836
2 | 6:37.62 | 7:35.24 | 29837 | 63985
3 | 14:13.11 | 1:15.65 | 63986 | 69675
4 | 15:29.01 | 2:54.46 | 69676 | 82771
5 | 18:23.47 | 3:05.66 | 82772 | 96712
6 | 21:29.38 | 4:13.39 | 96713 | 115726
7 | 25:43.02 | 4:14.38 | 115727 | 134814
8 | 29:57.40 | 3:24.49 | 134815 | 150163
9 | 33:22.14 | 3:14.74 | 150164 | 164787
10 | 36:37.13 | 4:06.25 | 164788 | 183262
11 | 40:43.38 | 3:50.18 | 183263 | 200530
12 | 44:33.56 | 5:50.58 | 200531 | 226838
13 | 50:24.39 | 3:51.68 | 226839 | 244231
14 | 54:16.32 | 2:45.12 | 244232 | 256618
15 | 57:01.44 | 5:27.61 | 256619 | 281204


Range status and errors

Selected range

Filename J:\New Music\Cabezon - Obras de Musica\Cabezon - Obras de Musica - CD4.wav

Peak level 97.2 %
Extraction speed 4.3 X
Range quality 100.0 %
Test CRC 6A57F8B5
Copy CRC 6A57F8B5
Copy OK

No errors occurred

End of status report

==== Log checksum FDB4190D4B04A99807D2188A5A3A7AC5DB5EAF06F839AE155B7D031727721FA6 ====

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 23. November 2012, 2:30

Harmonices Mundi, La Moranda, Claudio Astronio / Cabezon - Obras de Musica - CD5

Used drive : HL-DT-STDVDRAM GSA-4083N Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 %source%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:40.00 | 0 | 16499
2 | 3:40.00 | 3:48.20 | 16500 | 33619
3 | 7:28.20 | 2:50.42 | 33620 | 46411
4 | 10:18.62 | 2:08.52 | 46412 | 56063
5 | 12:27.39 | 7:38.62 | 56064 | 90475
6 | 20:06.26 | 2:40.06 | 90476 | 102481
7 | 22:46.32 | 10:40.35 | 102482 | 150516
8 | 33:26.67 | 8:38.21 | 150517 | 189387
9 | 42:05.13 | 2:32.47 | 189388 | 200834
10 | 44:37.60 | 4:17.55 | 200835 | 220164
11 | 48:55.40 | 3:13.02 | 220165 | 234641
12 | 52:08.42 | 3:39.65 | 234642 | 251131
13 | 55:48.32 | 3:03.61 | 251132 | 264917
14 | 58:52.18 | 2:03.55 | 264918 | 274197
15 | 60:55.73 | 2:52.15 | 274198 | 287112


Range status and errors

Selected range

Filename J:\New Music\Cabezon - Obras de Musica\Cabezon - Obras de Musica - CD5.wav

Peak level 97.3 %
Extraction speed 4.3 X
Range quality 100.0 %
Test CRC 092D29FC
Copy CRC 092D29FC
Copy OK

No errors occurred

End of status report

==== Log checksum C8C74F72AC55324CED6422849631AF7279F5B75086D7FF22DDEA1714DABFC400 ====

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 27. November 2012, 1:41

Claudio Astronio / Cabezon - Obras de Musica - CD6

Used drive : HL-DT-STDVDRAM GSA-4083N Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 %source%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:35.40 | 0 | 16164
2 | 3:35.40 | 3:30.69 | 16165 | 31983
3 | 7:06.34 | 3:39.46 | 31984 | 48454
4 | 10:46.05 | 4:05.60 | 48455 | 66889
5 | 14:51.65 | 2:03.02 | 66890 | 76116
6 | 16:54.67 | 3:39.20 | 76117 | 92561
7 | 20:34.12 | 2:43.14 | 92562 | 104800
8 | 23:17.26 | 2:52.74 | 104801 | 117774
9 | 26:10.25 | 4:48.08 | 117775 | 139382
10 | 30:58.33 | 2:45.48 | 139383 | 151805
11 | 33:44.06 | 5:39.56 | 151806 | 177286
12 | 39:23.62 | 3:30.13 | 177287 | 193049
13 | 42:54.00 | 4:23.51 | 193050 | 212825
14 | 47:17.51 | 5:17.69 | 212826 | 236669
15 | 52:35.45 | 2:19.10 | 236670 | 247104
16 | 54:54.55 | 1:58.55 | 247105 | 256009
17 | 56:53.35 | 2:20.49 | 256010 | 266558
18 | 59:14.09 | 2:15.66 | 266559 | 276749
19 | 61:30.00 | 2:19.61 | 276750 | 287235
20 | 63:49.61 | 2:06.01 | 287236 | 296686
21 | 65:55.62 | 2:53.58 | 296687 | 309719
22 | 68:49.45 | 1:57.23 | 309720 | 318517


Range status and errors

Selected range

Filename J:\New Music\Cabezon - Obras de Musica\Cabezon - Obras de Musica - CD6.wav

Peak level 90.4 %
Extraction speed 4.3 X
Range quality 100.0 %
Test CRC 2A9AF265
Copy CRC 2A9AF265
Copy OK

No errors occurred

End of status report

==== Log checksum 45A2F4FA25E6D7402A2A72EE1E0A69E1E960D9ACF21B855861491725C0023468 ====

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 28. November 2012, 1:53

Claudio Astronio / Cabezon - Obras de Musica - CD7

Used drive : HL-DT-STDVDRAM GSA-4083N Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 %source%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 6:39.11 | 0 | 29935
2 | 6:39.11 | 10:21.18 | 29936 | 76528
3 | 17:00.29 | 3:57.73 | 76529 | 94376
4 | 20:58.27 | 3:56.65 | 94377 | 112141
5 | 24:55.17 | 5:57.21 | 112142 | 138937
6 | 30:52.38 | 4:46.30 | 138938 | 160417
7 | 35:38.68 | 3:56.70 | 160418 | 178187
8 | 39:35.63 | 4:27.09 | 178188 | 198221
9 | 44:02.72 | 5:08.37 | 198222 | 221358
10 | 49:11.34 | 3:44.37 | 221359 | 238195
11 | 52:55.71 | 3:08.37 | 238196 | 252332
12 | 56:04.33 | 2:40.52 | 252333 | 264384
13 | 58:45.10 | 4:25.34 | 264385 | 284293
14 | 63:10.44 | 2:26.47 | 284294 | 295290


Range status and errors

Selected range

Filename J:\New Music\Cabezon - Obras de Musica\Cabezon - Obras de Musica - CD7.wav

Peak level 95.1 %
Extraction speed 4.3 X
Range quality 99.9 %
Test CRC 68BFD952
Copy CRC 68BFD952
Copy OK

No errors occurred

End of status report

==== Log checksum EE8064B94ACC60051F272F551456EAC2932D215A536E7E61ECC4971F5EABCAF5 ====


Thanks to the original releaser
Download:

Uploaded

CD 1 | CD 2 | CD 3 | CD 4 | CD 5 | CD 6 | CD 7 | Scans

Uploadable

CD 1 | CD 2 | CD 3 | CD 4 | CD 5 | CD 6 | CD 7 | Scans

Oboom

CD 1 | CD 2 | CD 3 | CD 4 | CD 5 | CD 6 | CD 7 | Scans