![Ensemble Lamaraviglia & Stepanie Boller - Psalms and Motets from Renaissance Switzerland (2021) [Digital Download 24/88]](https://pixhost.icu/avaxhome/4b/3c/00853c4b_medium.jpg)
Ensemble Lamaraviglia & Stepanie Boller - Psalms and Motets from Renaissance Switzerland (2021) [Digital Download 24/88]
![Ensemble Lamaraviglia & Stepanie Boller - Psalms and Motets from Renaissance Switzerland (2021) [Digital Download 24/88]](https://pixhost.icu/avaxhome/4b/3c/00853c4b.jpg)
Ensemble Lamaraviglia & Stepanie Boller - Psalms and Motets from Renaissance Switzerland (2021)
FLAC (tracks) 24-bit/88,2 kHz | Front Cover & Digital Booklet | Time - 63:25 minutes | 1,02 GB
Classical, Sacred, Vocal | Label: Claves Records, Official Digital Download
FLAC (tracks) 24-bit/88,2 kHz | Front Cover & Digital Booklet | Time - 63:25 minutes | 1,02 GB
Classical, Sacred, Vocal | Label: Claves Records, Official Digital Download
In the middle of the 16th century, the Geneva Psalter infected the whole of Reformed Europe – Switzerland included – with a true psalm fever. The first complete collection of all 150 psalms, promoted by the Genevan reformer Jean Calvin, was published in 1562. The psalm verses were translated into French and provided with melodies by various Genevan cantors. Thanks to the collection’s immense importance for the Reformation and its unique artistic content, these psalms inspired like none before the most influential composer of the time to write a large number of polyphonic psalm settings.
The four-part psalms composed by Claude Goudimel (c. 1514-1572) were published in 1564, just two years after their initial release. Set in a simple note-against-note setting with the well-known Genevan melodies in the tenor part, these psalms quickly gained incredible popularity. They were provided with translations of the texts into German, Dutch, Italian, even Rhaeto-Romanic and printed in large quantities, so they spread in no time throughout Europe, reaching even Switzerland’s furthest mountain valleys.
Tracklist:
1. Psalm 105, Ludè tuots la Divin’ essentia (00:49)
2. Psalm 105, Ludè tuots la Divin’ essentia, a 7 (02:04)
3. Psalm 25, A toy, mon Dieu, mon cœur monte, a 4 (01:14)
4. Psalm 25, A toy, mon Dieu, mon cœur monte, a 5 (02:49)
5. Psalm 121, In ôt hae vers ils munts guardô (00:41)
6. Psalm 121, In ôt hae vers ils munts guardô, a 4 (02:21)
7. Psalm 12, Am do succuors ô Dieu, a 4 (00:52)
8. Psalm 12, Am do succuors ô Dieu, a 5 (03:43)
9. Psalm 122, Erfreut hat sich mein Herz und Muth (01:14)
10. Psalm 122, Erfreut hat sich mein Herz und Muth, a 4 (02:36)
11. Psalm 104, Sciogl' al Signor alma mia canti bei (01:15)
12. Psalm 104, Sciogl' al Signor alma mia canti bei, a 4 (04:04)
13. Psalm 42, Sco ziev’ ouva fraschia gira, a 8 (06:46)
14. Psalm 9, De tout mon coeur t'exalteray, a 4 (03:23)
15. Psalm 33, Hor su, voi spirti giust' e santi (01:06)
16. Psalm 33, Hor su, voi spirti giust' e santi, a 4 (03:34)
17. Psalm 100, Vus chi sur terra stais, cantè (00:35)
18. Psalm 100, Vus chi sur terra stais, cantè, a 5 (05:22)
19. Psalm 8, O nostre Dieu et Seigneur amiable, a 4 (00:48)
20. Psalm 8, O nostre Dieu et Seigneur amiable, a 5 (02:48)
21. Psalm 63, O Dieu, t’êst quel Dieu ferm ch’eau hę, a 6 (03:52)
22. Psalm 150, Lobet Gott im Himmelreich (00:53)
23. Psalm 150, Lobet Gott im Himmelreich, a 4 (02:39)
24. Psalm 150, Or soit loué l'Éternel, a 8 (07:43)
foobar2000 1.4.1 / Dynamic Range Meter 1.1.1
log date: 2024-04-13 16:39:49
––––––––––––––––––––––––––––––––––––––––
Analyzed: Stephanie Boller / Psalms and Motets from Renaissance Switzerland
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -4.42 dB -20.60 dB 0:50 01-Psalm 105, Ludè tuots la Divin’ essentia
DR12 -0.90 dB -16.72 dB 2:05 02-Psalm 105, Ludè tuots la Divin’ essentia, a 7
DR10 -7.71 dB -22.28 dB 1:15 03-Psalm 25, A toy, mon Dieu, mon cœur monte, a 4
DR11 -3.21 dB -18.78 dB 2:49 04-Psalm 25, A toy, mon Dieu, mon cœur monte, a 5
DR11 -5.86 dB -21.32 dB 0:41 05-Psalm 121, In ôt hae vers ils munts guardô
DR12 -3.58 dB -20.30 dB 2:21 06-Psalm 121, In ôt hae vers ils munts guardô, a 4
DR10 -8.67 dB -24.83 dB 0:52 07-Psalm 12, Am do succuors ô Dieu, a 4
DR11 -4.85 dB -19.33 dB 3:44 08-Psalm 12, Am do succuors ô Dieu, a 5
DR11 -9.29 dB -24.29 dB 1:14 09-Psalm 122, Erfreut hat sich mein Herz und Muth
DR11 -4.27 dB -20.64 dB 2:36 10-Psalm 122, Erfreut hat sich mein Herz und Muth, a 4
DR10 -6.07 dB -23.42 dB 1:15 11-Psalm 104, Sciogl' al Signor alma mia canti bei
DR12 -3.60 dB -20.66 dB 4:05 12-Psalm 104, Sciogl' al Signor alma mia canti bei, a 4
DR13 -0.90 dB -18.09 dB 6:47 13-Psalm 42, Sco ziev’ ouva fraschia gira, a 8
DR11 -0.90 dB -16.60 dB 3:24 14-Psalm 9, De tout mon coeur t'exalteray, a 4
DR11 -0.90 dB -17.51 dB 1:07 15-Psalm 33, Hor su, voi spirti giust' e santi
DR12 -3.51 dB -19.66 dB 3:34 16-Psalm 33, Hor su, voi spirti giust' e santi, a 4
DR10 -6.64 dB -21.80 dB 0:36 17-Psalm 100, Vus chi sur terra stais, cantè
DR12 -1.37 dB -19.76 dB 5:23 18-Psalm 100, Vus chi sur terra stais, cantè, a 5
DR10 -7.67 dB -23.36 dB 0:49 19-Psalm 8, O nostre Dieu et Seigneur amiable, a 4
DR12 -0.90 dB -19.11 dB 2:48 20-Psalm 8, O nostre Dieu et Seigneur amiable, a 5
DR12 -2.79 dB -18.88 dB 3:52 21-Psalm 63, O Dieu, t’êst quel Dieu ferm ch’eau hę, a 6
DR12 -2.80 dB -20.13 dB 0:53 22-Psalm 150, Lobet Gott im Himmelreich
DR13 -1.25 dB -20.22 dB 2:40 23-Psalm 150, Lobet Gott im Himmelreich, a 4
DR11 -0.90 dB -15.46 dB 7:44 24-Psalm 150, Or soit loué l'Éternel, a 8
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 24
Official DR value: DR11
Samplerate: 88200 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2393 kbps
Codec: FLAC
================================================================================
log date: 2024-04-13 16:39:49
––––––––––––––––––––––––––––––––––––––––
Analyzed: Stephanie Boller / Psalms and Motets from Renaissance Switzerland
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -4.42 dB -20.60 dB 0:50 01-Psalm 105, Ludè tuots la Divin’ essentia
DR12 -0.90 dB -16.72 dB 2:05 02-Psalm 105, Ludè tuots la Divin’ essentia, a 7
DR10 -7.71 dB -22.28 dB 1:15 03-Psalm 25, A toy, mon Dieu, mon cœur monte, a 4
DR11 -3.21 dB -18.78 dB 2:49 04-Psalm 25, A toy, mon Dieu, mon cœur monte, a 5
DR11 -5.86 dB -21.32 dB 0:41 05-Psalm 121, In ôt hae vers ils munts guardô
DR12 -3.58 dB -20.30 dB 2:21 06-Psalm 121, In ôt hae vers ils munts guardô, a 4
DR10 -8.67 dB -24.83 dB 0:52 07-Psalm 12, Am do succuors ô Dieu, a 4
DR11 -4.85 dB -19.33 dB 3:44 08-Psalm 12, Am do succuors ô Dieu, a 5
DR11 -9.29 dB -24.29 dB 1:14 09-Psalm 122, Erfreut hat sich mein Herz und Muth
DR11 -4.27 dB -20.64 dB 2:36 10-Psalm 122, Erfreut hat sich mein Herz und Muth, a 4
DR10 -6.07 dB -23.42 dB 1:15 11-Psalm 104, Sciogl' al Signor alma mia canti bei
DR12 -3.60 dB -20.66 dB 4:05 12-Psalm 104, Sciogl' al Signor alma mia canti bei, a 4
DR13 -0.90 dB -18.09 dB 6:47 13-Psalm 42, Sco ziev’ ouva fraschia gira, a 8
DR11 -0.90 dB -16.60 dB 3:24 14-Psalm 9, De tout mon coeur t'exalteray, a 4
DR11 -0.90 dB -17.51 dB 1:07 15-Psalm 33, Hor su, voi spirti giust' e santi
DR12 -3.51 dB -19.66 dB 3:34 16-Psalm 33, Hor su, voi spirti giust' e santi, a 4
DR10 -6.64 dB -21.80 dB 0:36 17-Psalm 100, Vus chi sur terra stais, cantè
DR12 -1.37 dB -19.76 dB 5:23 18-Psalm 100, Vus chi sur terra stais, cantè, a 5
DR10 -7.67 dB -23.36 dB 0:49 19-Psalm 8, O nostre Dieu et Seigneur amiable, a 4
DR12 -0.90 dB -19.11 dB 2:48 20-Psalm 8, O nostre Dieu et Seigneur amiable, a 5
DR12 -2.79 dB -18.88 dB 3:52 21-Psalm 63, O Dieu, t’êst quel Dieu ferm ch’eau hę, a 6
DR12 -2.80 dB -20.13 dB 0:53 22-Psalm 150, Lobet Gott im Himmelreich
DR13 -1.25 dB -20.22 dB 2:40 23-Psalm 150, Lobet Gott im Himmelreich, a 4
DR11 -0.90 dB -15.46 dB 7:44 24-Psalm 150, Or soit loué l'Éternel, a 8
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 24
Official DR value: DR11
Samplerate: 88200 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2393 kbps
Codec: FLAC
================================================================================
Thanks to the Original customer!