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Miles Davis - Bitches Brew (180g Columbia Legacy reissue) Vinyl rip in 24 Bit/ 96 Khz + CD, Repost

Posted By: Kel bazar
Miles Davis - Bitches Brew (180g Columbia Legacy reissue) Vinyl rip in 24 Bit/ 96 Khz + CD, Repost

Miles Davis - Bitches Brew (1970)
Vinyl rip in 24-bit/96kHz & 16-bit/44.1kHz | FLAC (Tracks), artworks | Stereo | 1,8 Gb & 587 Mb | 5% RAR Recovery
Styles: Jazz, Avant-Garde Jazz, Fusion | RapidShare Download
180g Columbia Legacy reissue

Thought by many to be among the most revolutionary albums in jazz history, Miles Davis' Bitches Brew solidified the genre known as jazz-rock fusion. The original double LP included only six cuts and featured up to 12 musicians at any given time, some of whom were already established while others would become high-profile players later: Joe Zawinul, Wayne Shorter, Airto, John McLaughlin, Chick Corea, Jack DeJohnette, Dave Holland, Don Alias, Bennie Maupin, Larry Young, Lenny White, among them. Originally thought to be a series of long jams locked into grooves around keyboard, bass, or guitar vamps, Bitches Brew is actually a recording that producer Teo Macero assembled from various jams and takes by razor blade, splice to splice, section to section. "Pharaoh's Dance," opens the set with its slippery trumpet lines, McLaughlin's snaky guitar figures skirting the edge of the rhythm section and Don Alias' conga slipping through the middle. Corea's and Zawinul's keyboards create a haunted, riffing modal groove, echoed and accented by the basses of Harvey Brooks and Holland. The title cut was originally composed as a five-part suite, though only three were used. Here the keyboards punch through the mix, big chords ring up a distorted harmonics for Davis to solo rhythmically over, outside the mode. McLaughlin's comping creates a vamp, and the bass and drums carry the rest. It's a small taste of the deep voodoo funk to appear on Davis's later records. Side three opens with McLaughlin and Davis trading fours and eights over a lock-step, hypnotic vamp on "Spanish Key." Zawinul's lyric sensibility provides a near-chorus for Corea to flit around in; the congas and drummers juxtapose themselves against the basslines. It nearly segues into the brief "John McLaughlin," featuring an organ playing modes below arpeggiated blues guitar runs. The end of Bitches Brew, signified by the stellar "Miles Runs the Voodoo Down," reflects the influence of Jimi Hendrix; with its chunky, slipped chords and Davis playing a ghostly melody through the funkiness of the rhythm section. It seemingly dances, becoming increasingly more chaotic until it nearly disintegrates before shimmering into a loose foogy nadir. The disc closes with "Sanctuary," completely redone here as a moody electric ballad, reworked for this band; but keeps enough of its integrity to be recognizable. Bitches Brew is so forward thinking, it retains its freshness and mystery in the 21st century.–Allmusic
Miles Davis - Bitches Brew (180g Columbia Legacy reissue) Vinyl rip in 24 Bit/ 96 Khz + CD, Repost

Track listing

All pieces were written by Miles Davis, except where noted.

Side one

1. "Pharaoh's Dance" (Joe Zawinul) – 20:00

Side two

1. "Bitches Brew" – 26:59

Side three

1. "Spanish Key" – 17:29
2. "John McLaughlin" – 4:26

Side four

1. "Miles Runs the Voodoo Down" – 14:04
2. "Sanctuary" (Shorter) – 10:52


Personnel

"Bitches Brew"
"John McLaughlin"
"Sanctuary" (Shorter)

Recorded Columbia Studio B, New York City August 19, 1969

* Miles Davis - trumpet
* Wayne Shorter - soprano saxophone
* Bennie Maupin - bass clarinet
* Joe Zawinul - electric piano - Left
* Chick Corea - electric piano - Right
* John McLaughlin - electric guitar
* Dave Holland - bass
* Harvey Brooks - electric bass
* Lenny White - drum set - Left
* Jack DeJohnette - drum set - Right
* Don Alias - congas
* Juma Santos (credited as "Jim Riley") - shaker, congas

* On "John McLaughlin" omit Brooks
* On "Sanctuary" omit Maupin, Brooks and White

"Miles Runs the Voodoo Down"

Recorded Columbia Studio B, New York City August 20, 1969

* Miles Davis - trumpet
* Wayne Shorter - soprano saxophone
* Bennie Maupin - bass clarinet
* Joe Zawinul - electric piano - Left
* Chick Corea - electric piano - Right
* John McLaughlin - electric guitar
* Dave Holland - electric bass
* Harvey Brooks - electric bass
* Don Alias - drum set - Left
* Jack DeJohnette - drum set - Right
* Juma Santos (credited as "Jim Riley") - congas

"Spanish Key"
"Pharaoh's Dance" (Joe Zawinul)

Recorded Columbia Studio B, New York City August 21, 1969

* Miles Davis - trumpet
* Wayne Shorter - soprano saxophone
* Bennie Maupin - bass clarinet
* Joe Zawinul - electric piano - Left
* Larry Young - electric piano - Center
* Chick Corea - electric piano - Right
* John McLaughlin - electric guitar
* Dave Holland - bass
* Harvey Brooks - electric bass
* Lenny White - drum set - Left
* Jack DeJohnette - drum set - Right
* Don Alias - Congas
* Juma Santos (credited as "Jim Riley") - Shaker


Production

* Teo Macero – producer
* Frank Laico – engineer (August 19, 1969 session)
* Stan Tonkel – engineer (All other sessions)
* Mark Wilder – mastering
* Mati Klarwein – cover painting
* Bob Belden, Michael Cuscuna – reissue producer


TT: Technics SL 120 with SME 3009 tonearm
Cartridge: Ortofon Concorde OM 30 MM
Phono amp: Pro-Ject Tube Box II with 2X JAN 12AX 7WA (General Electric)
Cables: Wire World Solstice 5.2
Computer: Sony Vaio Laptop
ADC: Tascam US-144 external USB 2.0 Audiointerface
Software: WaveLab 5.01, ClickRepair, Redbook Resampled And Dithered with iZotope RX

Miles Davis - Bitches Brew (180g Columbia Legacy reissue) Vinyl rip in 24 Bit/ 96 Khz + CD, Repost


Miles Davis - Bitches Brew (180g Columbia Legacy reissue) Vinyl rip in 24 Bit/ 96 Khz + CD, Repost