Little Steven - Men Without Women (1982) - VINYL - 24-bit/96kHz plus CD-compatible format

As an Asbury Jukes fan, this was one I was hoping for a Little Steven LP, and when I saw it on the racks I couldn't believe my eyes. Great songs, but oh! if only John Lyons were singing these tunes. But it rocks like a mother!

What a great fucking record this is - or more precisely, could have been. As an Asbury Jukes fan, this was one I was hoping for a Little Steven LP, and when I saw it on the racks I couldn't believe my eyes. Great songs, but oh! if only John Lyons were singing these tunes.

I bought a record company promo package of this complete with large poster, puff piece literature, and a copy of the LP some time ago. See the artwork. Then I found a frickin' beautiful copy for $0.99. So I got that one, too, just in case.

Mastered by Wally Traugott.



Review by Mark Deming
Anyone who has ever saw Bruce Springsteen and the E Street Band between 1975 and 1981 knows one of the reasons they were among the best live bands in America is they had three members with the power and charisma to make great frontmen – Springsteen, Clarence Clemons, and "Miami Steve" Van Zandt. In 1982, while Springsteen was laboring over Born in the U.S.A., Van Zandt – who'd already proved his considerable chops as a producer, songwriter, and arranger working with Southside Johnny and the Asbury Jukes and Gary U.S. Bonds – stepped away from the E Street Band to launch a solo project, Little Steven & the Disciples of Soul, and in many ways the first Little Steven album, Men Without Women, is the finest album the Asbury Jukes never made. Like the Jukes best work, Men Without Women blends the muscle and swagger of Jersey shore rock & roll with the horn-fueled heart and soul of classic R&B, and here Van Zandt was willing to push himself further in both directions at once. With a five-piece horn section blazing throughout (featuring Richie "La Bamba" Rosenberg leading a crew of former Jukes brass players) and former Rascals Dino Danelli and Felix Cavaliere on hand, this album's blue-eyed soul credentials are unimpeachable, but Van Zandt's guitar (and Jean Beauvior's bass) speak with the sound and fury of a true roots rock rebel. While Van Zandt's songwriting was always impressive, Men Without Women's best moments expressed a degree of passion, vulnerability, and determined fervor he hadn't quite permitted himself in the past (he also began to express the political concerns that would dominate his later work on "Under the Gun"), and if Van Zandt was a less precise vocalist than "Southside" Johnny Lyon, the gritty sincerity and emotional force of his performances more than made up for it. On Men Without Women, Little Steven & the Disciples merged the brassy swing of a classic Motown side with the sweaty blare of a amped-up garage band, and if that sounds like an odd combination, in both soul and garage rock, commitment is what counts, and Little Steven had that to spare – along with a set of really great songs.

Christgau:
The lyric sheet makes good reading–the confessions of a working-class teenager who got what he wanted and lost what he had (though he would have lost it anyway by now, and had less money besides). Unfortunately, Little Miami Steve sounds like arena-period Dylan doing the Born to Run songbook, and the E-Streeters in his band blare like Silver Bullets. If the Boss really is driving around El Lay wondering what happened, as one rumor has it, he could do worse than rescue "Men Without Women" and "Princess of Little Italy." Only don't pronounce it "Lily," okay, Bruce? B-



01 - Lyin' In A Bed Of Fire.flac
02 - Inside Of Me.flac
03 - Until The Good Is Gone.flac
04 - Men Without Women.flac
05 - Under The Gun.flac
06 - Save Me.flac
07 - Princess Of Little Italy.flac
08 - Angel Eyes.flac
09 - Forever.flac
10 - I've Been Waiting.flac




No music was harmed in the making of this vinyl rip.