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Romanticism and the School of Nature: Nineteenth-Century Drawings and Paintings from the Karen B. Cohen Collection

Posted By: TimMa
Romanticism and the School of Nature: Nineteenth-Century Drawings and Paintings from the Karen B. Cohen Collection

Romanticism and the School of Nature: Nineteenth-Century Drawings and Paintings from the Karen B. Cohen Collection
Metropolitan Museum of Art/Yale Un Pr | 2000 | ISBN: 0300085117/0870999648 | English | PDF | 260 pages | 41.48 Mb

This publication presents one hundred and fifteen drawings and paintings from the holdings of Karen B. Cohen, a noted New York collector. These French and English nineteenth-century works include landscapes, portraits, figure compositions, and still lifes by great artists of the Romantic period, of the Barbizon School, and of the Realist School, beginning with Prud'hon and ending with Seurat. A varied range of compositions by such masters as Gericault, Corot, Rousseau, Couture, Daubigny, and especially Delacroix is included. Among the highlights is a group of oil paintings by Courbet—both landscapes and portraits—and a series of cloud studies by Constable. Because these pictures have been held for so long in private hands, most are little known today, despite the fact that they were made by noted masters. Many are published here for the first time, often with comparative illustrations.

Colta Ives conceived this publication and is its main author. She provides documentation and commentary for each work, placing it within the context of the artist's development and connecting it to contemporary artistic trends and innovations. Elizabeth E. Barker has contributed entries on Constable and Bonington.

The character of the images assembled is remarkable, reflecting the collector's personal response to the turbulent dramas of the Romantics, the fresh discovery of landscape by French and English painters of the School of Nature, and the somber realism of Courbet and his followers. Nearly all the artists represented were alternately damned and praised for their modernity, for they were eager to present the natural world in as vivid a way as possible. Their sensitive treatment of nature and of human life, frequently in a fluid, cursory style, was intended to elicit a heightened response from the viewer. For the most part ancient history and myth were left behind for the immediacy of the present. Romanticism and the School of Nature is also the story of an exceptional collector and her independent discoveries. This publication will accompany an exhibition shown at The Metropolitan Museum of Art from October 16, 2000, to January 21, 2001.
Director's Foreword
Philippe de Montebello

Preface
Colta Ives

Acknowledgments

List of Figures

Catalogue
Colta Ives with entries by Elizabeth E. Barker on John Constable and Richard Parkes Bonington

Pierre-Paul Prud'hon 1758-1823 2 –
Louis-Leopold Boilly 1761-1845 8 –
Francois, Baron Gerard 1770-1837 16 –
Antoine-Jean, Baron Gros 1771-1835 18 –
Pierre, Baron Guerin 1774-1833 20 –
Francois-Marius Granet 1775-1849 22 –
John Constable, R.A. 1776-1837 24 –
Jules-Robert Auguste 1789-1850 40 –
Theodore Gericault 1791-1824 42 –
Augustin Enfantin 1793-1827 48 –
Camille Corot 1796-1875 50 –
Theodore Caruelle D'Aligny 1798-1871 54 –
Eugene Delacroix 1798-1863 58 –
Richard Parkes Bonington 1802-1828 100 –
Victor Hugo 1802-1885 106 –
Paul Huet 1803-1869 108 –
Denis-Auguste Raffet 1804-1860 112 –
Jacques-Raymond Brascassat 1804-1867 114 –
Alexandre Desgoffe 1805-1882 116 –
Narcisse Diaz 1807-1876 118 –
Leon Riesener 1808-1878 132 –
Theodore Rousseau 1812-1867 134 –
Thomas Couture 1815-1879 154 –
Ernest Meissonier 1815-1891 176 –
Adolf von Menzel 1815-1905 180 –
Charles-Francois Daubigny 1817-1878 186 –
Francois Bonvin 1817-1887 194 –
Theodore Chasseriau 1819-1856 202 –
Gustave Courbet 1819-1877 204 –
Jules Breton 1827-1906 222 –
Edgar Degas 1834-1917 224 –
Henri Fantin-Latour 1836-1904 226 –
Odilon Redon 1840-1916 228 –
Georges Seurat 1859-1891 232 –
Antoine Bourdelle 1861-1929 234.

Works Cited

Index of Artists


Colta Ives is Curator, Department of Drawings and Prints, The Metropolitan Museum of Art.

Elizabeth E. Barker is Assistant Curator, Department of Drawings and Prints, The Metropolitan Museum of Art.


Romanticism and the School of Nature: Nineteenth-Century Drawings and Paintings from the Karen B. Cohen Collection