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How to Write Sexy Descriptions and Sex Scenes by Val Kovalin

Posted By: bisneswoman
How to Write Sexy Descriptions and Sex Scenes by Val Kovalin

How to Write Sexy Descriptions and Sex Scenes by Val Kovalin
English | December 31, 2011 | ASIN: B006S3F8NW | 122 pages | EPUB/MOBI | 0.1 MB/0.2 MB


Sometimes a writer needs the right word – fast – to keep the momentum racing along while he or she builds up that total word count. When writing sexy descriptions and sex scenes, you may need words such as ache, aching, arch, bare, bared, battle, beg, bite, blush, bounce, brace himself or brace herself, breach, bruise, bruising, brush, buck, bump, burn, burning, captivate, capture, caress, catch, circle, clasp, clench, clenching, coax, cry out, cup, curse, curve, cushion, dampen, dart, darting, deepen, delve, dominate, and so forth.

Here, you get lists of words and ways to use them. Part One gives writing advice. Part Two shows you how to write sexy descriptions about the human body from head to toe. Part Three discusses male-male romance fiction, and Part Four details the common elements of a sex scene, including sexual tension, flirting, arousal, sexy noises, initial touching, kissing, embracing, intimate caresses, disrobing, masturbation, foreplay, penetration, the sex act, orgasm, and afterglow.

This book is written specifically for writers of erotic romance fiction, which includes male-female romance and male-male romance. Erotic romance fiction gives equal emphasis to sex and emotion within the romantic relationship. However, those who write erotica (more focus on sex) and those who write sweet romance (more focus on emotion) can adapt the information here. Others for whom this book may be useful include anyone who wants to write a sex scene for genre or mainstream fiction.

Before I start giving advice, I should make one thing clear. All this is information for you to evaluate for yourself and accept or dismiss. The only "ironclad rules" in writing fiction are the laws of physics and the principles of grammar, and even those can be bent. The most important thing is to write what the readers want to read. Throughout this book, I warn you about things that could break the spell of escapism and jolt the readers out of your story. However, you can write anything you want so long as you are aware of the risks you run. It's all up to you.